One of the very many things that have been keeping me from updating this blog as I would wish over recent months is now done, and can and should be announced. It is nothing less than the new exhibition in the Coin Gallery at the Barber Institute of Fine Arts, curated by none other than yours truly. It’s entitled Inheriting Rome: the imperial legacy in coinage and culture and I’m really very pleased with it. The designer has taken my ideas and content and made it into a feast for the eyes as well as the brain but people have also been telling me that it is clear and interesting and makes them think and all those things that one wants to hear when one has done this much work to put objects, text and images together for the delectation of the general public. The Barber’s current What’s On leaflet has this to encourage you to come and see:
Look at one of the coins you’re carrying today: you’ll see the Queen’s portrait facing right and Latin script around the royal head. It seems our coins have looked this way forever, and that’s nearly true. But why? This exhibition uses money to explore and question our deep-seated familiarity with the Roman Empire’s imagery. Britain is not the only nation, empire or state to channel ancient Rome in this way: the Barber’s excellent collection of coins from the Byzantine Empire – as well examples from Hungary, Georgia and Armenia – illustrate both the problems and possibilities of being genuine heirs of Rome. Attempting to uncover the political uses of Rome’s legacy, this exhibition encourages the visitor to ponder why we are so often told of the empire’s importance – and whose interests such imagery serves.
A little UK-centric in retrospect, but then I don’t think we send the leaflet out any further than that… You can see that I was and am out to make a point, anyway, but really, come for how great it all looks and stay for the interpretation. It’s open until the 24th January 2016, and there are gallery tours on the third Sunday of most months as well as a number of gallery talks by myself, of which you can find details on the Barber’s website at those links. Do come and see!
Meanwhile, I have to thank Robert Wenley, Chezzy Brownen and John van Boolen for making it clearer and better in various ways or in John’s case actually helping install it, as well as crawling in roof-spaces to try and fix broken lights, and most of all Selina Goodfellow of Blind Mice Design for making it into something everyone wants to look at. I’ll have as much credit as is going, you know, but these people deserve theirs too. Thanks to all and you, readers, come and see what we did!
(Right. So that just leaves a website rewrite, children’s activities, auditing the collection, checking the library and uploading the entire set of catalogues onto the University of Birmingham’s website, ON WHICH MORE SHORTLY, as well as zapping things with X-rays for purposes of Science! What’ll I do tomorrow?)