Monthly Archives: June 2021

The Three Orders’ Houses: a model on the ground

Somehow I was out doing things yesterday and forgot to write a blog post, sorry, but for once I do have time in the week, so I will make it up now.

The yard at Embsay station on 27th June 2021

What your blogger was looking at yesterday instead of his computer

Here is something about as delayed as even my various crazy backlogs can make something. This was prompted by reading something in the British Library in 2012, back when we could do that thing, and in my notes on it I even then made a note to blog about it; but I didn’t in the end process those notes until late 2017. At that point I laid down a stub to complete later, and now, four years on, here we go. All of this is ironic, because in 2012 I was for once reading something pretty new from Catalonia, an intriguing piece of settlement archaeology discussion by the medieval archaeologist to whom perhaps I owe the most favours in the world, Professora Imma Ollich i Castanyer, about the Catalan monastery of Sant Pere de Rodes.1

Monastery of Sant Pere de Rodes

Sant Pere de Rodes from its most impressive side, which is to say, the one that’s mostly there; image by Pixel – own work, Public Domain, via Wikimedia Commons

Now, that is an inaccurate over-simplification that I should immediately correct. The article, like much of Professor Ollich’s work, is mostly about my favourite study area, the comarc of Osona, and it is a fairly major argument with a basic paradigm of the social history of the tenth and eleventh centuries. This holds that, however you like to explain it, rural settlement in Catalonia was mostly dispersed and only loosely territorialised in the tenth century but by the end of the eleventh had nucleated into reasonably-defined villages. The favourite explanation hitherto has been feudalism, of course, working either through violence compelling people to group together for safety or through aggressive lordship pressing people together to intensify their farming, around either churches or castles depending on the agency, and no, neither of those are completely logical chains of events as I’ve laid them out but for some people they make sense, even now the proponents of those ideas are dead.2 This process is usually referred to as incastellamento, as coined by Pierre Toubert who first observed it in Lazio, is not yet dead and has in recent years suggested that he was probably partly wrong, or encellulement, as coined by Robert Fossier so as to get away from a dependence on castles, and it has been very widely played with, debated, contested and challenged, at least outside Catalonia.3

But this is the scenario on which Professor Ollich’s observations land like a series of well-mannered munitions. She argues that, once you have a decent picture of this area’s, and therefore quite possibly any nearby area’s, settlement patterns, it’s way more diverse than just dispersed or nucleated. She winds up developing a typology that has seven categories, including settlements around churches, settlements around castles, settlements with both (like Tona, where I have of course been and been photographed) and settlements around neither, the first three of which can be split into ones where the settlement predated the supposed focal point or points and ones where it didn’t. Only two or three of these seven types conform to the dominant paradigm, so even if it turns out still to have been numerically dominant, which Professor Ollich doesn’t think it was in Osona, that paradigm at least needs to give up some room to alternatives. It’s one of those arguments that makes such clear sense that once you’ve read it it’s hard to go back, and is a welcome attempt to provide something in place of the theory one’s out to demolish.

Sant Andreu de Tona and the Castell de Tona

Sant Andreu de Tona and the Castell de Tona, as made a tiny bit more famous by my book

But, despite its importance, that isn’t the thing that I thought, nine years ago, I should blog about. That was Professor Ollich’s final example, which is, as promised, Sant Pere de Rodes, out in coastal Empúries way to the north-east. She picks on Sant Pere because it gives her several of her types of settlement in close proximity and shows how an obvious focal point doesn’t necessarily do what the paradigm expects to settlement development. The monastery was first here, and its tangled history is more than we can go into here; suffice to say that there is an argument about whether, as its documents claim, it was founded in a wasteland location or if it was deliberately sited on Roman remains instead, and of course it could probably be both and curious treasures have allegedly been found there that might provide more esoteric explanations and we could go on. But right now I shan’t; you just need to know that in the ninth century someone started a monastery there, in the tenth century some of the local counts decided to make it their pet monastery and by the eleventh century it was, as they say ‘kind of a big deal’.4 But it didn’t ever pull a village round itself. Instead, a village that was almost certainly related grew up somewhere quite close by, at Santa Creu. It was then fortified in the eleventh century, so looks like an independent effort, but its major market and lord must still have been the monastery. Furthermore, there was also a local castle, eventually, at Verders, and that had its own church so could in theory also have gone it alone. But because they were all here they perhaps prevented each other from becoming the major force in the locality. The Google Map below sows them in relation to each other. In the end, the monastery, the oldest, was also the longest lasting, but then it was also way rich, at least for a while, so perhaps that isn’t surprising.

