Name in Print XIX

I don’t really have time to write here, but as with Captain Beefheart and talking about his women, I’m gonna do it anyway.¹ If you’re reading this you’re probably aware I’m working against two backlogs, one of reports of my academic life and the other in reporting my academic achievements, and we just had one of the previous so now it’s time for the latter, because I still have unreported successes to report, which I suppose is good. This time it’s a publication, what turned out to be my last one of 2018 in fact though it happened very early on, in February, and has a 2017 date on it. (I currently have four things in press, one more awaiting the editor’s word that it’s in press, and four more under review, some of which have been there a very long time, so it’s not for want of trying, but my life’s bibliography is going to have another gap in it for 2018, sometimes it’s just the way it goes.²)

Cover of Franz Füeg, Corpus of the Nomismata from Anastasius II to John I in Constantinople
713–976: Structure of the Issues; Corpus of Coin Finds; Contribution to the
Iconographic and Monetary History (Lancaster 2007)

So this piece! This goes back to my time at the Barber Institute, which on looking back was an immensely productive year. Somewhere in it, realising that I was now technically a Byzantine numismatist, the editor of the Numismatic Chronicle lit upon me like a cheery bird of prey, brandishing two books for which he didn’t have a reviewer, extensive studies of the Byzantine gold coinage of Constantinople by a retired professor of architecture by the name of Franz Füeg.³ I thought this was a relatively good way to advertise my participation in this field—and at the time, of course, I didn’t know how long I’d be in the field—and agreed, and then once I got reading realised that I’d let myself in for more than I’d bargained. The two books are complex, brilliant in places and questionable in others, and by the time I had a full stock even of the first volume, my draft review was nearly 4,000 words and also late. I sent it in in March 2017 and the editor kindly but firmly suggested that if it was going to be like this, I might as well do both volumes properly and call it a review article, and use it to comment on the state of the field a bit more broadly as well as these books.

The Numismatic Chronicle for 2017 in all its glory

Now even that took some time, because of course the job at Leeds had started by now and as you’ll have noticed that has kept me busier than I’ve been before. It also meant some more reading in this field I technically no longer worked in, very largely the works of Cécile Morrisson, and it wasn’t till November 2017 that that text finally went in.⁴ That was calculated to work with the timetable of the Chronicle, however, and I knew it would be in time; and therefore, it emerged in February 2018 and looks like this.

First two pages of Jonathan Jarrett, ‘Middle Byzantine Numismatics in the Light of Franz Füeg’s Corpora of Nomismata’ in Numismatic Chronicle Vol. 177 (London 2017), pp. 514–35

I am quite pleased with this article. I’m not really sure I have the experience or expertise that should let me comment on Byzantine numismatics like this, even over a constrained period, but it does seem to me that Füeg’s books, while problematic in a huge range of ways, show up problems with our current paradigms over some things, most especially the organisation of the Constantinople mint (and especially officinae, for those who care), artistic seriation of coinages (though that should have looked like a problem already), who the die-cutters were and how many of them were at once, how we define obverse and reverse in the Byzantine coinages, how effective coins could have been as imperial propaganda (a point I’ve been teaching with ever since), and the nature of a possible demonetisation under Emperor Michael III, as well as some more of my points about the reasons for the production of concave coins already discussed.⁵ In other words, it’s quite wide-ranging—it even takes a few stabs at the literature on the bronze coins while it passes, though my suspicion is that Andrei Gândilá will sort that out before I get round to intervening there—and I think it’s quite clever in places.⁶ So, if you’re interested in any of those issues, you might want to have a look at it. I can’t post a PDF for two years, that’s the agreement, but obviously as a numismatist you should be subscribing to the Chronicle anyway, right? And if you do, then you’ve already seen this and I didn’t need to tell you, but I am still quite pleased with it.

(Statistics, such as they be given that this isn’t quite the normal peer-review process we’re talking here: one-and-a-half drafts over a period of two years two months; and time from first submission of a full text to print a mere three months, which is kind of amazing. As I said, timing was first bad then crucial…)

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1. Cited from Captain Beefheart and his Magic Band, ‘Long-Necked Bottles’, on idem, I’m Gonna Do What I Want to Do (Live at My Father’s Place, 1978) (Rhino Records 2003), since you ask.

