Tag Archives: publication

Chronicle III: January to March 2016

I’m sorry there was no blog last weekend. Frustratingly, the thing I spent that time on now isn’t going to work out, so I’m determined to make sure there is a post this weekend, and the post that is due is the next round-up of my academic life, which has now reached 2016. It has been five months since I posted the last of these three-month slices, and the only real consolation there is that it took me less time to get through those three months of blog content than it did the previous one, but we will hopefully still see further gains made as marking ebbs and the summer shapes up. Can but hope, eh? But meanwhile, here’s how it looked at the beginning of 2016 for your humble blogger.

Teaching

It’s not just tradition but also a reflection of the real state of life that the first item on the bill is always teaching. Actually, in the first half of 2016 I had a lower teaching load than I have had since or likely ever will at Leeds, given what they need me to cover; I was running one module, albeit a big one, and contributing bits to a couple of others. That said, the beginning of the semester was still a fairly steep learning curve, as the module I was running was an inherited first-year course called Empire and Aftermath: The Mediterranean World from the Second to the Eighth Centuries, and even my undergraduate study experience only previously went back to AD 284; I’d never done the second or third centuries before in any context, let alone one where I needed to show expertise. Thankfully I had the help of two postgraduates who’d taught the module before and that made everything easier, although I did also have to second-mark and observe those postgraduates so they were not solely a labour relief. It was all a fair bit of work, and it coincided with the early part of the excellent but intensive Palaeography: Reading Medieval Manuscripts that we put our MA students through, which has continuous assessment. Furthermore, Leeds has examinations on the first semester’s modules as soon as the students get back in January, so I was reading up for the new stuff and choosing manuscript images for palæography at the same time as marking these exam scripts, and by the time I was done with those the first palæography assignments were in, and they were only just back to the students by the time the first-years’ formative essays came in, alongside the second palæography assignments… and in general it seemed a long time before the marking stopped.

Wolfenbüttel MS Codex Guelfybertiani 13, fo. 6v

One that was set; can you read this? Come to Leeds and we’ll teach you! But if you want to know more independently, it is Wolfenbüttel MS Codex Guelfybertiani 13, folio 6 verso, and you can find out more via the link through the image

In between these I fitted a couple of workshops for an Institute for Medieval Studies module, Medieval Narratives on the Modern World, on European national origin myths and on the so-called Reconquista, but those were fun and much less work. And there were also personal tutorials to be fitted in, to which only half the students turn up but of course you must book the time anyway, and feedback meetings, and also joint care of a visiting Chinese Ph. D. student. I felt fairly busy. Still, looking back, I was not carrying very much and the next year would have been much harder if I hadn’t had this run-up.

Extra Labours

That must also be how I had time for the other things I was doing. In particular, having found out that there was this coin collection in the bottom of the Library, I had resolved to make it part of my teaching, and so one of the few changes I did make to Empire and Aftermath was to turn one of the seminars into a coin-handling session to try and get people excited about the reality of the period in their hands. I’m not sure how well that worked, though commendably both my postgrad assistants leapt at the chance to be able to say they’d taught with coins and did some crash-course Roman numismatics with me, which made me feel useful. More prosaically, in the state of the collection there wasn’t really a way to find out what there was to teach with except to inventory it, so I put aside my Friday afternoons for most of this period to inventory the medieval, Byzantine and late Roman coins and got through a fair few. Some day soon I will get round to sorting out the photographs I took of the cool ones…

Copper-alloy 40-nummi of Emperor Constans II overstruck at Constantinople in 641-642 on a coin of Emperor Heraclius, DOC II Constans II 59c, Leeds, Brotherton Library, uncatalogued

Here is one that perhaps only I could think is cool, a horribly-made copper-alloy 40-nummi of Emperor Constans II overstruck at Constantinople in 641-642 on a coin of Emperor Heraclius, DOC II Constans II 59c, Leeds, Brotherton Library, uncatalogued

There was also other stuff involving coins. Back at the Barber Institute the process of replacing me had unfortunately crossed with their normal exhibition schedule, so my humble effort, Inheriting Rome, was extended for a few months to give the new curator a chance. I got to see my thus-prolonged exhibition again because there were still two more sessions of the now-legendary All That Glitters project to do, about which I will tell you shortly, and of course back at Leeds this was also the time in which I started the wheels turning on the project that would become Unlocking the Winchester Cabinet. My head of department was actually concerned that I was going to spend all my time doing late antique numismatics and not the research on whose basis I’d been hired, which I didn’t see as a serious worry because, at this point, there was still time and I used it on stuff that was interesting and useful for others as well as for me.

