Tag Archives: Barber Institute

Chronicle I: July, August and September 2015

I’m back in the UK, and even if you’re not, you may have gathered that quite a proportion of this country’s academics are currently on strike about proposed cuts to our pensions. In theory, therefore, I can do nothing like work today, but for various reasons I think blog can be allowed; after all, given that the main reason I haven’t been blogging regularly of late is my job, it seems all sorts of perverse if when the job halts I still can’t blog. So, without further ado, I’m going to test out the new format with a short account of the three months of my academic life following the last backlogged event I covered, a conference in Lincoln which you can go and read about if you so desire.

The Barber Institute of Fine Arts, University of Birmingham

We begin here… The Barber Institute of Fine Arts, University of Birmingham

Now, I say my academic life but it’s even more difficult to separate that from the rest than usual for this particular patch of my existence, as in this time I was transferring that existence from Birmingham to Leeds. The two themes of my life in this period were therefore movement between cities, and counting coins. The latter was because one of the things the Barber Institute had hired me to do when I started there was an actual audit of the coin collection, whose records from the previous few years were sadly not all they should have been. In the event, it was only once I knew I was leaving that I really got started on that, becuase immediate priorities were all more, well, immediate. But now it had to be done, so I was spending most of any given working day in the coin room comparing trays to spreadsheets, and occasionally finding where someone had evidently dropped such a tray at some point then put things back in the wrong places. There were only a few of those but they really slowed things down… But it did, finally, happen and I wrote a big report which not only confirmed that the Barber was then in possession of 15,905 coins, 35 tokens, 22 medals, 165 seals, 42 weights and 10 other objects of paranumismatica, as well as collections not formally part of its holdings like the so-called ‘Heathrow Hoard’, but gave them something much more like a firm footing for future development of the collection. At the same time I was also setting up a lecture series for my exhibition, which I was now going to miss, processing uploads which you already heard about, and zapping coins with X-rays on occasion. It wasn’t a bad job, really. Oh yes, and I was also supervising two MA dissertations, one of which was on the Heathrow Hoard, indeed, so there was some teaching even though it was outside term.

A tray full of pale gold and billon coins of Emperor Manuel I Komnenos (1143-1180) in the Barber Institute of Fine Arts, Barber Institute of Fine Arts B5704-B5735

A tray full of pale gold and billon coins of Emperor Manuel I Komnenos (1143-1180) in the Barber Institute of Fine Arts, Barber Institute of Fine Arts B5704-B5735, which did not get dropped

So all that was busy enough, but in August my old diaries and e-mails betray a slow shift: correspondence about workshops I would be doing in Leeds, moving company quotes, a farewell party at the Barber (bless them) and eventually the actual close of play. Somewhere in there, of course, was also happening the slow packing-up of stuff and eventually it all going into a Pickfords lorry, in coordination with my partner’s stuff coming up from London to be so shipped as well, and finally our actual installation into what we then thought would be our new home for the foreseeable future. I also did a medievalist tour of Dudley with a couple of friends, and I will post about that separately, with photographs, because there is actually medieval stuff to photograph there. But it’s September where the itinerary just gets crazy: from Leeds to Birmingham on the 8th, crashing for one last night in my now-empty previous home to hand over white goods and keys the next day, and then back to Leeds; to London and then Harpenden, of all places, at the weekend for a gig, then back to London and back to Leeds; and back down to Birmingham again on the 15th, for reasons I’ll say more about in a moment, and back up to Leeds again on the 16th; and then on the 20th I flew to Sicily, where I was for the following 6 days for reasons I’ll likewise mention below. And the day after I got back, we had to start having our house hot-water system replaced and I started teaching in my new job, opening up my career there with a lecture on Charlemagne and the Carolingians, all fairly fitting I think. Up to that point I’d been on campus quite a lot anyway, for induction and training, and also organising next year’s frontiers sessions for the International Medieval Congress, but now it had really started.

Copper-alloy follis of Emperor Justinian I struck at Cyzicus in 543&ndash544, Barber Institute of Fine Arts B0692

Can it be that we have got so far through this post without an actual coin? Here’s a good big ugly one to make up for that, a copper-alloy follis of Emperor Justinian I struck at Cyzicus in 543&ndash544, Barber Institute of Fine Arts B0692

I’m still quite smug about the second Birmingham trip, just because it involved seeing an opportunity coming from a long way off at a time when I was otherwise completely lost in the weeds of the job. As I mentioned, there were a set of lectures intended to support my exhibition at the Barber. For various reasons they took a long time to organise, and I was having trouble finding suitable guest speakers. But as the date slipped back and the new job became clear, I suddenly realised: by the time they happened, I could myself be a guest speaker, because I would no longer work there! So that’s what I did, giving my successor in the post the job of introducing me for a lecture I’d set up. Perhaps it shouldn’t seem like a triumph, but it did. After all, if you want something done, do it yourself… The lecture was called “Small Change and Big Changes: minting and money after the Fall of Rome”, and it basically went through the changes that the imperial coinage system underwent as large parts of the Roman Empire fell into the control of non-Roman rulers, using Barber coins as illustrations throughout; the background idea was that of the exhibition, that we are still the heirs to Rome’s monetary and iconographic vocabulary of power, but the foreground was much more me working out ideas that I intended to take into the classroom; the lecture title is, after all, suspiciously similar to that of one of my current modules

The Parkinson Building, University of Leeds

Which means we are now here, the Parkinson Building, University of Leeds,once again. Photo by Tim Green from Bradford [CC BY 2.0], via Wikimedia Commons.

So, what haven’t we covered? Well, one thing that this new post format means sacrificing is the old write-up of trips, papers and conferences. I should still mention what they were, however, I think, so this is the list such as it was:

  • 3rd August: the medievalist outing to Dudley and Claverley, of which there will be separate photo posts;
  • 12th August: Eleanor Blakelock, “Secrets of the Anglo-Saxon Goldsmiths: underlying truth of the Staffordshire Hoard”, a seminar in the Department of Physics at the University of Birmingham whose details have now gone from the web, but a very useful contact with someone who genuinely knows about metallic analysis of early medieval gold, which resulted in an exchange of references as well as some useful knowledge about how Anglo-Saxon goldsmiths seem to have made their work look shinier;
  • 23rd August: an actual visit to the then-new display of the Staffordshire Hoard in Birmingham Museum and Art Gallery, which was good but probably isn’t worth recording separately for you all at this long remove given how much coverage the Hoard has already had here;
  • 21st–25th September: the XVth International Numismatic Congress in Taormina, Sicily. This needs a post of its own, and I’m not quite sure how I’ll keep it to one, but I am determined; it was a good but intense experience and I’m still trying to find out if my paper at it will be published. As you might imagine, I also managed to fit in some medievalist tourism here and there will be photos of that too.
  • 29th September: David Hinton, “Personal Possessions in Medieval England: archaeology and written evidence”, Institute for Medieval Studies Public Lecture, University of Leeds: my first academic event at my new job put one of the great figures of Anglo-Saxon archaeology before me and he was, of course, interesting; he emphasised the great spread of standards of living and wealth that Anglo-Saxon and medieval English material culture covered, from subsistence farming with almost nothing incidental owned (or at least lost) up to hoards of treasure such as have already been mentioned. Nonetheless, probably more people than that implies had precious items, however paltry; these were kept for lifetimes, which can make dating them from context difficult to do, but were also often metal and therefore recyclable, so the evidence all needs careful interpretation. Of course it does! But here was someone very used to doing that who made it sound manageable.