2. Just to tantalise you, the things actually in press, that I therefore have some certainty will actually come out—and as we’ll hear soon, that’s never guaranteed—are as follows:

• Jonathan Jarrett, ‘Coinage in the Western World at the End of the Roman Empire and After: Tradition, Imitation and Innovation’ in Journal of Ancient Civilizations Vol. 33 (Changchun forthcoming)
• Jonathan Jarrett, ‘La fundació de Sant Joan en el context de l’establiment dels comtats catalans’, transl. Xavier Costa i Badia in Blanca Garí and Costa (edd.), El monestir de Sant Joan: Primer cenobi femení dels comtats catalans (887-1017) (Montserrat forthcoming)
• Jonathan Jarrett, ‘Outgrowing the Dark Ages: agrarian productivity in Carolingian Europe re-evaluated’ in Agricultural History Review (Reading forthcoming)
• Luca Zavagno, Rebecca Darley and Jonathan Jarrett, ‘”Not the Final Frontier”: The World of Medieval Islands’ in al-Masāq: Islam and the Medieval Mediterranean, ‘Not the Final Frontier’: The World of Medieval Islands (Abingdon forthcoming)

But which one first? And when? That’s the thing no-one knows…

3. Franz Füeg, Corpus of the Nomismata from Anastasius II to John I in Constantinople 713–976: Structure of the Issues; Corpus of Coin Finds; Contribution to the Iconographic and Monetary History, transl. H. Thomas Hofmänner, ed. Italo Vecchi (Lancaster 2007); Füeg, Corpus of the Nomismata from Basil II to Eudocia 976–1067: Corpus from Anastasius II to John I 713–976 with Addenda; Structure of the Issues 976–1067; The Concave/Convex Histamena; Contribution to the Iconographic and Monetary History, transl. H. Thomas Hofmänner, ed. Italo Vecchi (Lancaster 2014).

4. I would recommend Cécile Morrisson, G. Schaaf and Jean-Michel Spieser, Byzance et sa monnaie, IV^e–XV^e siècle: précis de numismatique byzantine. Catalogue de la collection Lampart à l’Université de Fribourg, Réalités Byzantines 15 (Paris 2015), in which pp. 7‒104 are a ‘Précis de numismatique byzantine’ that somehow encapsulates much of her expertise, with shiny new diagrams.

5. On which last issue, of course see now Jonathan Jarrett, ‘Why did the Byzantine Coinage Turn Concave? Old Suggestions and a New One’, in Maria Caccamo Caltabiano (ed.), Proceedings of the XV International Numismatic Congress, Taormina 2015 (Roma 2017), PDF Addendum pp. 1-4.

6. I’m thinking here especially of Andrei Gândilá, ‘Heavy Money, Weightier Problems: the Justinianic reform of 538 and its economic consequences’ in Revue numismatique Vol. 169 (Paris 2012), pp. 363–402, online here, but he’s been busy and there’s lots more I need to catch up with.

A showcase of my new department (as of 2015)

Tomorrow there will be marking again, if I am to write here at all, it must be tonight… If that sounds a little hunted, I apologise, but the effect of my workload on my ability to blog sadly cannot be denied. At the end of last October I promised you about five posts; here is the first of them, in which I report on an afternoon spent in the bosom of my then-freshly new department, Leeds’s Institute for Medieval Studies, on a day when it was in some sense on display, and since it showed it up so well I thought it would be good to remark on it here, even after such a long time.

The Parkinson Building, University of Leeds, home of the IMS. Photo by Tim Green from Bradford [CC BY 2.0], via Wikimedia Commons.

There are in the IMS two long-running seminar series—most of the institutions within the IMS have a long and venerable pedigree by now—and one of these, Medieval Group, is slightly less formal than the other. Whereas the regular medieval history seminar is exactly what one would expect, the Medieval Group has members who are not part of the University and also does extra-curricular activities. Naturally enough that requires some publicity to get people to come, and on Saturday 24th October, 2015, there was therefore held the 22nd Annual Medieval Research Afternoon, and I was there and indeed part of the display.

The afternoon was broken into three parts, ‘Resources and Opportunities’, ‘Collaborations and Projects’, and ‘Research Presentations’. The first of these, maybe obviously, was intended to showcase the various medieval research things you can do in Leeds you can’t do elsewhere, and so we had short presentations from each of Elizabeth Linville, speaking on behalf of the Royal Armouries Museum, Lucy Moore, an ex-IMS student herself and speaking for Leeds Museums and Art Galleries for whom she now works (and indeed used to blog about coins), Rhiannon Lawrence-Francis, on behalf of Special Collections in the University of Leeds itself, and Dr Marta Cobb speaking for the International Medieval Congress, which among its other good works also provides a paid internship for one of our graduate students a year. We tend to have collaborative projects running with the Armouries because we have two staff members who work on, and supervise students in, medieval warfare, and so that was all very clear; we don’t have as much to do with the Museums and Art Galleries because they are cruelly overloaded, and indeed I was even then struggling to put something together with Lucy myself, but watch this space all the same, things are now afoot; and about some of the ways a medievalist might get working with Special Collections you have already heard. So all that made sense and was good and impressive.