Other people’s work

I was also at this point still managing to travel for seminars a bit, and I have a lot of notes from this period that I’m not really going to say much more about. The itinerary looked like this, though:

  • Katherine Cross, Dominic Dalglish and Robert Bracey, “Images, Relics and Altars: comparing material religion on the first millennium”, Earlier Middle Ages Seminar, Institute of Historical Research, University of London, 20th January 2016, to which I went mainly because Robert is an All That Glitters collaborator, but at this stage he was also busy with a project called Empires of Faith, which was doing the kind of cross-cultural comparison implied by their title here, with Katy Cross bringing early English Christian monuments like the Gosforth Cross to the table, Dominic Dalglish coming from the ancient Mediterranean world and Robert from Kushan India, but here talking as much about what made for valid comparison in this set-up as the actual objects. This was interesting but the results of the project can now be investigated on the web, so I’ll leave this one aside and move on to…
  • Hugh Kennedy, “ISIS and the Early Caliphate”, Centre for the Study of the Middle Ages Annual Public Lecture, University of Birmingham, 27th January 2016, to which I travelled down and which I thoroughly enjoyed, but which needs treatment together with…
  • Julia McClure, “A New Politics of the Middle Ages: a global Middle Ages for a global modernity”, Medieval History Seminar, University of Leeds, 3rd February 2016, also substantially about the way people were reading the Middle Ages into the situation in the Middle East at that time, but approaching it from a very different direction. So I’ll do a post about those two together.
  • I also made it down to London for Alex Rodríguez Suárez, “The Komnenian Emperors: a Latinophone dynasty”, Earlier Middle Ages Seminar, Institute of Historical Research, University of London, 11th February 2016, about the extent of the changes brought about in Byzantine court ceremonial under, especially, Manuel I Komnenos that would be attributed to Latin influence, which Dr Rodríguez wanted, I think rightly, to read as appropriation of ways to assert dominance over the new Latin lords in the Middle East, not an aping of their flashy chivalric habits as they have often carelessly been read. That seemed convincing to me but I don’t have much more to say about it, so on to a clutch of things back at Leeds, as follows:
  • Pat Cullum, “‘Looking the Part’: presentation and representation of clerical masculinity in late medieval England”, Medieval History Seminar, University of Leeds, 24th February 2016;
  • Esther Eidinow, “Seeing into the Future? Oracles and the Ancient Greeks”, Classics Seminar, University of Leeds, 25th February 2016, about ancient Greek stories in which oracles were tested before being consulted for real, pushing at the edges of our categories of rational and irrational, interesting and my first step in a plan to make friends with my counterparts in Classics and Ancient History;
  • Natalie Anderson, “Tournament Trappings: Textiles and Armour Working Together in the Late Medieval Joust”, Medieval Group Seminar, University of Leeds, 7th March 2016, the culminating presentation by one of our Ph.D. students then about to finish and very much a mature piece of work about the ways in which combatants in late medieval tournaments displayed and distinguished themselves, which was as much or more a matter of fabric as the armour that more often now remains to us.
  • Then, back to London again to see a big name, Philippe Buc, “Eschatology, War and Peace: of Christ’s Armies, Antichrist and the End of Times between ca. 1095 and ca. 1170″, Earlier Middle Ages Seminar, Institute of Historical Research, University of London, 10th March 2016, arguing for a change in the way that medieval people thought about the oncoming end of the world that occurred with Crusading, in which it becoming OK to kill for God was itself a sign of the end times, but one that could last for quite a long while, setting up the fight that would now go on until everyone was Christian and the End finally came. I remember this being fun and extremely erudite, but looking back over my notes I’m not sure what I have to add to that summary, so it’s back to Leeds for two more to close the season, the relevant items being:
  • Travelling the World: from Apuleius to the Icelandic Sagas, from the picaresque novel to travel literature, a more substantial seminar in Classics whose separate components were:
    • Regine May, “Travelling to the Land of Witches: Apuleius’s Golden Ass“, about Thessaly’s Classical reputation as a hotbed of magic and sorcery and how travel might thus lead you out of the known world in several dimensions, and
    • Ros Brown-Grant, “Encounters between the East and West in Fifteenth-Century Manuscript Cultures”, on pictures of Westerners meeting Easterners either in West of East as imagined by Western manuscript artists, usually for tales of betrayal where Greeks were concerned or conversion where Muslims were, sort of inevitably.
  • and finally, Ross Balzaretti, “Early Medieval Charters as Evidence for Land Management Practices”, Medieval History Seminar, University of Leeds, 16th March 2016, to which I would have gone even had it been further afield since Ross has been a supporter of mine for a long time and I am very interested in his work, but precisely because it’s quite similar to my own, I’m not going to do a detailed write-up here because it would look a lot like, “Ross’s charters say things like mine do!” It was good, but you can already read the same sort of thing here.