So, firstly that sort of summarises two and a half of the busiest months of my life until last year, but secondly I seem already to have promised five more posts of various kinds, mainly photos. I’d better therefore leave this one here and thus properly establish the new state of the blog! More will follow! After all, we haven’t got our pensions back as yet…

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All That Glitters, Experiment 3

A problem with finally picking up this blog a bit is that some of the old stories in it have been sitting idle for really quite some time. Does anyone remember, for example, that while I was working at the Barber Institute we got a small amount of money to zap gold coins with x-rays? If you do, you may remember that I’d already reported on the first two experiments we did in that project when everything here ground to a halt in 2016. Well, now I resume, with a brief account of the third experiment we did, and before long who knows, we may be through the rest!

Bruker S8 TIGER XRF analyser open for business

The S8TIGER WD-XRF spectrometer in the Department of Chemistry, University of Birmingham, with five sample cups waiting and one under analysis

A brief recap may be in order first of all, though. The very short version of the project’s purpose was: we had all seen an increasing amount of work using X-ray fluorescence spectrometry to analyse the fineness of precious-metal coins and sometimes even assign origins to its metal based on the trace elements therein. We had our doubts about this, but the manufacturers of some of the best machinery involved wanted to quell our doubts about this and offered us quite a lot of help with it, so we came up with a plan and, somewhat to our surprise, got both permission from the Henry Barber Trust to muck around with their coins and funding from the Royal Numismatic Society to do it, and so set about it. We began this in December 2014, with two experiments. The first was designed to test the viability of hand-held, portable, energy-dispersive machinery that could be brought to the coins; the second did comparator analyses using a fixed-location wavelength-dispersive spectrometer to which we had to bring the coins. This showed us that to detect anything at all of trace elements we would need the big machine, but also that it was picking up a whole load of stuff that seemed very likely to be extraneous material on the surface of the coins, probably from the soil in which they had long ago been found, rather than the stuff of which they were actually made. And that is about where we come in!

Gold solidus of Emperor Constantine VI and Empress Eirini struck at Constantinople 785-797, Barber Institute of Fine Arts B4599

The coin whose results (and details) are given in the first table below, set up for the test in which it did so

So, the third experiment was very simple. Using the same set of coins as we had previously run, I got hold of some conservation-quality acetone and a toothbrush, took them and the coins down to a workroom in the depths of the Barber and gave them all a careful but thorough scrubbing and let them dry, all except one that we left uncleaned as a check. Then I packed them up again and we bore them off to the Department of Chemistry on 22nd July 2015. There we ran them again, on the shorter of the big machine’s two cycles, and this gave us some results both before and after cleaning.

Unfortunately, if anything, the post-cleaning results showed more extraneous grot. That ‘if anything’ will tell you, though, that consistency was hard to observe. The variation wasn’t vast amounts, you understand, between half and one-and-a-half per cent, but cumulatively certainly enough to push our figures for the actual gold content up or down by two or three per cent, which would for some people be enough on which to found a theory about debasement… Here are the top ten elemental results from just one side of one coin by way of example:

Coin 170 (obverse)1 Percentage observed first time Percentage observed second time
Gold 86.51% 84.49%
Silicon 3.44% 4.63%
Silver 1.61% 1.43%
Aluminium 1.27% 1.19%
Potassium 0.80% 0.63%
Sodium 0.74%
Copper 0.44% 0.34%
Calcium 0.32% 1.96%
Sulphur 0.28% 0.48%
Iron 0.27% 0.50%
Total percentage of coin observed 96.38% 96.70%

Down by two per cent gold, and that mostly gone to silicon and calcium, even though some other small elements had dropped in the readings as well. Also, what this arrangement doesn’t show, the second time small but possible readings showed up for chlorine, magnesium and, way down the scale, platinum, all absent the first time through. Surely cleaning with acetone couldn’t have added calcium to the coin? But each coin we ran had its own little tale of additional mess to tell, even (and this should have told us something) the uncleaned check. Here are its top-ten figures for the obverse:

Coin 21 (obverse)2 Percentage observed first time Percentage observed second time
Gold 82.57% 87.43%
Silicon 1.82% 1.61%
Aluminium 1.01% 0.81%
Silver 0.74% 1.10%
Sodium 0.65%
Potassium 0.47%
Chlorine 0.45%
Calcium 0.44% 1.78%
Iron 0.31% 0.31%
Copper 0.24% 0.26%
Total percentage of coin observed 89.12% 93.80%

Some things are beguilingly similar, yes—iron and copper levels stay about the same—but others are not. The first test picked up sodium, potassium and chlorine but none of those turned up second time even though we’d actually got better readings with more of the sample observed (possibly because we gave it a flatter bit to look at). Were we just looking at a different bit? If so, that bit apparently had less silicon in it, but a whole whack more calcium in it. What can you do with these sorts of data?

Gold solidus of Emperor Anastasius I struck at Constantinople 491-518, Barber Institute of Fine Arts B0006, in an WD-XRF sample cup

The uncleaned check likewise set up for the results above, though I have to say it’s not like it looks dirty

So this was somewhat daunting, especially as we had four solid days of testing booked in for the following week and now somewhat less certainty that it would produce anything. At the time, my best guess was that the acetone had removed only handling patina, thus exposing the actual surface of the coin and everything that had adhered to or reacted into it while it was in the ground. Actually, looking back, I think we were already seeing here the conclusion that the final experiment would necessarily lead us to. But that would be getting ahead of the story, and even though this story is so very far behind, I have hopes of telling it as I wanted to anyway. So, till next post but, er, two, if I have my plans right (and no-one else dies—did you see Mark E. Smith has left us for the bar of the great and final WMC since the last post?), I shall leave the question hanging…


1. We used randomly-allocated running numbers throughout these experiments, so that we couldn’t try and guess what the results should be according to where the coins fitted in Byzantine history (or the previous curves laid down by work like Cécile Morrisson, Jean-Nöel Barrandon and Jean Poirier, “La monnaie d’or byzantine à Constantinople : purification et modes d’altérations (491-1354)” in Morrisson, Claude Brenot, Barrandon, Poirier and Robert Halleux (edd.), L’or monnayé I : purification et altérations de Rome à Byzance, Cahiers Ernest Babelon 2 (Paris: C. N. R. S. 1985), pp. 113–187. This one was actually Birmingham, Barber Institute of Fine Arts B4599, a solidus of Emperor Constantine VI and Empress Eirini struck at Constantinople between 785 and 797, online here. I’m actually almost loath to identify the coins here, though, lest it be thought I’m actually publishing figures for their metal content. As is probably clear, though, that’s something I’m sure we weren’t reliably getting.

2. And this one was Barber Institute of Fine Arts B0006, a solidus of Emperor Anastasius I struck at Constantinople between 491 and 518, online here, with the same reservations as in the previous note.

When is a hoard not a hoard?