‘Collaborations and Projects’ was more like normal paper presentations, so I’ll do it with the now-traditional bullet arrangement:

• Rene Hernandez Vera and Mike Spence, ‘Digitising the Monastic Past’: this was a report on a project then just winding up to test the possibilities for digitising the very substantial archive of Fountains Abbey, which was the richest Cistercian abbey in England, which would be documents from 1146 till the 1300s, including both originals and their registrations in various record books. To me that sounded like the most interesting bit, the possibility of comparing the originals to what people thought worth preserving, but then I am a colossal charter geek as we know, and it may be that such a database would also serve people who just want to know more about Cistercian land management or the economic structures of pious intercession and so on, and of course of those we do have some famous ones…
• Romina Westphal, ‘Shedding Light on a New Science in the 12th Century: an iconographic study of the Hildesheim candlesticks’: this was a project on two small but intriguing candlesticks that now live in the Hildesheim Domschule. One of them is adorned with images of the three continents (as were then known) and the other with philosophical personifications. At this point Romina and her project boss, Dr Eva Frojmovic, had only just got hold of decent images of the objects and had from that managed to work out that the latter was indeed that, and not as it was previously thought to be images of the medieval school curriculum, the trivium, and further progress was soon expected.
• Sophie Harwood and Iason Tzouriadis, ‘Leeds Postgraduate Culture and War Conference’: this was more of an advert than a paper, as the conference was then about to happen: entirely postgraduate-organised, but fully academic in its speakers, it’s now heading for its second iteration and is one of the more impressive things we do, I think, though it’s now bigger than just us.

Then there was tea and biscuits, because we are a civilised institution, and then it was the last part of the programme, which broke down like this:

• Jonathan Jarrett, ‘Low Down and Edgy: Frontier and Settler Societies in Medieval Iberia and Beyond’
• Pietro Delcorno, ‘Crossing the Alps with Dante: Preaching the Commedia in Fifteenth-Century Europe’
• Venetia Bridges, ‘Interpreting Alexander the Great in the Middle Ages: Medieval and Modern Challenges’

Three speakers from three different schools in the University—while the IMS is in institutional terms part of the School of History, it was born as a more genuinely interdisciplinary cluster and it still has extensive collaborations with other schools. Thus, I spoke for History, as it were, Pietro for Languages (and specifically Italian) and Venetia for English. Long-term readers here may not struggle to guess what I was talking about, though you may justly wonder how I squeezed what was here five long blog posts into ten minutes’ talking; for those without that memory or time to read the blog posts, I basically suggested that all our current models for how medieval frontier societies developed have problems when used as generalisations and that we needed way more case-study data before we tried to develop decent new models, and I asked for people’s help. Pietro had been searching for evidence of people using Dante’s Divine Comedy in preaching, which it turns out is a thing that happened, but it happened especially in a sermon collection he’d found in which a pilgrim with a guardian angel followed Dante’s track and learned preaching points along the way, and of which he had found 15 manuscripts in total, making it a quite important way in which Dante came to be known across the Alps. Dante is quoted and cited in the gloss, so it was not an effort to appropriate; it was genuine use of him for spiritual understanding, which given how weird he is I found quite surprising. Lastly, Venetia described to us her then-forthcoming book on the various medieval romances about the fictionalised adventures of Alexander the Great, and since there is now a book you can read her publisher’s blurb, but it sounded like fun.

This at least links two of the papers? It is the Darial Gorge, on the border between modern Russia and Georgia, one of the places where it has been suggested were once the Iron Gates which texts like Venetia’s suggest that Alexander built to keep the monstrous peoples who lived beyond them away from civilisation. Not necessarily true, but impressive! “Darial-Gorge” by Original uploader was Not home at en.wikipedia – Transferred from en.wikipedia. Licensed under Public Domain via Wikimedia Commons.

I think that looking back on this the thing that now strikes me is how dynamic the IMS’s population has been in the time I’ve been there already. Of the speakers who spoke for the IMS on this occasion, only Marta, Michael Spence and myself are still there. OK, Marta and I are permanent staff and it’s three years plus on from the event, so that’s not surprising really, but it still strikes me. Rene Hernandez is now at the Universidad San Tomas in Colombia; Sophie Harwood is now teaching English in Berlin and still publishing; Romina taught for me one year and got an ongoing job in a museum in Germany just before the end of that; Iason was one of my postgraduate advisees, passed his doctorate in very good standing and is now “the assistant archivist and assistant curator for the Worshipful Company of Gold and Silver Wyre Drawers”, already; Pietro but lately flew from us to Central European University; and Venetia went to Bristol and is now at Durham. (Links are given above for all of them if you want them.) As I sat in the Le Patourel Room that day I thought I was watching a display of the department’s research power, but I think now that I was actually watching its potential as a professional springboard, and mostly these papers were the first small jump the diver takes to flex the board before making the big plunge…