My Own Research?

So that brings us to the end of the timespan, and I have only promised three extra posts out of it this time, though actually there are also one news and two tourism posts that should also be fitted in there. But what is as ever missing is my own research. What was I working on in this period, looking back? Well, for one thing I was finishing revisions on the conference paper that nearly wasn’t, “A Problem of Concavity”; the final version of that was fired off into what became a suspicious silence in the middle of February 2016. After that I seem to have turned to the reading to support the revision of my venerable paper on early medieval crop yields, of which I’d done the bulk while still at Birmingham, and I had a new draft of that done in March, although, it would seem, not one I thought submissible; that was still a way off, and I now don’t recall why. But beyond that it’s hard to see what I was doing, and the conclusion has to be, I think, that despite the apparently light load I was struggling. I would build up academic muscle from here, and reluctantly trim back a lot of the activity above to make other things possible, but at this stage I was still enjoying being an established academic as I’d imagined it and seen it done by others, as well as reading a lot for teaching, and perhaps not getting that balance entirely right, in retrospect. I think, also, I still hadn’t actually worked out how to schedule research in a job that finally actually included that as a duty, but had structured time only for other activities. Actually accepting that it was a legitimate use of my employers’ time to read a book, after years governed by the next deadline, was still proving weirdly hard for me… Of course, I still was governed by the next deadline, functionally, but I was only letting others set them, wherein a mistake with future complications. Anyway, this story will be continued! But for now there’s enough queued up to write about, and this has already been a long post, so I’ll wrap it here and thank you for reading.

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Name not in print II: story of an article lost and found

Here is another post that has been in the wings for a long time, but which appears now with sudden news that completely changes how I have written it, with a new and unexpected happy ending! So, let me tell you a story about an article I wrote and its path to publication, which is also the story of a journal from beginning to more-or-less end.

This is a story that begins in 2012, when a team of four bright postgraduates doing early medieval doctoral study at the University of Leeds decided that what they wanted to do was to start a new journal. With great energy and determination, they got a website set up and assembled an impressive-looking editorial board, largely, I later learned, by getting their supervisor to call in favours on a massive scale. Nonetheless, they did it, and got in several convincing looking articles to kickstart the first issue, as well as a set of book reviews and conference reports to fill it up. Somewhere in the process, they started talking to the then-brand-new anarchistic academic press, Punctum Books, and secured an arrangement with them by which Punctum would give this new journal a print existence, on demand. With that, an ISSN and a professional-looking website running the Open Journal System, they were good to go and off they went. Thus was born the journal Networks and Neighbours.

Cover of Networks and Neighbours volume 2 issue 1

Cover of Networks and Neighbours volume 2 issue 1, Comparisons and Correlations

I became aware of this about midway through 2013, I think, when the first issue went live and I was finishing up at Oxford. Somewhere in the later part of that year I became aware that they were now on volume 2 and I decided I wanted in. There have, I know, been repeated attempts to turn the Internet into the new space of freely-available scholarship at the highest level—I think of now-dormant journals like Chronicon, intermittent journals like The Heroic Age (to whose intermittency I’m conscious I have contributed in my time, or rather failed to contribute, sorry folks), and more successful ones like Rosetta or Marginalia, which latter two survive by being run by a cyclical staff of postgraduate students. So perhaps their odds weren’t good, but there seemed to be something about the set-up, the ethic, the coincidence with the burgeoning open access movement and the number of important people they had behind them, and I decided that this looked like fun and possibly the future and that as someone who was, at that stage, still being published as an authority on scholarship on the Internet, I should endorse it.1 They had a call for papers up about cultural capital, which made me wonder whether some of my new work on the frontier as concept could benefit from an application of Bourdieu, and so I put a little while into writing an article-length version of some of the ideas I worked up in my big frontiers posts here, making cultural capital one of the backbones of my argument.2 By the time I’d finished (which I did, as I recall, largely in an afternoon spent in the Bibliothèque de l’Université de Genève, thanks to a kind host who will not wish to be named), I thought it was pretty good, but it had also really helped me think through some of that material and start making it do useful things.

Initially, things seemed to go well. I mean, they were inconvenient, but only in the way that peer review can be, in as much as the article went out to review and came back with a report that basically said, “if your points are any good they ought to work in Castile as well as in Catalonia and I’m not sure they do, but convince me”. Of course, it was an article about Catalonia, not Castile, but since my project pitch was that I was generating transportable theory, I decided I had to face the challenge. So I downloaded or borrowed everything I could on the Castilian frontier in the tenth century, while my first job in Birmingham drew to a close, and sent off a revision, which was nearly twice the length (and nearly half of that now citation) but did, I flatter myself, satisfy that requirement. Anyway, it satisfied the editors, who had all but one now graduated and moved on, and before very long at all a pre-print version appeared on their website and everything seemed to be under way. Admittedly, that preprint did spell my name wrong—not that that would be a first among my publications—and even after I’d sent in proof corrections which also made it clear that the preprint’s pagination was wrong, there it remained. So, things now began to get sticky. The supposed print date came and went and nothing seemed to happen, and then the issue after mine went up, and I began to fear that something had gone wrong.