In the Barber Institute of Fine Arts in the University of Birmingham there is a black box, about as big as the ones A4 printer paper come in, which contains 275 coins. Almost all of them are copper-alloy of some description and they are collectively known as either the Balkans Hoard or the Heathrow Hoard. I was faced with this even before I began work there as Interim Curator of Coins, because they used it as an interview test, and they will never know how I only had the faintest idea what any of it was because of frantic reading of Philip Grierson the week before.1 (Never.) One of my assigned responsibilities while in that job was to produce a report on this box, which I duly did in February 2016, by which stage I also had a master’s student working on it for her dissertation and plans actually to publish it with her. Somehow, by the end of my tenure in post those plans had not much advanced, and so in October 2015 as I gathered my various responsibilities up in the new job I decided that this project was still among them, and stubbed this post to tell you about it. As it happens, a few days ago I signed off the first part of the project, a skeleton formal catalogue, and so it’s all very timely how these things (slowly) come around.

A copper-alloy follis of Emperor Anastasius I, struck at Antioch in 498-518, Barber Institute of Fine Arts B0151

A copper-alloy follis of Emperor Anastasius I, struck at Antioch in 498-518, Barber Institute of Fine Arts B0151. This isn’t one of the coins in the box; I don’t seem to have a picture of any of the folles therein, but it’s not unlike them except by being from Antioch; there’re only a couple of Antioch coins in there, and they’re both of Justinian I.

I noticed even at the interview that this supposed hoard was not one, at least as the word is usually understood. The most obviously identifiable components were big early folles of Emperors Anastasius I (491-518), Justin I (518-527), Justinian I (527-565) and Justin II (565-574), but on the other hand a goodly part of what was in the box was concave billon, and so late-eleventh-century or later. The implied 500-year span pretty much precludes this being a single assemblage; while certainly folles circulated for a very long time, it’s not half a millennium by anyone’s reckoning and the concave coins and the old flat ones probably couldn’t have been part of the same system. (Probably. Assuming there was actually a system. Anyway…)

Billon aspron trachy of Emperor John III Ducas, otherwise known as John Vatatzes, struck at Thessalonica in 1249-1254, Barber Institute of Fine Arts BH0173

This is a lot more like what the state of the ‘hoard’ is generally like, and is, we think, a billon aspron trachy of Emperor John III Ducas, otherwise known as John Vatatzes, struck at Thessalonica in 1249-1254. You can imagine how much fun the identification was… The Barber has not formally accessioned the ‘hoard’, but this coin’s provisional access number is Barber Institute of Fine Arts BH0173. Not to scale with previous coin.

Further investigation only deepened this paradox. Firstly this was because we were able to identify more of the components. The later end included not just this twelfth-century concave stuff, mainly of Manuel I Komnenos (1143-1180) but some later still, but bits and pieces of the Latin Empire of Constantinople and its Thessalonican rival and really quite a lot of medieval Bulgarian material, most of all of Tsar Ivan Alexander (1331-1371) though again, a bit later. The absolute outlier was a grano of the Holy Roman Emperor Charles V (1519-1558)! Meanwhile, we had checked into the provenance, because the ‘hoard’ had originally come to us from the British Museum, and we had only received the Byzantine portion. It turned out that what they had kept was another 400-odd coins, mostly from the period of the Roman Empire but going back as far as Alexander the Great (336 BC-323 BC). So that date range was now up to nearly 1900 years and the issues of some very different states. It’s not a hoard!

Copper-alloy asarion of Tsar Ivan Alexander and his son Michael, struck at an unknown location in 1331-55, provisionally numbered Barber Institute of Fine Arts BH0088.

Copper-alloy asarion of Tsar Ivan Alexander and his son Michael, struck at an unknown location in 1331-55, provisionally numbered Barber Institute of Fine Arts BH0088. Not to scale with previous coin, though it is actually smaller.

Except, it kind of is. A hoard is by definition an assemblage of valuable items (whether personally or monetarily valuable) deposited with the intent of recovery, right?2 Well, the other documentation we got from the British Museum clarified a lot of things. This particular assemblage was deposited in a set of carrier bags, behind a loose panel in a bathroom on board an aeroplane staging through London Heathrow airport on its way between Sofia and Washington DC. If that’s a ritual deposit, I’m pretty sure it’s only because shipping stuff out of Bulgaria to sell on the US market has now become almost a regular practice.3 Someone was meant to pick this up. As it happened instead, it was discovered by a cleaner and taken over by Her Majesty’s Customs and Excise, who decided in due course that there was no prospect of returning it to its owner and that therefore it fell under a legal doctrine called ‘last resort’, which meant that rather than lose it to world heritage by dumping it on the open market it could be deposited with a UK museum. So the British Museum got it and gave some of it to the Barber. (This was in 2004; I believe the law about this changed in 2008.) It’s a fascinating group, has some actual numismatic novelties in it we think, and the combination of what’s in there allows one to make some educated guesses about where it was coming from (which my student bravely did, on the back of considerable research4), but it’s most fascinating as a collection, I think, because of the story by which it has become a hoard. It’s one of the things I’m working on, anyway, and, while it is temporarily out of my court, you can expect some day to hear more about it here.


1. Reading, of course, P. Grierson, Byzantine Coins (London 1982) which, if it doesn’t have all the answers, at least has most of the questions and some good guesses with illustrations to help. If you ever have to gen up on Byzantine coinage in a week, I recommend it!

2. For example, P. Grierson, Numismatics (Oxford 1975), p. 125: “A hoard is by definition a group of coins or other valuables which was concealed as a unit….”

3. This is the bit that needs the most substantiation, really, isn’t it? But you could start with Tihomir Bezlov & Emil Tzenkov, Organized Crime in Bulgaria: markets and trends (Sofia 2007), pp. 177-198, or Nathan T. Elkins, “A Survey of the Material and Intellectual Consequences of Trading in Undocumented Ancient Coins: A Case Study on the North American Trade” in Frankfurter elektronische Rundschau zur Altertumskunde Vol. 7 (2008), pp. 1–13, online at http://s145739614.online.de/fera/ausgabe7/Elkins.pdf, last modified October 2, 2008, as of October 12, 2009. I found these cites while researching what became Jonathan Jarrett, Reinhold Hüber-Mork, Sebastian Zambanini & Achille Felicetti, “Coinage, Digitization and the World-Wide Web: Numismatics and the COINS Project” in Brent H. Nelson & Melissa Terras (edd.), Digitizing Medieval and Early Modern Material Culture, New Technologies in Medieval and Renaissance Studies 3 (Tempe: University of Arizona Press 2012), pp. 459-489, but look, they have become useful again because the problem did not end with what these people knew about…

4. I can’t replicate her bibliography here, not least as I don’t have a copy, but the place to start for the Anglophone is D. Michael Metcalf, Coinage in South-Eastern Europe 820-1396, Royal Numismatic Society Special Publication 11 (London 1979), even now.