Now, apart from the neat demonstration that the basic model just isn’t complex enough to handle the actual variation of human activity, and the encouraging thought that nonetheless we might still be able to build an adequate one (this is a big mantra of mine these days), the obvious thing that struck me here is that it’s a settlement archaeology demonstration of that old eleventh-century trope about medieval society being divided into three orders, those who fight, those who work and those who pray. Because, look, here’s where they all lived: a castle, a village and a monastery! It should have been the perfect arrangement, at least for someone like Adalbero of Laon. As it is, I imagine they actually disputed with each other like cats and dogs, and that our records would (if Sant Pere’s charters hadn’t mostly been lost) show that the Church mostly won even if it actually didn’t, but the point is, here they all are, almost as if it was real. That is very definitely not the theory Professor Ollich set out to address, and I don’t mean to make any claim that my observation actually, you know, means anything, but once I’d thought it I had to say it, even if I do so nine years (and one day) late…

1. Imma Ollich i Castanyer, “Arqueologia de la Catalunya feudal i prefeudal: Poblament i territori. El model teòric de la Comarca d’Osona” in Jordi Bolòs (ed.), La caracterització del paisatge històric, Territori i societat: el paisatge històric. Història, arqueologia, documentació 5 (Lleida 2010), pp. 399–465.

2. The most obvious progenitors of this idea locally would be Manuel Riu, “Hipòtesi entorn dels orígens del feudalisme a Catalunya” in Quaderns d’Estudis Medievals Vol. 2 (Barcelona 1981), pp. 195–208, and, of course, Pierre Bonnassie, La Catalogne du milieu du Xe à la fin du XIe si`cle : Croissance et mutations d’une société, Publications de l’Université de Toulouse-Le Mirail, Sèrie A, 23 & 29 (Toulouse 1975-1976), 2 vols. A fairly recent acceptance of it can be found in Juan Antonio Quirós Castillo, “Early and High Medieval ‘Incastellamento’ in Northern Iberia: Fortified Settlements in the Basque Country and Upper Ebro Valley (9th–12th Centuries)” in Neil Christie and Hajnalka Herold (edd.), Fortified Settlements in Early Medieval Europe: defended communities of the 8th-10th centuries (Oxford 2016), pp. 192–204.

3. Some later takes on the idea, led indeed by Toubert, in Miguel Barceló and Pierre Toubert (edd.), L’incastellamento: actes des recontres de Gérone (26-27 novembre 1992) et de Rome (5-7 mai 1994), Collection de l’École française de Rome 241 (Rome 1998); Toubert’s most recent re-evaluation in “L’incastellamento: Problèmes de définition et d’actualisation du concept” in Sandra Pujadas i Mitjà (ed.), Actes del Congrés Els Castells Medievals a la Mediterrània Nord-Occidental celebrat a Arbúcies, els dies 5, 6, i 7 de març de 2003 (La Gabella 2003), pp. 21–35. For Fossier still doing his thing, see Robert Fossier, “The Rural Economy and Demographic Growth” in David Luscombe and Jonathan Riley-Smith (edd.), The New Cambridge Medieval History, volume IV, c. 1024–c. 1198 (Cambridge 2004), 2 vols, I, pp. 11–46. More recent demolition efforts in †Riccardo Francovich, “The Beginnings of Hilltop Villages in Early Medieval Tuscany” in Jennifer R. Davis and Michael McCormick (edd.), The long morning of medieval Europe: new directions in early medieval studies (Aldershot 2008), pp. 55–82.

4. For the monastery’s early history, at least, see Montserrat Mataró i Pladelasala and Eduard Riu-Barrera, “Sant Pere de Rodes: un monasterio condal en la periferia del extinguido imperio carolingia (siglos X y XI)” in Jordi Camps (ed.), Cataluña en la época carolingia: arte y cultura antes del románico (siglos IX y X): 16 diciembre 1999 – 27 febrero 2000, Museu Nacional d’Art de Catalunya, Palau Nacional-Parc de Montjuïc (Barcelona 1999), pp. 236–242, transl. as “Sant Pere de Rodes: a large monastery under the countship on the edge of the Carolingian empire (10th – 11th centuries)”, ibid., pp. 536-539.