Cover of Networks and Neighbours volume 3 issue 1

Cover of Networks and Neighbours volume 3 issue 1

Now, at this point in the process, an unexpected but useful thing happened, which was that one of the editors, Ricky Broome, came to present at the Digital Humanities Seminar I mentioned a post or two ago, on 16th November 2015 with the title, “OA and Me: a postgraduate perspective of Open Access publishing”. So I turned up, and of course, it was the story of Networks and Neighbours, peppered with reflections on the wider sphere of open access publishing. Ricky emphasised that in order to edit such a beast you need a living and spare time (which rarely coincide in academia), a credible editorial board and a lot of willpower, including to avoid the temptation simply to fill space in the journal with your own work. He thought that their ability to generate any revenue, even to cover basic costs, had hinged on the production of the print version, since as he put it more people would buy something they could see. He also had great hopes for the immediate future, with another issue in hand, but not so much for the long-term, as he saw the traditional journal as unlikely to make it online in the face of alternative models like repository or publish-then-filter mechanisms of dissemination. The discussion revolved largely around that and alternatives to peer review, but of course what I wanted to know, but waited till afterwards to ask, was where was issue 2.2? And Ricky was helpful and explanatory about that—the problems were not all theirs but their most web-savvy team-member had also got a full-time job that removed him from the project—but it didn’t leave me with much hope. And then a few months later the project officially folded the journal, moving the whole operation onto a Blogspot site where they now intended to publish articles as and when they came ready, in one of those future styles that had been discussed at the seminar indeed, but not what I was hoping for when I’d sent the proofs in expecting print, by now a year and a half before.

So I then did something I shouldn’t have done and would live to regret. After one more attempt to get a corrected version uploaded, I told them I wanted to withdraw the article. It was now part of my probation slate at Leeds and I couldn’t see that it would in fact be published, and the protestations of the people I could reach (not Ricky, I should say) that it was published online, for me, failed in the face of the fact that it still wasn’t correctly paginated and still didn’t spell my name right. I would not be able to show it to my colleagues as was, so it wasn’t going to do. Therefore, I needed to send it somewhere else that would actually publish it, which I hoped would be fairly easy since it had already been through peer review. But such a journal wouldn’t accept it if it had already been published elsewhere. So I stamped my electronic foot and got Networks nd Neighbours to take it down and unlink it, which they did; you could no longer download it and it wasn’t listed in the issue. And I sent the article out again and, by way of nemesis, perhaps, the relevant journal rejected it as not being at all well enough informed about Castile. So there I was with no article at all, and no time at all in which to do the reading that would be required to make the necessary revisions. Not my smartest move, and the cause of some difficulties in probation terms, as you can imagine, as well as no little disheartenment about his work for yours truly.

So there, apart from occasional denials of its existence to people who’d found references to the article in searches and couldn’t then get it, things rested until May 2018. I only found out about this a few days ago, however: I was putting together an application and thought to myself that I really could use something that demonstrated my ability actually to do this frontiers stuff of which I speak, and I wondered if even the old preprint was still around anywhere to link to. And what I found was that the Blogspot operation has now ceased as well, and the whole journal has been archived on its own static website. And, blessed day, whoever did that job had not got the memo about withdrawal and had, more to the point, somehow found and uploaded the corrected, properly paginated, Jarrett-not-Jarret version of the article which I had never before seen. On re-reading, it is still, dammit, an article to be proud of and I am exceptionally glad to have a version I can, at last, cite. So although I had just about reached Ricky’s seminar paper in my backlog and was preparing a post explaining the story of this missing article, now it has a quite different ending. Of course, the journal’s fate is still an exemplar of what can and can’t be done without institutional support and postgraduate levels of free time, and it helps explain why so few other such journals have made it. I am sad about my meanness in the face of their difficulties now, but hey: Networks and Neighbours the project continues, doing some impressive things, indeed; the journal was itself an impressive thing even if not always printed; and at last I have my article, and I can be happy with that.