Another Gathering of Byzantinists in Birmingham

My reporting backlog now reaches 30th May 2015, which was a very full day in Birmingham occasioned by the 16th Annual Postgraduate Symposium of the Centre of Byzantine, Ottoman and Modern Greek Studies, with the title Fragmentation: the Eastern Mediterranean in Conflict and Cohesion. I have dithered before about whether I report on what is essentially a postgraduate event, but it’s a postgraduate event with a keynote by an established scholar and people come to it from all over the world, so it’s really as high-level as such things get and the people participating in it are all working at their highest level. So, I shall blog it, but as the backlog is so long and time is so short I shall try to be brief and hope it still does the participants due credit. I should stress, though, that looking through my notes for this, the number of times I have said to myself, “Oh! I met so-and-so then?” or even, “Oh? I ran that? I have no memory of this at all” has been much higher than it really should be for anyone of even my advanced age. I was clearly just getting by at this point in my life on not enough sleep, and while things have come back to me as I write this, we are basically reliant on my notes for what I’m reporting, which may be wrong or inadequate. So if you were there, I invite corrections!

The caravanserai of Kesik Köprü

The caravanserai of Kesik Köprü, in the erstwhile Seljuk Sultanate of Konya

We began with the keynote address, which was by Professor Scott Redford and entitled “84 Mongols Walk into a Caravanserai…”. This promising start was occasioned by a document, signed indeed by eighty-four Mongols, mostly local officials of various grades, at the caravanserai of Yüksekligi, to witness the act of one Nur ad-Din ibn Tayā as he established a church. The document is dated to the Year of the Monkey and has a gloss in Mongol. With this example of how cultures were mixing in the thirteenth century in what is now Western Turkey, Professor Redford then picked out a number of other ways in which we can, if we choose, find links between Greek, Turkish and yes, even Mongol cultures of patronage and power in this area. For example, Nur ad-Din had also built a caravanserai at Kesik Köprü, which is still up as you can see above, on the route between Constantinople and the local Sultanate of Konya, and stands near a bridge which went up at about the same time and only fell down in 1990, but contained an inscription set up by the Sultan of Konya when he was actually in rebellion against his masters in Baghdad, and so closer to the Greeks than the Turks in some ways.

The bridge at Kesik Köprü

The bridge at Kesik Köprü, as it has been restored I think

I was personally less convinced by some of the art-historical links which Professor Redford drew, but the widespread use of a symbol called the ‘elibelinde’, seen below, in Constantinople (and indeed more once it became Istanbul), various locations in the Seljuk sultanates and indeed yet another local caravanserai, did speak loudly of a cultural identity that crossed and blurred political boundaries that were in any case more fluid below the top, state, level than we sometimes remember when doing history in outline. So this was good, and full of much better illustrations than I have been able to use here.

A modern piece of weaving featuring a central row of four elibelinde symbols

A modern piece of weaving featuring a central row of four elibelinde symbols

After this we were down into the postgraduate sessions. I had volunteered to chair one of these, so my choice about what to go to was made for me, but in fact this put me into my first ever contact with two future colleagues so unbeknownst to me it worked well. Also, the papers were interesting. They were these:

  • James Hill, “Missing the Opportune Moment: John V Palaiologos and the spectre of union”
  • Nafsika Vassilopolou, “Royal Marriages of the Palaeologi (1258-1453): appraising a political practice”
  • Maroula Perisanidi, “Should We Abstain? Marital Equality in Byzantine Canon Law”
  • All these papers were about one or other sort of union, really. James was looking at the agreement of Emperor John V to re-reunify the Eastern and Western Christian churches, an agreement that in the end collapsed not just because of its deep unpopularity in the eastern Empire (where it doesn’t even seem to have been made public as a plan) but also and perhaps mainly because the popes simply couldn’t deliver the troops that were John’s asking price, despite their best diplomatic efforts with Genoa and Venice. Ms Vassilopolou’s paper made it seem odder that the eastern emperors had such trouble enjoining union of the Churches on their people, because when it came to marrying off princesses there was pretty much no theological objection which they could not overrule: consanguinity, juvenility, differing religions or sects of Christianity… What is less clear is what most of the eighty-eight political marriages the Palaeologan emperors arranged actually got them: alliance, sometimes, especially with the Mongols who seem to have received the most consistently high-status brides, territory sometimes, but it usually cost a lot in terms of land, money and human capital as well, and Ms Vassilopolou thought that the main motivation was to remain on the international stage as a player, not an extra, which as we know in the UK is a strategy that can make you do some very stupid things. Lastly Maroula went looking for gender equality in Byzantine canon law, hoping to find it at the most fundamental point: who got to choose when to abstain from sex? The trouble here is that most of the law deals with churchmen, who by reason of needing to perform holy office weekly and being supposed to abstain before and after were much more often confronted by this question, so that kind of comes pre-gendered. It was quite surprising to me how much thought the Byzantine canonists had put into this question, but I suppose it did keep coming up (if you’ll forgive the phrase). The paper is now out in print, anyway, so you can read it yourself if you like!1

    Tailpiece of a chrysobull of Emperor Alexios III Megas Komnenos of Trebizond to the Dionysiou Monastery on Mount Athos, showing him and his wife Theodora, niece of Emperor John VI Kantakouzenos of Constantinople

    Tailpiece of a chrysobull of Emperor Alexios III Megas Komnenos of Trebizond to the Dionysiou Monastery on Mount Athos, showing him and his wife Theodora, niece of Emperor John VI Kantakouzenos of Constantinople, image public domain via Wikimedia Commons

That took us to lunch, and then after that, the programme tells me, I was dashing back to the Barber Institute to give a coin handling session, “Coins of Byzantium and its Neighbours in the Barber Institute of Fine Arts”. I have literally no memory of this, although I remember correspondence about it, but it’s in the programme and I have a handout from it in my notes, so I guess it happened! I was apparently basically showcasing the Byzantine collection, from beginning to end, or at least, as close to the end as I thought we could get, a solidus of Constantine I to a half-stavraton of John VIII. (I later discovered two coins of Constantine XI in the collection which the Curator for whom I was standing in had acquired but never accessioned; they are there, if you want to see them.)

Silver half-hyperperon of Emperor John VIII struck at Constantinople in 1423-1448, Barber Institute of Fine Arts B6492

Silver half-hyperperon of Emperor John VIII struck at Constantinople in 1423-1448, Barber Institute of Fine Arts B6492

The route between the two took us via Justinian I’s reforms, Heraclius’s mighty beard, the strange mixture that is Arab-Byzantine money, Komnenian concavity and the various daughter coinages of Byzantium; I picked Trebizond, Venice and Hisn Kayfa, all of which tells you that I was finally beginning to get my head round what this collection had to offer and what, had circumstances been otherwise, I might have done with it. But with the alternative path laid out before me already, it was still really nice to be able to show off some of its shiny and curious components. Then, it was back up the road to where the papers were.