A cautionary tale

Obverse of a gold laurel of James I of England and VI of Scotland, Birmingham, Barber Institute of Fine Arts, BR0025

Obverse of a gold laurel of James I of England and VI of Scotland, Birmingham, Barber Institute of Fine Arts, BR0025; coins like these were the ‘Jacobuses’ referred to in the post below

This week, here is an excellent story to frighten young archaeologists and numismatists in their methodological cradles! I encountered this while reading up for an article that still hasn’t come out about changes in the coinages of the post-Roman world; I’m assured it’s now in final stages… But that doesn’t matter for these purposes. I will not, therefore, paraphrase what John Kent, no less, wrote better:1

One of the few comprehensive accounts of the collection, concealment and recovery of a hoard is related in Pepys’ Diary. At the Restoration of 1660, Samuel Pepys declared himself to be earning £50 a year, and to have £40 cash in hand. By the end of 1666, his average annual income exceeded £3,000, and he ‘was worth in money, all good’, above £6,200, beside two-and-a-half dozen silver vessels. Like many of his thrifty contemporaries, he kept his surplus cash under lock and key in his own house; the unfortunate Mr. Tryan, of Lime Street, who kept the key of his cash-chest in his desk, was robbed of £1,050 in money and £4,000 in jewels held as securities for loans. In June 1667, deeply worried by the penetration of the Dutch fleet into the Thames estuary, Pepys resolved to conceal his money. He was at first undecided whether to conceal it elsewhere in London to to despatch it to the family estate in Brampton, Northamptonshire. The latter counsel prevailed and his father and wife took coach, with a bag containing some £1,300. Finding himself unable to convert his silver in hand for gold – he had been forestalled by others – Pepys sent on another 1,000 gold pieces by special messenger, and carried on his own person another £300 worth, together with ‘directions where to find £500 and more in gold and silver’.
“Recovery of the treasure in October of the same year proved a gruelling experience. His wife gave him ‘so bad an account of her and my father’s method in the burying of our gold, that made me mad; and she herself is not pleased with it, she believing that my sister knows of it. My father and she did it on Sunday, when they were gone to church, in open daylight, and in the midst of the garden, where for aught they knew, many eyes might see them; which put me into trouble, and I presently cast about, how to have it back again to secure it here, the times being a little better now’. Recovery began at night, with a dark lantern, but ‘they could not justly tell where it was’, and Pepys began to fear the worst; but ‘by poking with a spit’, it was at length located, ‘not half a foot under ground’. Frantic digging merely succeeded in scattering the coins in the grass and loose earth. Finally, coins, dirt and all, were raised and washed. To Pepys’ chagrin, he found himself about one hundred pieces short, and fearing that the neighbours might have observed him, and come searching on their own account, he and his servant sieved through the earth until they had recovered a further seventy-nine. Pepys considered it quite acceptable that his special messenger should have lost some twenty to thirty pieces en route, and regarded himself as well content with the matter when all was finally safe back in London, ‘under a bed in our chamber’.
“This true story prompts several reflections. Pepys’ wealth, though certainly a ‘savings hoard’, was assembled over a very short period. It certainly included some old coins – he gave three ‘Jacobuses’ (gold pieces of James I) to his father-in-law and its random origin and rapid assemblage suggests that it would have been indistinguishable from a ‘currency hoard’ assembled ad hoc in 1667. Indeed, since his surplus increased in 1666 by only £1,800, as against £3,000 in 1665, we might suspect that the dates 1666 and 1667 were relatively slightly represented, i.e. that the hoard ended ‘weakly’. The really extensive coinages of guineas lay, in any case, in the future, and we may postulate that Pepys’ fortune consisted predominantly of the old ‘broad pieces’. Great quantities of these were certainly still available; a poulterer of Gracechurch Street died in November 1662 leaving an unsuspected hoard of 40,000 ‘Jacobs’. We may conclude that the recovery of a hoard was not necessarily an easy matter, and that there was a significant risk that it would not be recovered intact. The discovery in modern times of a scatter of twenty or thirty broad pieces at Brampton, or between Brampton and London, would give a totally false impression alike of date, of the circumstances of concealment and of the size of the original treasure.”