So, statistics as is now traditional: two drafts, and time from first submission to publication, four years one month. Of course the story explains that, and let’s face it, I seem to collect these stories. But it exists, you can read it and cite it, and I think it’s quite good.3 And that’s the end of the story…


1. I refer, of course, to my previous works, Jonathan Jarrett, “Views, Comments and Statistics: Gauging and Engaging the Audience of Medievalist Blogging” in Literature Compass Vol. 9 (Oxford 2012), pp. 991–995, DOI: 10.1111/lic3.12016, and Alex Sayf Cummings & Jonathan Jarrett, "Only Typing? Informal Writing, Blogging, and the Academy" in Jack Dougherty & Kristen Nawrotzki (eds), Writing History in the Digital Age, Digitalculturebooks (Ann Arbor, 2013), pp. 246–258, DOI: 10.2307/j.ctv65sx57.26.

2. A good introduction to the theories in play here is Pierre Bourdieu, “The Forms of Capital”, transl. R. Nice in J. Richardson (ed.), Handbook of Theory and Research for the Sociology of Education (New York City, NY, 1986), pp. 241–258, online here, and in the words of ‘well-known’ band Half Man Half Biscuit, “if you’ve never, then you ought”.

3. That cite being: Jonathan Jarrett, “Engaging Élites: Counts, Capital and Frontier Communities in the Ninth and Tenth Centuries, in Catalonia and Elsewhere” in Networks and Neighbours Vol. 2 (Binghamton, NY, 2018 for 2014), pp. 202–230, online at <https://nnthejournal.files.wordpress.com/2018/05/nn-2-2-jarrett-engaging-elites1.pdf>, last modified 26 May 2018 as of 12 April 2019.

Name in Print XIX

I don’t really have time to write here, but as with Captain Beefheart and talking about his women, I’m gonna do it anyway.1 If you’re reading this you’re probably aware I’m working against two backlogs, one of reports of my academic life and the other in reporting my academic achievements, and we just had one of the previous so now it’s time for the latter, because I still have unreported successes to report, which I suppose is good. This time it’s a publication, what turned out to be my last one of 2018 in fact though it happened very early on, in February, and has a 2017 date on it. (I currently have four things in press, one more awaiting the editor’s word that it’s in press, and four more under review, some of which have been there a very long time, so it’s not for want of trying, but my life’s bibliography is going to have another gap in it for 2018, sometimes it’s just the way it goes.2)

Cover of Franz Füeg, Corpus of the Nomismata from Anastasius II to John I in Constantinople 713–976: Structure of the Issues; Corpus of Coin Finds; Contribution to the Iconographic and Monetary History (Lancaster 2007)

Cover of Franz Füeg, Corpus of the Nomismata from Anastasius II to John I in Constantinople
713–976: Structure of the Issues; Corpus of Coin Finds; Contribution to the
Iconographic and Monetary History
(Lancaster 2007)

So this piece! This goes back to my time at the Barber Institute, which on looking back was an immensely productive year. Somewhere in it, realising that I was now technically a Byzantine numismatist, the editor of the Numismatic Chronicle lit upon me like a cheery bird of prey, brandishing two books for which he didn’t have a reviewer, extensive studies of the Byzantine gold coinage of Constantinople by a retired professor of architecture by the name of Franz Füeg.3 I thought this was a relatively good way to advertise my participation in this field—and at the time, of course, I didn’t know how long I’d be in the field—and agreed, and then once I got reading realised that I’d let myself in for more than I’d bargained. The two books are complex, brilliant in places and questionable in others, and by the time I had a full stock even of the first volume, my draft review was nearly 4,000 words and also late. I sent it in in March 2017 and the editor kindly but firmly suggested that if it was going to be like this, I might as well do both volumes properly and call it a review article, and use it to comment on the state of the field a bit more broadly as well as these books.

The Numismatic Chronicle for 2017

The Numismatic Chronicle for 2017 in all its glory

Now even that took some time, because of course the job at Leeds had started by now and as you’ll have noticed that has kept me busier than I’ve been before. It also meant some more reading in this field I technically no longer worked in, very largely the works of Cécile Morrisson, and it wasn’t till November 2017 that that text finally went in.4 That was calculated to work with the timetable of the Chronicle, however, and I knew it would be in time; and therefore, it emerged in February 2018 and looks like this.