  • Yannis Stamos, “Kazantzakis’s Representations of the Greek Civil War: the divided vision of socio-political fragmentation”
  • Mike Saxby, “Arms in Exile: an analysis of military iconography on coins of the Byzantine successor states”
  • Carl Dixon, “From Armenia to Bulgaria? The Transmission of Heterodoxy in Peter of Sicily’s History of the Paulicians
  • The first of these was the only paper on the programme representing the Centre’s Modern Greek component, a study of two novels by the 1940s Cretan writer Niko Kazantzakis, Christ Recrucified and The Fratricides, arguing, I think, that Kazantzakis was trying to find an ethic that might heal his riven country in the form of a grass-roots socialism well infused with Christian charity, a community religious mutual help ethic; the paper overran and had to be cut short, so what the conclusion was to have been I have no idea. Mike, who was one of the vital sources of institutional memory when I took over at the Barber, went into the messy period after 1204 when Byzantine rulers-in-exile set up in Nicæa, Thessaloniki and Epiros, all of whom struck coin which generally diversified from the fairly standardised Constantinopolitan money of the previous period. Mike noted that although all tried out images of armed rulers and saints to different degrees, Thessaloniki had Saint Demetrius with a sword on more than half of its coin types, which as he said could be down to the six-hundred-year tradition there of the saint as the city’s military protector but could also just be down to the fact that Thessaloniki was most exposed to war, mostly with the Bulgarians who also by now claimed Saint Demetrius as a protecting saint. Several kinds of politics vie for expression in the coins, therefore. Lastly Mr Dixon took us into the history of a disputed text about the dualist Byzantine heretics known as Paulicians.2 The History in question purports to be from the 870s and to be a warning to the Byzantine administration that the group plans to mount a mission to convert, or subvert, the Bulgarians, but this cannot easily be; the situation it foresees had in part come about by the eleventh century, but the themes of the early tenth century, when the movement seems newly to have been observed, place it in Armenia, and it was only moved to the Balkans by Emperor John I in the late 970s. The text is thus very hard to date, and while Mr Dixon didn’t want to rule out that it was just a forgery given how little knowledge it seems to have about the settlement at Tephrike where it is set, he certainly felt that any evidence that it existed and was being used in the early tenth century, as has tended to be assumed from the text’s own claims, needed reexamination. Discussion suggested a few ways this might be done, but none of them were easy, so it’s quite the mission Mr Dixon had ahead of him.

    Anonymous copper stamenon struck in Thessaloniki around 1320, Barber Institute of Fine Arts B6534

    Anonymous copper stamenon struck in Thessaloniki around 1320, showing St Demetrios with sceptre and shield, Barber Institute of Fine Arts B6534

Then tea and then back into the sessions for the last round of papers, which took me back to the early Middle Ages where, really, my interests are.

  • Anna Kelley, “Rethinking Cotton Use and Cultivation in Late Antique Egypt”
  • Catherine Keane, “More than a Church: the archaeology of the economic reality of Christian structures in the late antique Mediterranean”
  • Maria Vrij, “The Anomaly’s Anomaly: the curious case of gold coin production at Syracuse under Justinian II”
  • Anna laid out for us a peculiar picture of cotton use and cultivation before the seventh century, in which it was far from unknown but for most people hard to get, and found only in certain areas; there was cotton growing on the Red Sea coast in the fourth century, for example, and in the Western Desert over the Nile, but not at points between. The current suggestion of a source seems to be Nubia but even there it’s hard to show cotton being grown for export, rather than just for local use. There’s a network here yet to be pieced together, which is roughly where Anna’s research comes in of course! Ms Keane was at a similarly early stage, and her basic question was about the relocation of economic production in Northern Africa, of oil, wine and so on, out of Roman rural industrialised complexes into cities and then, increasingly, localising out to the then-fairly-new churches. The focus of production seems therefore to be following the focus of public space, which is something that, like cotton, looks like there is more to be found out. although Ms Keane’s paper was full of citations indicating that the process has started.3 Lastly, Maria, my right hand at the Barber at this point and now my replacement there, was asking why, when Emperor Justinian II famously (to readers here at least) put a portrait of Christ on his gold coinage, the mint at Syracuse didn’t follow suit. Syracuse was rarely exactly on the Constantinopolitan model when it came to minting but this seems sufficiently outright a refusal of imperial authority as to need explanation, which might be offered in terms of a Western resistance to images of the divine, and one which was followed after Justinian’s death in all quarters, indeed. The discussion here circled somewhat around who this message might be for, the world of Islam or the coin-using public, and who they might be, all of which, sadly, the coins don’t really tell us.

    Ancient ruins at the modern city of Sidi Jdidi, Tunisia

    Ancient ruins at the modern city of Sidi Jdidi, Tunisia, one of the sites under discussion in Ms Keane’s paper

The final part of the symposium was a closing address by Professor Redford, who somewhat unconventionally started by asking the organisers why they’d picked this theme. With that answered he pointed out gaps and strengths in the programme and its adherence to the theme but reassured everyone that the Centre of Byzantine, Ottoman and Modern Greek Studies was still showing a flag for the value of study clusters like it, and the day closed with pretty much everyone much satisfied by how things had gone.


1. M. Perisanidi, “Should we Abstain? Spousal Equality in Twelfth-century Byzantine Canon Law” in Gender and History Vol. 28 (Oxford 2016), pp. 422–443.

2. Again, memory failure; I own this text, at least in translation… You can find it in Janet Hamilton and Bernard Hamilton (edd./transl.), Christian Dualist Heresies in the Byzantine World, c. 650-c. 1450: selected sources (Manchester 1998), pp. 65-91.

3. For example, Anna Leone, Changing Townscapes in North Africa From Late Antiquity to the Arab Conquest (Bari 2007) and Aïcha Ben-Abed-Ben Khader, Michel Fixot, Michel Bonifay & Sylvestre Roucole, Sidi Jdidi I : La basilique sud, Collection de l’École française de Rome 339 (Rome 2004).

Announcing Buried Treasures

Entrance to the exhibition Buried Treasures: Uncovering Hoards, at the Barber Institute of Fine Arts, University of Birmingham

New state of the entrance to the coin gallery at the Barber Institute of Fine Arts

I no longer work at the Barber Institute of Fine Arts, as keen readers will know, but you could be forgiven for making the mistake given that while I deal with the backlog about half the things on the front page of this here blog are posts about objects at the Barber and that until a few weeks ago they were displaying my work in the form of the exhibition Inheriting Rome, which for reasons I explained a while back has had the benefit of a considerably extended run while the new Interim Curator of Coins, Maria Vrij, got appointed and to work. This, however, she has now done and the results in the form of a new exhibition, Buried Treasures: Uncovering Hoards, is now open and I got to go to a private view.

Two of the display cases and the golden doors of the Coin Study Room in the coin gallery at the Barber Institute of Fine Arts

Two of the display cases and the golden doors of the Coin Study Room

I could, if so minded, at least claim an assist on this as, when it still seemed that I would be setting up the next exhibition after Inheriting Rome, I had the idea of displaying some of the hoards that reside in the Barber in their entirety, of which there are several, one of which I am even working towards publishing. They are all kind of bronze and damaged, however, and it remained an undeveloped idea. Maria, however, who has always known the Barber Collections far better than I got to, was also aware that lots of items in the collection had come from hoards, and that has proved the seed for a rather brilliant exhibition.

Introduction case from the exhibition Buried Treasures: Uncovering Hoards, at the Barber Institute of Fine Arts, University of Birmingham

Introductory case, naming and placing the 1945 Carthage Hoard, the 1954 Tunis Hoard, the 1957 Syria Hoard, ‘Hoard A’ from Syria, the Messina Hoard, the Dorchester Hoard, the Appleford Hoard and the Mardin Hoard, parts of all of which are on display

Using the hoards and their discovery as a platform, Maria has been able to open up in accessible terms many of the questions that lie beneath the practice of burying coins, such as: why do people do it? Are the purposes always the same? (To which, this exhibition makes abundantly clear, the answer is ‘no’.) What sort of coins get buried when? Where do the coins come from? Why were they not recovered? And what can they tell us, about the history of the coinage or about the history of their times?