I think Kent actually relied on the intelligence of his audience a bit too much here in pushing the full implications of this story. It might be worth just setting out what a likely, nay, reasonable, interpretation of a find of say, twenty-five gold pieces of James I and Charles I in a Northamptonshire garden would be: firstly, that it was a small hoard by someone of moderate means (since it was not larger); secondly, that the owner lived thereabouts, since otherwise why would it be there and how would they recover it? and thirdly, that it was probably deposited because of trouble in the English Civil War, since nothing later than that appeared in it and one would hardly expect the Anglo-Dutch Wars to be troubling people in Northamptonshire, landlocked on the far side of the country from the North Sea. And all of these reasonable deductions would be wrong. On this occasion, there is no actual hoard to interpret and we know what happened. But what of even quite recent cases where it’s the other way about, eh, what about them?

1. John P. C. Kent, “Interpreting Coin-Finds” in John Casey & Richard Reece (edd.), Coins and the Archaeologist, 2nd edn. (London 1988), pp. 201-217 at pp. 205-206. Links in the text go to the online version of Pepys’s Diary.

Fishers of men

This is a post that began in a drunk conversation with one of my oldest academic friends (whom I will not shame by naming, but whom you could potentially help out quite a lot by adding your name to this petition). That conversation was also four years ago, and I’m choosing to claim that that, not the beer, is why I can’t quite remember how we got onto this—my guess would be that this was during a few days I spent staying with them while using a local academic library to finish the paper which became my article ‘Nuns’ Signatures’, and that I was just pulling interesting-looking books off my friend’s shelves—but somehow we came upon a picture of this sculpture.

The Papil Stone in the National Museum of Scotland, Edinburgh

The Papil Stone in the National Museum of Scotland, Edinburgh, image from Canmore

What this is is one face of the Pictish symbol stone from Papil, Shetland.1 It’s not in Shetland any more, where only a replica remains, because it was carted off to the National Museum of Scotland, but I suppose more of my readership may therefore have a chance of seeing it some day. Anyway, the other face has a cross and interlace on it, but it’s this one that drew my altered attention, partly of course because of the odd cowled figures and the lion, but mainly because of these guys.

The birdman figures on the replica of the Papil Stone, Shetland

The birdmen on the lowest register of the modern replica of the Papil Stone, on site in Shetland, photo by J. Dimitrescu, copyright not stated so hopefully this is OK linked through to their excellent site

Now, it will not surprise you to know that scholarship is a little divided on just what might be depicted here. Early (modern) plague doctors seem to be ruled out by the bird feet, the axes and maybe also the human head of which they appear to be sharing custody. Especially since these guys are in the lower register of a three-panel picture, with the upper one being plausibly things of Heaven (a cross, cowled figures with crooks), the middle one being, well, a lion, not sure what to do with that but definitely a thing of Earth (or of Zion, I admit), the easiest answer might seem to be demons of some kind, playing with a member of the doomed dead. But if so, it’s quite a local kind of demon, you’d have to admit; this is not your standard beast with forked-tail and horns iconography.2

[Edit: revisions from here on have attempted to do something about the tone, which unfortunately managed, while trying to make my theory sound as silly as it deserves, to make the work on which it rested sound silly as well. That was not my intention at all; that work got an award from the Society of Antiquaries of Scotland and is online for you to peruse if you want a serious study of the stone. My actual argument, such as it is, remains the same.]

Well, I got no further with this thought that night, but the next day something suddenly struck me. You see, some scholars of early medieval, and especially, Germanic art, have some very artful interpretations of it in which, though an image seem to us weird as hell (perhaps literally), it may actually be a really cunning Christian reference.3 (I suppose a demon would, kinda sorta, be a Christian reference, but I mean more directly Biblical than that.)

As it turns out, I am not the first person to wonder if this can be done with this stone. There is other stonework from this site which seems to show monks, and this has led various people to theorise (not unreasonably) that there was a monastic settlement here and (less reasonably maybe) that this is therefore a scene from the Life of St Anthony, arguably the proto-monk and certainly regarded as such by many a medieval community. In this episode from the Life the saint-in-training was, and I quote a recent article about this stone, “tempted by women disguised as birds who whispered into his ear.”4 I’m not going to wonder right now what the heck was going on in Anthony’s personal desert (or relate this to the fact that birds are also supposed to have brought him food), I’m just going to note that, as I learn from the same article where several instances are pictured, this episode turns up on Irish sculpture quite a lot, so it’s not an unreasonable thing to suppose in this case. Except for the bird feet.