Jonathan Jarrett, 'Middle Byzantine Numismatics in the Light of Franz Füeg’s Corpora of Nomismata’, Numismatic Chronicle, 177 (2017), 514–35

First two pages of Jonathan Jarrett, ‘Middle Byzantine Numismatics in the Light of Franz Füeg’s Corpora of Nomismata’ in Numismatic Chronicle Vol. 177 (London 2017), pp. 514–35

I am quite pleased with this article. I’m not really sure I have the experience or expertise that should let me comment on Byzantine numismatics like this, even over a constrained period, but it does seem to me that Füeg’s books, while problematic in a huge range of ways, show up problems with our current paradigms over some things, most especially the organisation of the Constantinople mint (and especially officinae, for those who care), artistic seriation of coinages (though that should have looked like a problem already), who the die-cutters were and how many of them were at once, how we define obverse and reverse in the Byzantine coinages, how effective coins could have been as imperial propaganda (a point I’ve been teaching with ever since), and the nature of a possible demonetisation under Emperor Michael III, as well as some more of my points about the reasons for the production of concave coins already discussed.5 In other words, it’s quite wide-ranging—it even takes a few stabs at the literature on the bronze coins while it passes, though my suspicion is that Andrei Gândilá will sort that out before I get round to intervening there—and I think it’s quite clever in places.6 So, if you’re interested in any of those issues, you might want to have a look at it. I can’t post a PDF for two years, that’s the agreement, but obviously as a numismatist you should be subscribing to the Chronicle anyway, right? And if you do, then you’ve already seen this and I didn’t need to tell you, but I am still quite pleased with it.

(Statistics, such as they be given that this isn’t quite the normal peer-review process we’re talking here: one-and-a-half drafts over a period of two years two months; and time from first submission of a full text to print a mere three months, which is kind of amazing. As I said, timing was first bad then crucial…)


1. Cited from Captain Beefheart and his Magic Band, ‘Long-Necked Bottles’, on idem, I’m Gonna Do What I Want to Do (Live at My Father’s Place, 1978) (Rhino Records 2003), since you ask.

2. Just to tantalise you, the things actually in press, that I therefore have some certainty will actually come out—and as we’ll hear soon, that’s never guaranteed—are as follows:

  • Jonathan Jarrett, ‘Coinage in the Western World at the End of the Roman Empire and After: Tradition, Imitation and Innovation’ in Journal of Ancient Civilizations Vol. 33 (Changchun forthcoming)
  • Jonathan Jarrett, ‘La fundació de Sant Joan en el context de l’establiment dels comtats catalans’, transl. Xavier Costa i Badia in Blanca Garí and Costa (edd.), El monestir de Sant Joan: Primer cenobi femení dels comtats catalans (887-1017) (Montserrat forthcoming)
  • Jonathan Jarrett, ‘Outgrowing the Dark Ages: agrarian productivity in Carolingian Europe re-evaluated’ in Agricultural History Review (Reading forthcoming)
  • Luca Zavagno, Rebecca Darley and Jonathan Jarrett, ‘”Not the Final Frontier”: The World of Medieval Islands’ in al-Masāq: Islam and the Medieval Mediterranean, ‘Not the Final Frontier’: The World of Medieval Islands (Abingdon forthcoming)

But which one first? And when? That’s the thing no-one knows…

3. Franz Füeg, Corpus of the Nomismata from Anastasius II to John I in Constantinople 713–976: Structure of the Issues; Corpus of Coin Finds; Contribution to the Iconographic and Monetary History, transl. H. Thomas Hofmänner, ed. Italo Vecchi (Lancaster 2007); Füeg, Corpus of the Nomismata from Basil II to Eudocia 976–1067: Corpus from Anastasius II to John I 713–976 with Addenda; Structure of the Issues 976–1067; The Concave/Convex Histamena; Contribution to the Iconographic and Monetary History, transl. H. Thomas Hofmänner, ed. Italo Vecchi (Lancaster 2014).

4. I would recommend Cécile Morrisson, G. Schaaf and Jean-Michel Spieser, Byzance et sa monnaie, IVe–XVe siècle: précis de numismatique byzantine. Catalogue de la collection Lampart à l’Université de Fribourg, Réalités Byzantines 15 (Paris 2015), in which pp. 7‒104 are a ‘Précis de numismatique byzantine’ that somehow encapsulates much of her expertise, with shiny new diagrams.

5. On which last issue, of course see now Jonathan Jarrett, ‘Why did the Byzantine Coinage Turn Concave? Old Suggestions and a New One’, in Maria Caccamo Caltabiano (ed.), Proceedings of the XV International Numismatic Congress, Taormina 2015 (Roma 2017), PDF Addendum pp. 1-4.

6. I’m thinking here especially of Andrei Gândilá, ‘Heavy Money, Weightier Problems: the Justinianic reform of 538 and its economic consequences’ in Revue numismatique Vol. 169 (Paris 2012), pp. 363–402, online here, but he’s been busy and there’s lots more I need to catch up with.