Coins from the Messina Hoard and a replica of one of the vessels from the Dorchester Hoard against a backdrop of photographs from that hoard's discovery in 1936, in the exhibition Buried Treasures: Uncovering Hoards, at the Barber Institute of Fine Arts, University of Birmingham

Coins from the Messina Hoard and a replica of one of the vessels from the Dorchester Hoard against a backdrop of photographs from that hoard’s discovery in 1936

There are also more specific research outcomes on display here. Maria is of course one of the investigators on the project All That Glitters about which I have written here, and as a result one small part of one case uses our findings from that to talk about metal purity in the Byzantine gold coinage. If you want to know more about that, firstly rest assured that further posts will appear here as I slowly tackle the backlog, but more immediately, this coming Wednesday the 18th May there will be a lunchtime lecture at the Barber with the title, “The Marriage of History and Science: Testing the Purity of Byzantine Gold Coinage” and the speaker will be none other than myself! It’s not really my work I’ll be presenting so much as the group’s, set into a context in which the general public can understand it (or so I hope), but it should be fun, it is free and if you happen to be in Birmingham that lunchtime perhaps you’d like to come along?

Section of display on the concavity of late-Byzantine coins in the exhibiton Buried Treasures: Uncovering Hoards, at the Barber Institute of Fine Arts, University of Birmingham

Section of display on the concavity of late-Byzantine coins in the Syria case

I am, though, almost more pleased with this inset, in as much as without committing itself to any of my theories on the question, this is actually based on my research, which of course I talked out with Maria while I was actually working on it.1 I never thought of displaying the coins in a way that made their fabric this visible, however. As with so many elements of this exhibition, it is not unlike what we did in the coin gallery before (and the designers deserve a huge credit for making it recognisable as well as different) but it is probably better, managing to do more with less and make it more accessible. It runs until 26th February 2017, but go and see it soon! Then you can go again before it closes!

Website banner image created for the exhibition Buried Treasures: Uncovering Hoards, at the Barber Institute of Fine Arts, University of Birmingham

Website banner image created for the exhibition


1. Jonathan Jarrett, “A Problem Of Concavity: The Original Purpose Of The So-Called ‘Scyphate’ Byzantine Coinage”, paper presented at the XV International Numismatic Congress, Università degli Studi di Messina, 21st September 2015, now under review for publication.

Learning from an ailing emperor

The last two posts have involved rather a lot of me getting things wrong in a more or less embarrassing fashion, including about stuff I’ve either taught or written about. Obviously the thing to do next is to start giving opinions about a text written in a language I don’t even read, right? In fact, that might even be safer since at least here I know roughly how much I don’t know… But I have been meaning to write about this since the run-up to the Leeds International Medieval Congress last year, and my current somewhat shaky form isn’t going to stop me. So I want to introduce you to the work known as De Administrando Imperio by Emperor Constantine VII (913-959).1

Ivory depiction of Constantine VII being crowned by Christ

Ivory depiction of Constantine VII being crowned by Christ, now in the Pushkin Museum, Moscow, image from Wikimedia Commons

You see, last academic year I was under a certain amount of social pressure to identify as a Byzantinist, what with the second-best Byzantine coin collection in the world (so it has been claimed) in my charge. I was also trying to get people to participate in a grand effort of comparison of medieval frontiers, and needed to come up with something for a Leeds session on that subject. And so I thought that it would be potentially interesting to compare what my speciality medieval magnate, Count Borrell II of Barcelona (945-993), did with his frontiers to what a completely different but roughly contemporary polity, which given my immediate circumstances should most obviously be the Byzantine Empire, did with some of its. And having declared such an intent, the obvious next step was the De Administrando Imperio.

Now, there are lots of things about this text that struck me and I want to write about at least a couple, without anticipating the actual paper too much since I have every hope that a version of it will some day go into print.2 But to say anything useful about what the De Administrando says it seemed more and more to me that the first step was to understand what it is, which should be simple but isn’t. What it immediately appears to be is a manual of statecraft by a Byzantine Emperor, written for his son and future successor Romanus II (959-963). In fact, firstly not very much of it is explicitly about the administration of the Empire and secondly quite a lot of it is not by Constantine VII.3 I’ll try and explain…

Bronze follis of Emperor Constantine VII with Empress Zoe, struck at Constantinople in 913-919, Barber Institute of Fine Arts B4871

Bronze follis of Emperor Constantine VII with Empress Zoe, struck at Constantinople in 913-919, Barber Institute of Fine Arts B4871; Constantine is the little one on the left

In the first place one has to understand Constantine’s own life situation.4 He was son of the successful Emperor Leo VI the Wise (886-912) but was only two when Leo died, so although he succeeded he did so alongside his uncle Alexander (912-913), who kept his nephew mostly excluded from power during his short reign. Once Alexander was dead Constantine’s mother Zoe became leader of a regent council, but was for one reason or another unable to hold onto that status and the admiral of the fleet, Romanus Lecapenus, more or less took power in 919, marrying his daughter Helena to Constantine in that year and then assuming co-emperorship in 920.

Pierced gold solidus of Emperor Romanus I, showing him being crowned by Christ, with his son-in-law Constantine VII and his son Christopher sharing a cross on the reverse. Struck in Constantinople between 919 and 931, though narrower guesses have been made; Barber Institute of Fine Arts B4841

Pierced gold solidus of Emperor Romanus I, showing him being crowned by Christ, with his son-in-law Constantine VII and his son Christopher sharing a cross on the reverse. Struck in Constantinople between 919 and 931, though narrower guesses have been made; Barber Institute of Fine Arts B4841

Over Romanus I’s long and more or less successful reign (920-944) power was shuffled and reconfigured again and again, it seems, with his own sons Christopher, Stephen and Constantine becoming co-emperors alongside and indeed in front of Constantine VII, in terms of how they were presented in public display and on the coinage.5 Another of his sons, Theophylact, became Patriarch of Constantinople in 933, although far too young. Christopher, who seems to have been the intended heir, however died in 931, and after that Romanus seems to have accepted that his other sons would not be able to keep Constantine VII from power, and returned him to a more obvious rôle. Constantine was spared the bother of a contest, however, because in 944 Stephen and his imperial brother decided they’d waited long enough, kidnapped their father and deposed him and when they returned to Constantinople the people rose against them and demanded that Constantine VII take sole power. Usurper father and rebels sons all died as monks, although Stephen outlived both Constantine VII and Romanus II. It’s a messy story.

Gold solidus of Constantine VII struck in Constantinople, most likely between 945 and 959, Barber Institute of Fine Arts B4855

Gold solidus of Constantine VII struck in Constantinople, most likely between 945 and 959 but let’s be honest, could be earlier too; Barber Institute of Fine Arts B4855

What it all means for us, however, is that until 944 Constantine VII had a lot of time on his hands, and he seems to have spent a lot of this buried in books and the archives of the imperial palace. By the time he came to the throne he had a better idea than most about what the empire had been and some strong ideas about what it should now be, based not least on a series of treatises he had written, of which the De Administrando was only one.6 But he proceeded by compilation, pulling in materials of all vintages, so that the empire he reconstructed, and in the case of his book on imperial ceremony even enacted, was an empire that had never quite been, not all at once.