West face of the Castledermot South Cross

West face of the Castledermot South Cross, at Castle Dermot, County Kildare, Ireland, showing the Temptation of St Anthony one panel up from the base; photograph by Liam Murphy, licensed under CC BY-SA 2.0, Wikimedia Commons

For reasons of those feet, therefore, and also quite a number of other reasons (such as that Anthony is pretty much always shown as a whole human being, and not an isolated head between two figures carrying axes), the author of that article, Dr Kelly Kilpatrick, wisely rejects the Antonian hypothesis. Instead, she argues that the stone shows, “a common ideal of mythological war-like creatures in Pictish tradition, paralleled by written descriptions of Irish battlefield demons”, and instances at least four more of these characters, or at least beak-headed humanoids carrying weapons, on stones scattered across the old Pictish territories.5 (I say at least because I’m not sure whether or not I think Rhynie Man really belongs in the set, being more human though definitely scary, a kind of beweaponed Pictish bogeyman. There are English parallels to him I’ll blog about separately that have much more benign interpretations.) So case closed? Well, perhaps. In fact, if we’re being serious, then yes, I think so, really; the parallels seem fairly clear (as you can see for yourselves), are based on a thorough knowledge of the corpus of stones and it fits with a wider theory Dr Kilpatrick is offering about Pictish beliefs which I need to hear more of. But you didn’t come here to be serious, surely!

So, instead, let’s try and replicate my 2017 leap of hangover logic. Dr Kilpatrick has certainly seen more of these figures on the stones than I have, even after a lockdown tour of symbol stones I did last summer, but still I wonder if she is right when she says of these figures, “Apart from the beaks, they have human hair, and human-like facial features, including incised eyebrows.”6 Let’s have a close look at one of those heads…

Head of a grey heron

Head of a grey heron sighted at Waterfield Meadow in 2014, image by C. Butterfield from NatureSpot

Papil Stone birdman head

Head of one of the Papil Stone birdmen

What if they’re not eyebrows but eyestripes, it’s not hair but a crest? I think that whatever these creatures are, they have heron heads. Now, for those of you whose native lands may not be blessed with the noble heron (though that’s not many), they are fishing birds, which spend most of their lives looking hunched and uncomfortable ankle-deep in lakes, but every now and then unfold in a lightning quick spearing action which brings up a fish almost every time. And it was when I decided that the sculptor here was thinking herons that inspiration suddenly struck, in the form of a verse of Scripture (a thing which really very rarely happens to me):

And Jesus, walking by the sea of Galilee, saw two brethren, Simon called Peter, and Andrew his brother, casting a net into the sea: for they were fishers. And he saith unto them, Follow me, and I will make you fishers of men. (Matthew 4:19)

Need I even say more? What are these beings if not fishers of men? Look, they’ve been caught right in the act by our carver. In which case, not demons but apostles! Apostles with bird feet. There may be some iconographic details still to be worked out in this theory, I admit. Until then Dr Kilpatrick may be your best guide…7

1. I don’t have any of the standard catalogues to reference here (though see n. 4 below) but the stone is briefly described, analysed and illustrated in George Henderson and Isabel Henderson, The Art of the Picts: sculpture and metalwork in early medieval Scotland (London 2004), pp. 156-157 & fig. 228.

2. I don’t actually know how old the horns, pitchfork and forked-tail iconography of devils and demons is, but I suspect it’s later than medieval as I can’t think of any medieval examples. No time to check now though, sorry!

3. The winner in this particular contest, not just in quantity of suggestions but their ingenuity, is definitely Anna Gannon, The Iconography of Early Anglo-Saxon Coinage, Sixth to Eighth centuries (Oxford 2003).

4. Kelly A. Kilpatrick, “The iconography of the Papil Stone: sculptural and literary comparisons with a Pictish motif” in Proceedings of the Society of Antiquaries of Scotland Vol. 141 (Edinburgh 2011), pp. 159–205, online here (p. 167).