Name not in Print I

Somehow, as we near the very end of 2018, I still haven’t told you all about my last publication of 2017. Let’s not talk about why that is—words like ‘term’ and ‘marking’ would feature large in such a talk, and now neither of those things pertain—but instead I’ll tell you its story, which is one of those that probably shouldn’t have happened, but since it did it needs explaining. You will remember, I imagine, that I was at the International Numismatic Congress in Taormina in 2015, because I did eventually recount it all here. You may also be aware that the proceedings from that Congress are published, and if you’re very up in the numismatic news loops and could afford the substantial cost of the volumes you may have got them, and realised I’m not in them. And if I’m very lucky, or unlucky, you may have thought: what happened there?

Cover of Maria Caccamo Caltabiano (ed.), Proceedings of the XVth International Numismatic Congress, Taormina, 2015 (Roma 2017), vol I.

Cover of Maria Caccamo Caltabiano (ed.), Proceedings of the XVth International Numismatic Congress, Taormina, 2015 (Roma 2017), vol I.

Well, I wondered that myself when a colleague who was also there mentioned that they’d had proofs some time ago, that being the first I’d heard since I sent in my text. So, at that point I got in touch with the editors and asked if I’d been rejected and if they could send me feedback at least. And a week or so later I got a short, but slightly shame-faced e-mail explaining that somehow, the editor of the Byzantine section had missed my paper. Well, by this time the volumes were not just in press but some had been sent out. All that could be done was to format my paper as a PDF addendum and include it as an extra with all future sales. So if you now look for the proceedings you will see that their format is advertised as ‘2 voll. + PDF addendum’, and ladies and gentlemen, that PDF addendum is all me, all 4 pages of it. I had extra fun explaining this to my university library when they had to decide what file to put in the open access depository; first I had to convince them it even existed. But it does, and so, I commend it to your notices, and also wish you all a happy 2019.1 There will be more from me in it.


1. Jonathan Jarrett, ‘Why did the Byzantine Coinage Turn Concave? Old Suggestions and a New One’, in Maria Caccamo Caltabiano (ed.), Proceedings of the XV International Numismatic Congress, Taormina 2015 (Roma 2017), Addendum pp. 1-4.

Medieval European Coinage update (Name in the Book Somewhere III)

I have time for only a short post this weekend, but happily, I was just asked a question here that can be answered in such a post, and which also fits into the pattern of alternating what we might call ‘historical’ content with a recounting of my various and dubious scholarly achievements. So, this post, let me bring you up to date with that well-known scholarly series, Medieval European Coinage!

Cambridge University Press leaflet advertising the Medieval European Coinage series

Cambridge University Press leaflet advertising the series

Now even my part in this could be a long story, but at least a short version of the full story is worth telling. It begins with the late Professor Philip Grierson, who somewhere towards the last third of his long career decided it would be a good idea to pubish a monographic series of accounts of the coinage of the European Middle Ages, using his own excellent collection as the illustrative basis. Originally, supposedly, he reckoned to write them all himself, figuring that one every two years would keep him busy till retirement, but predictably, it turned out to be a bigger project than that, and before long he had enlisted co-authors for several of the volumes, then assigned several of them to other people entirely, and eventually it was a whole British Academy-funded project which could afford a small staff. The first actual volume, covering the whole of the continent from the fifth to the tenth century, was co-written by Professor Grierson and his Research Assistant, Mark Blackburn, then freshly poached from the legal profession by the museums world and eventually, of course to be my boss.1

Cover of Philip Grierson and Mark Blackburn, Medieval European Coinage 1: the Earlier Middle Ages (5th-10th centuries) (Cambridge 1986)

Before that time, the team had squeezed out a second volume, co-written by Professor Grierson and Lucia Travaini, and covering Southern Italy from the tenth to fifteenth centuries, but since the first had come out in 1986 and it was now 1998, it was clear that this was all taking longer than initially planned.2 The next volume was supposed to be that on the Iberian Peninsula, and it was because the team needed a copy-editor who knew some peninsular history that I first got into the Fitzwilliam. It’s hard to emphasise now how important that job was for me. Not only did it basically keep me alive during three quite difficult months, but it made me a lot of friends in the department, established in Mark Blackburn’s mind that I could work databases, and thus set me up for what would turn out to be five years’ paid employment, several virtual exhibitions you can still see (and some you can’t), my first numismatic publications and some quite important personal ramifications to boot; I am still reaping the benefit of getting involved with the project, and indeed I still sit on its committee. But when I left the employment of the Fitzwilliam in 2010, the Iberian Peninsula volume was still not yet published, and I have to admit, it was not quite clear then if it would be.