A modern map of part of the world as depicted by Constantine VII

A modern map of part of the world as depicted by Constantine VII, by Hxseek at English Wikipedia – Transferred from en.wikipedia to Commons. https://commons.wikimedia.org/w/index.php?curid=6342264

This applies no less to the De Administrando, but this raises particular excitement for scholars of the areas that he covers. These are, more or less, the frontiers with non-Islamic powers: it starts with the Pechenegs and the various other peoples who can affect them, including Rus’, Bulgarians and Turks, then talks at length about the way the Rus’ get to Constantinople, briefly about how to constrain the the Khazars, then goes off for many chapters into a reprise of the early history of Islam, largely retold from the Chronographia of Theophanes, all of which seems to be leading up to the point at which the ‘Abbasids lost control of al-Andalus to the one Umayyad they’d failed to kill, ‘Abd al-Rahman I. But that, 756, is as far as that thread goes and then he moves onto recent diplomatic relations within Italy, a matter of much more current concern as Romanus was married to a daughter of King Hugh of Italy (924-947). After that he proceeds more or less geographically, giving a historical ethnography of the various Roman and Slavic peoples of the Balkans, moving into the Caucasus and then appending a series of anecdotes about treaties and the manning of the imperial fleet. He finishes with two legends from Cherson.

Bronze coin of Constantine VII struck at Cherson between 913 and 959, Barber Institute of Fine Arts B4918

Bronze coin of Constantine VII struck at Cherson between 913 and 959, Barber Institute of Fine Arts B4918

From this you can see that if there was really an overall plan for this work, it was not adhered to very well. This has been explained by suggesting that Constantine had actually already nearly finished a different, more ethnographical work hypothetically known as the De Nationibus, and then before the final edit recycled its material willy-nilly into his new project for his son.7 But lots of that material is not only not his, but not reconciled at all with the other components of the work, which has suggested to many people that what we are getting here is nothing less than palace archival material copied without alteration, and often (it can be argued from the language used) based on or even actually being reports by local officials or informants from the areas concerned. This opens up for scholars of the early Slavs or the Rus’ the irresistible possibility that Constantine has preserved for them the earliest written records from their chosen peoples of study, and so there is great resistance to any suggestion that this is in fact a compilation of Constantinopolitan pseudo-history, selected by Constantine to justify baseless claims to imperial suzerainty of areas he couldn’t actually affect.8

Map of the rapids down the Dnieper river constructed more or less from the account of the De Administrando Imperio

Map of the rapids down the Dnieper river constructed more or less from the account of the De Administrando Imperio

And yet it sometimes seems as if it must be, because Constantine turns up so strongly as an authorial voice, which was the the thing that I liked best about reading the text. He starts the first chapter with a clear agenda:

“Hear now, my son, those things of which I think you should not be ignorant, and be wise that you may attain to government. For I maintain that while learning is a good thing for all the rest as well, who are subjects, yet it is especially so for you, who are bound to take thought for the safety of all, and to steer and to guide the laden ship of the world… I conceive, then, that it is always greatly to the advantage of the emperor of the Romans to be minded to keep the peace with the nation of the Pechenegs and to conclude conventions and treaties of friendship with them and to send every year to them from our side a diplomatic agent with presents befitting and suitable to that nation, and to take from their side sureties, that is, hostages and a diplomatic agent, who shall be collected together under charge of the competent minister in this city protected of God, and shall enjoy all imperial benefits and gifts suitable for the emperor to bestow.”

And he goes on with what is essentially a catalogue of people whom the Pechenegs can be induced to attack instead of the empire or who as allies of the empire may make the Pechenegs think twice before leaving their homeland open to attack by setting out against the empire. But it’s not long before that takes him onto ambassadorial routes to these people and then, apparently, he remembers this excellent account he has of bringing boats down the Dniepr from Kiev, and we’re off.9

Map of the Caucasus during the period of Romanus I's and Constantine VII's rule

Map of the Caucasus during the period of Romanus I’s and Constantine VII’s rule, from Wikiwand

Although a lot of the material can thus be explained as things it is useful for an emperor to know, some of it seems to have a bigger purpose, of presenting imperial claims in areas that lay well beyond the empire’s current control. On the former side there’s the intricate account of the recent politics of the Caucasus, important because almost all the rival potentates there had appealed for imperial support at some point and might do so again, always opening up opportunities for imperial expansion by force majeure. On the latter there are the quite dubious and much-debated claims about imperial Christianisation of the Balkans, which can be made into currently-relevant political statements but are at the least very odd ways to do that.10 Both of these cases are going to get their own posts, so I’ll not say more just now; instead, I’ll just add that not only do some sections, especially that on the Islamic conquest of Spain, not obviously serve any agenda beyond antiquarianism, but some are much more obviously personal. The little section on the imperial fleet—not the navy proper but a squadron maintained to carry the emperor and his officials in suitable style—is perhaps the most touching of these, where Constantine describes some of the men he remembers commanding the imperial galleys:

“When Podaron became vice-admiral, the protospatharius Theophylact Bimblidis was appointed protospatharius of the basin, who was nephew of the protospatharius John, surnamed Thalasson, and he lasted for a few years of the first reign of Constantine the Porphyrogenitus, the Christ-loving sovereign. On his death, since Michael the elder aforesaid [in a part not quoted here] was grown very old indeed and had given many long years of service as steersman, he was honoured with the rank of protospatharius and was also appointed protospatharius of the basin. And when the emperor embarked on the galley in the basin and set out either upon a progress or somewhere else, that good old man, ever memorable for his seamanship, would take his stand amidships of the galley, inspiring and urging the oarsmen of the galley to pull and row more bravely and manfully, and at the same time instructing the steersmen of the day how to manage the rudders and steer the imperial vessel when the winds were blowing distemperately. Well, he died….”11

I like this bit not just for the sheer irrelevance of Constantine’s genealogical detail—Romanus could surely get no benefit from knowing whose nephew an official of forty years before was—but because despite the third-person narrative, it’s clearly Constantine’s own memory we’ve got here, and it tells us that somewhere within the forty-five-year-old emperor who had spent much of his life as a virtual prisoner, albeit in a huge palace, was still the boy who had got to ride around on that galley and watch the elder Michael boss the sailors around in grand style.