5. Ibid., pp. 167-180.

6. Ibid., pp. 163-164.

7. Though it will take a lot to convince me that these demons do not have heron heads! And from there we could spin all kinds of theories about landscape and cosmology… I would not be the first person to pitch such theories, either, there being Martin Carver, “Early Scottish Monasteries and Prehistory: A Preliminary Dialogue” in Scottish Historical Review Vol. 88 (Edinburgh 2009), pp. 332–351, but for that very reason I might for now leave it to him…

Periodical Coincidences

Here’s something a bit more light-hearted this week, or if you prefer, trivial. This builds on a very old realisation of mine of something basically meaningless, when during building up a list of things I hoped to read for my MA dissertation I clocked that the journals Viator and Britannia started in the same year, with their first issue in 1970.1 Both Latin titles, too, but different sides of the Atlantic and basically different, though overlapping, period focuses, so it’s hard to do anything with that fact other than notice it. And there that idea rested until some way into my doctoral research, which I approached fresh from employment which had given me the dangerous idea that you could solve almost any information management problem with an Access database, as long as you didn’t mind solving it badly. And we have already seen since long ago that my instincts in these directions are rarely sanely guided

So, what I wanted was a database into which I could transcribe my old paper lists of things I hope to read (present tense because by and large I still do hope to…) along with the somewhat crazy system I had devised of clocking their apparent importance and the number of times I’d seen them cited (which is also a measure of importance, however bad), basically an accumulating set of marginal sigla.2 Well, that could be turned into a numerical score and apart from the fact that this system inevitably privileged stuff that was ancient, it was a functional way of building reading lists as far as it went. That wasn’t very far, though, really, because my old paper lists, in an effort to keep things one line long only, had only ever recorded the volume-level location of articles and chapters, not their actual titles, which might have been invaluable as keyword. Without them, however, I just new that, for example, there were lots of things I apparently needed to read in the 1986 volume of Annales but without raw memory or going and looking at it, I’d no idea what they were.3 Not my best piece of diversionary work, all told, but there we go; you don’t go building bibliographical databases by yourself in every developer’s least favourite database software if you’re a completely sensible person, do you?

Screenshot of Jonathan Jarrett's custom bibliographical database

Screenshot of the madness

Anyway, all this does have a point, honest. Because I didn’t have article and chapter titles in the database, when I came across what might be a new journal article, the easiest way for me to find if I had it recorded was not to search for the author’s name or the journal’s title, but to search for the combination of volume and year, which in theory should be close-to-unique. So, for that issue of Annales I’d have searched for ’41 (1986)’. But doing so reveals that also in their 41st volume that year were, probably among others, the Deutsches Archiv of the Monumenta Germaniae Historica and the Zeitschrift für celtische Philologie.4 Now, obviously, this isn’t really surprising: there’s hundreds and thousands of academic journals, even just in the arts and humanities, and only a couple of hundred years of journal-issuing academia in which for them all to have existed. Most of them will be crowding the newer end of that timeframe, too.5 Coincidences are obviously inevitable. But there are an awful lot, once you start noticing them.

Now, I am a pattern-spotting animal and, like man as a species, perhaps so evolved for it that I spot patterns that aren’t really there too easily. This leads one to start asking those always-dangerous questions that begin, “Can it be a coincidence that… ?” For example, Cambridge’s Anglo-Saxon England (not then meant to be controversial…) and the Deutsche historische Institut in Paris’s Francia (perhaps never to be controversial) both seeing first light in 1972 could be coincidence, but could also be certain constituencies of academia all feeling that their interests, perhaps looking a bit fringe in the wake of Vietnam, the hippy movement and its disintegration (remember all those campus occupations…), needed a new forum for their mutual recognition. Was there a cross-channel medievalist moment happening there?6 Or am I spinning hay?

Anyway, whether or not this is crazy pattern spotting, I notice two really boom years, in which I don’t see what any plausible connection could be across so wide a range of journals but something feels like it was going on. The weaker of these is 1975, in which year it seems clear that several academic networks had decided that existing fora for their kind of work were inadequate, as a result of which in one year you get Birmingham’s Byzantine and Modern Greek Studies, the Jahrbuch für westdeutsche Landesgeschichte and things like Islamochristiana, Critical Inquiry, Journal of Historical Geography and Journal of Medieval History, as well as the Royal Numismatic Society’s briefly separate list of Coin Hoards. One can work towards reasons for some of these: there’s a Marxist thread linking some of those journals, and if I dug enough into their histories and first editorial boards I might find people who had bounced ideas off each other, but while you might adduce something about the general state of growth of, especially, UK academia in the 1970s, it’s hard to explain why 1975 rather than 1974 or 1976, and of course if I were interested in different journals or different fields perhaps those years would show up instead…