Some of Constantine’s memories are less generous, and in particular, and understandably, he has almost nothing good to say of Romanus I Lecapenus. His words vary from lengthy accounts of why Romanus’s policy had been misguided, especially in areas where Constantine was now doing better, to straightforward character assassination:

“The lord Romanus the Emperor was an idiot and an illiterate man, neither bred in the high imperial manner, nor following Roman custom from the beginning, nor of imperial or noble descent, and therefore the more rude and authoritarian in doing most things … for his beliefs were uncouth, obstinate, ignorant of what is good, and unwilling to adhere to what is right and proper.12

One could certainly argue that this had a political purpose, since two of Romanus’s sons were still alive and, indeed, one Patriarch of Constantinople at the time of writing and might still have been seen as threats, and it’s an odd thing so thoroughly to insult your son’s grandfather in a work you’re giving to that son. This is not the only place where Constantine seems to have thought this work might have a wider audience, but on the other hand the contents could have been considered sensitive and the repeated addresses to his son make a specific audience also seem to have been intended.13

Gold solidus of Emperor  Constantine VII with Romanus II, struck at Constantinople probably between 945 and 959, Barber Institute of Fine Arts B4852

Gold solidus of Emperor Constantine VII with Romanus II, struck at Constantinople probably between 945 and 959, Barber Institute of Fine Arts B4852

One is left to wonder if Constantine really knew what he was doing with this work, or if it was even really finished; it seems not to have been edited, as said, its chapter headings don’t always match its contents and Constantine seems to refer here and there to things he’s failed to say in other sections.14 One explanation of the state of it might be that the single surviving manuscript, which was copied in the second half of the eleventh century, was made up from something that was still a working copy, with notes and materials laid in that were never supposed to be part of the final version. The scholarship is pretty clear that the text was finalised in 952, however, because that is a date actually given as current at one point in the text and was the year of Romanus II’s fourteenth birthday, when he might have been considered to have come of age, and the opening proem not only names the author, in the first person, and the recipient, but gives a summary of the contents that seems to match the order of what we have.15 In other words it looks as if this is something like what Constantine meant it to be, although if so one wonders if our copy was made from the final version, if Constantine had in fact read over that version or if he was really working at full power. Later sources suggest that Constantine drank too much wine, and there is something about the way this text proceeds that does remind me of one knowledgeable but ageing alcoholic I knew well in his declining years.16 But if the De Administrando is, in fact, just badly put together, what does that do to our attempts to divine its various deeper political and intellectual purposes? Maybe they have also to be assumed to be not very well put together. And can we trust such an author to have reported or copied his sources accurately? These are questions people probably don’t want to deal with, as they threaten to diminish how much we know, but what mainly strikes me all the same is how very human Constantine comes across in his attempt to compile his uniquely imperial wisdom.

Copper-alloy follis of Constantine VII , struck at Constantinople probably between 944 and 959, Barber Institute of Fine Arts B4597

Copper-alloy follis of Constantine VII , struck at Constantinople probably between 944 and 959, Barber Institute of Fine Arts B4597


1. Constantine Porphyrogenitus, De Administrando Imperio, ed. Gyula Moravcsik, transl. Romilly J. H. Jenkins, 2nd edn., Dumbarton Oaks Texts 1 (Washington DC 1967), online here.

2. Though should you really care and need a citation, that would be J. Jarrett, “De Administrandis Marcis: the 10th-Century Frontier with Islam, seen from Barcelona and Byzantium”, paper presented in session ‘Rethinking the Medieval Frontier, I: Beyond the Reconquista’, International Medieval Congress, 9th July 2015.

3. Also, it’s not called the De Administrando Imperio, in as much as it’s in Greek and it doesn’t have a title in any of the manuscripts, but this is what its first editor called it in an era when it was still considered necessary to give Greek texts a title of reference in a ‘proper’ language…

4. I base my account here mostly on Jonathan Shepard, ‘Equilibrium to Expansion (886–1025)’ in idem, The Cambridge History of the Byzantine Empire (Cambridge 2008), pp. 493-536, doi: 10.1017/CHOL9780521832311.020, at pp. 503-518. I was working at speed when I put that paper together…

5. On the coinage, which has probably been assigned too precise a chronology on the assumption that its iconography precisely reflects the shifting balance of power in the reign, see Philip Grierson, Byzantine Coins (London 1982), pp. 172-188. The finer chronology proposed by Franz Füeg, Corpus of the Nomismata from Anastasius II to John I in Constantinople, 713-976: structure of the issues, corpus of coin finds, contribution to the iconographic and monetary history (Lancaster PA 2007), goes well beyond the demonstrable. I’d give page references but, really, you could say that of the whole book. Even he, however, has to admit (at p. 39) that Constantine struck solidi with both sole and accompanied portraits at the same time, which if it could be done obviously undermines the whole chronology based on who’s on the coins. This really should have been obvious from the copper-alloy coinage already.

6. Others: Costantino Porfirogenito, De Thematibus, ed. Agostino Pertusi, Studi e Testi 160 (Città di Vaticana 1962); Constantine Porphyrogennetos, The Book of Ceremonies, with the Greek edition of the Corpus Scriptorum Historiae Byzantinae (Bonn, 1829), transl. Ann Moffatt & Maxene Tall, Byzantina Australiensia 18 (Canberra 2012).

7. Romilly J. H. Jenkins, “General Introduction”, in idem (ed.), Constantine Porphyrogenitus: De Adminstrando Imperio. A Commentary (London 1962, repr. Washington DC 2012), pp. 1-8.

8. E. g. Dimitri Obolensky, “C. 9“, ibid., pp. 16-61 at pp. 19, 25-26 & 40-42; Jenkins & Francis Dvornik, “Cc. 29/1-53, 217-295; 30-36“, ibid. pp. 93-142 at pp. 96-101, 112-113 & 118, or Moravcsik, “Cc. 37-42“, ibid., pp. 142-156 at pp. 143 & 145-146, all arguing for local informants behind Constantine’s material on the Rus’, Slavs and Hungarians respectively; cf. e. g. Florin Curta, The Making of the Slavs: history and archaeology of the lower Danube region, c. 500-700 (Cambridge 2001), pp. 64-66.

9. Constantine Porphyrogenitus, De Administrando Imperio, cc. 1-6, 7, 8 and then 9 respectively, section quoted from c. 1.

10. Ibid. cc. 29 & 31-36, all of which attribute a major role in the pacification and the Christianization of the relevant people of the Balkans to Emperor Heraclius, presumably to challenge any Frankish claims to control of either the peoples or their churches (clearest in c. 29) but picking the emperor who actually largely lost these areas on which to pin the relevant claims.

11. Ibid. c. 51.

12. Ibid. c. 13, though it needs to be clear that this is not Constantine giving voice to his actual thoughts, but part of an excuse he suggests offering by way of excusing the fact that although Romanus I married his grand-daughter to a Bulgarian prince, the foreign embassies with whom Romanus II might be dealing were absolutely not going to get a Byzantine bride to take home for their master. Still, he wrote it for his son to say about his son’s grand-dad…

13. Romanus II is directly addressed in ibid. Proem & cc. 1, 13, 43 & 46, but cc. 26 & 30 both seem to be addressed more generally. For the argument of sensitive contents, see Moravcsik & Jenkins, “General Introduction” in ibid., pp. 1-14 at pp. 13-14.

14. Chapter headings that don’t match chapters: ibid. cc. 9, 10, 51 & 52. Confusion: in ibid. at one point in c. 27 Constantine explains the Duke of Naples’s title in Byzantine terms but never actually refers to him by it; in c. 40 ideas are dropped and picked up again after a paragraph of digression; one could go on.

15. Date: ibid. c. 45; address: ibid. Proem.

16. Obviously I’m not going to name my example, but for Constantine see Moravcsik & Jenkins, “General Introduction”, p. 9, where the emperor’s drinking is excused without identifying the source of the accusation.

Aside

Probably only one person reads my blog so closely as to notice this, but the backlog has actually advanced to the point where the ‘sticky’ posts on the front page that I have been using to hold current events and … Continue reading