Still. We already drew attention to the student riots and general academic upheaval of 1968, and I can’t help wondering if something really did rattle a lot of cages at that point because the real bumper year shown up by this utterly unscientific and useless sampling method is 1970, when as well as Britannia and Viator already mentioned, the academic world was given, in no particular order:

I can’t help but feel that something was going on, and of course, something had been. Almost certainly it is only coincidence, of course. But let me ask you: can all these coincidences really just be coincidence… ?

1. The former for Herwig Wolfram, “The Shaping of the Early Medieval Kingdom” in Viator Vol. 1 (Berkeley CA 1970) pp. 11-20; the latter, apparently, for A. L. F. Rivet and Kenneth Jackson, “The British Section of the Antonine Itinerary” in Britannia Vol. 1 (London 1970) pp. 34-82 and Anne Robertson, “Roman Finds from Non-Roman Sites in Scotland: More Roman ‘Drift’ in Caledonia”, ibid. pp. 198-226.

2. Ironically, partly because I now actually do use better software, I can now easily produce citations on how useless citation counting is, such as Michelle L. Dion, Jane Lawrence Sumner and Sara McLaughlin Mitchell, “Gendered Citation Patterns across Political Science and Social Science Methodology Fields” in Political Analysis Vol. 26 (Cambridge 2018), pp. 312–327, DOI: 10.1017/pan.2018.12; Eric A. Fong and Allen W. Wilhite, “Authorship and citation manipulation in academic research”, ed. Lutz Bornmann in Public Library of Science One Vol. 12 (San Francisco CA 2017), e0187394, DOI: 10.1371/journal.pone.0187394; or Jack Grove, “Quarter of citations in top journals ‘wrong or misleading'” in Times Higher Education, 16th October 2020, online here.

3. Actually, they were Dominique Iogna-Prat, “Le « baptême » du schéma des trois ordres fonctionnels : L’apport de l’école d’Auxerre dans la seconde moitié du IXe siècle” in Annales : Économies, sociétés, civilisations Vol. 41 (Paris 1986), pp. 101-126; Michel Rouche, “La crise de l’Europe au cours de la deuxièèe moitié du VIIe siècle et la naissance des régionalismes”, ibid. pp. 347-360; Stéphane Lebecq, “Dans l’Europe du Nord des VIIe-IXe siècles : commerce frison ou commerce franco-frison?”, ibid. pp. 361-377; Bailey K. Young, “Exemple aristocratique et mode funéraire dans la Gaule mérovingienne”, ibid. pp. 379-407; Patrick Geary, “Vivre en conflit dans une France sans État : typologie des mécanismes de règlement des conflits (1050-1200)”, trans. Jacqueline Falquvert, ibid. pp. 1107-1133 and Robert Bartlett, “Technique militaire et pouvoir politique, 900-1300”, trans. Falquevert, ibid. pp. 1135-1159. Crikey, when Annales still meant something…

4. For, respectively: Hartmut Hoffmann, “Kirche und Sklaverei im frühen Mittelalter” in Deutsches Archiv für Erforschung des Mittelalters Vol. 42 (oops)(Hannover 1986), pp. 1-24, and Kenneth H. Jackson, “The date of the Tripartite Life of St. Patrick” in Zeitschrift für celtische Philologie Vol. 41 (Amsterdam 1986), pp. 5-45.

5. If the whole format of the academic journal is a bit strange to you at this point, here’s a confirmation that you’re not daft, it is strange, at least now: Jo Guldi, “Reinventing the Academic Journal” in Daniel J. Cohen and Tom Scheinfeldt (edd.), Hacking the academy: new approaches to scholarship and teaching from digital humanities (Ann Arbor MI 2013), pp. 19–24, online here. However, it is arguable that it did make sense once: see for a lightweight intro Bonnie Swoger, “The (mostly true) origins of the scientific journal” in Scientific American 27th July 2012, online here.

6. I’m conscious that I tend to tell the history of culture in the 1960s and 1970s largely on the basis of my music collection, but I could also cite Jeff Nuttall, Bomb Culture (London 1968) as an intimately involved primary source.