Cover of Miquel Crusafont, Anna Balaguer and Philip Grierson, Medieval European Coinage 6: The Iberian Peninsula (Cambridge 2013)

Now, that story I’ve told elsewhere and obviously it did emerge, finally, in 2013.3 That was a great achievement, celebrated in two countries indeed, but it left open the question of which volume would emerge next; we had several under work, and obstacles in the way of them all. As with the legendary London bus, however, you wait four years for one and then two turn up at once, or nearly. The volume covering Northern Italy, by William R. Day Junior, Andrea Sacocci and Michael Matzke, which we were already celebrating at Taormina as described, finally left the presses in November 2016, and very shortly afterwards, in April 2017, it was joined by Rory Naismith’s volume on Britain and Ireland 400-1066, covering some ground already covered by the Earlier Middle Ages volume again simply because the finds pattern has changed our understanding of the way money was being used in early medieval Britain so radically in the, well, thirty years since the project had last offered any thoughts on it.4 And I’m happy to celebrate this as in some small way my achievement as in 2008 to 2009 I copy-edited as much of the Northern Italy volume as then existed, and though I’ve no idea how much of my work remains visible in the finished volume—I certainly don’t have the files against which to check—nonetheless, this is something I had a hand in and now it exists where people can use it, so I’m happy.

Cover of William R. Day Jr, Andrea Sacocci and Michael Matzke, Medieval European Coinage 12: Northern Italy (I) (Cambridge 2017)

So that is where we are, but where are we about to be? Well, obviously, given our pedigree, absolutely the last thing I should do is offer any predictions, and indeed I might seriously offend some of our authors if I were to guess here who will publish next! What I can do is tell you what is currently under work. The volumes actively under work are those on Germany, by Peter Ilisch, on the Low Countries, by Philip Grierson, Peter Spufford, Serge Boffa and now Marcus Phillips and Sue Tyler-Smith, on the British Isles 1066-1279, by Martin Allen, on ‘the Nordic Countries’ by Jørgen Steen Jensen and Elina Screen, on Central and Eastern Europe, by Boris Paskiewicz, and on the Latin East and Crusader States, by Julian Baker, Richard Kelleher and Robert Kool. Other volumes are also under work, but I think it is probably OK to say that they are currently moving more slowly. It will also probably not have escaped the keenly numismatic audience that the Low Countries volumes have also lost two of their authors and gained some others, and indeed when the first of them (Philip) died it was still being conceived of as only one volume, so a lot has happened there but it has not necessarily advanced that much closer to its finish line. I honestly wouldn’t like to guess which of these is closest to the finish line, but if I were to predict anything at all, it would be that although we can’t hope to maintain the current one-volume-a-year output, it should not be, say, 2021 before another volume has emerged, and by then again quite probably two. I’m just not sure which or when…


1. Philip Grierson and Mark Blackburn, Medieval European Coinage, with a Catalogue of the Coins in the Fitzwilliam Museum, Cambridge, volume 1: the Earlier Middle Ages (5th-10th centuries) (Cambridge 1986).

2. Philip Grierson and Lucia Travaini, Medieval European Coinage, with a Catalogue of the Coins in the Fitzwilliam Museum, Cambridge, volume 14: Southern Italy (Cambridge 1998).

3. Miquel Crusafont, Anna Balaguer and Philip Grierson, Medieval European Coinage, with a Catalogue of the Coins in the Fitzwilliam Museum, Cambridge, volume 6: the Iberian Peninsula (Cambridge 2013).

4. William R. Day Jr, Andrea Sacocci and Michael Matzke, Medieval European Coinage, with a Catalogue of the Coins in the Fitzwilliam Museum, Cambridge, volume 12: Northern Italy (Cambridge 2016); Rory Naismith, Medieval European Coinage, with a Catalogue of the Coins in the Fitzwilliam Museum, Cambridge, volume 8: Britain and Ireland, c. 400-1066 (Cambridge 2017).

Name in Print XVIII

The chronology of the content in these posts is a struggle for me to follow, so I dread to think what it’s like for you, dear reader, but despite that, having now shown you more photos of medieval places from late 2015, I now want to bring you forward to April 2017, when somewhat to my surprise, a new publication of mine I’d more or less entirely forgotten about suddenly turned up in my pigeonhole at work.

Cover of Richard Verdi, Sarah Beattie, Jonathan Jarrett, Nicola Kalinsky and Robert Wenley, The Barber Institute of Fine Arts (London 2017).

Cover of Richard Verdi, Sarah Beattie, Jonathan Jarrett, Nicola Kalinsky and Robert Wenley, The Barber Institute of Fine Arts (London 2017).

You see, in the final frantic days at the Barber Institute of Fine Arts, in which I had been counting all the coins, trying to ensure that my two dissertation pupils had what they were due from me and that the office would be usable by my successor, as well as maintaining a cheerful and helpful demeanour in the face of unexpected requests from members of the actual museum-going public, I also got asked to make some contributions to an update of the Barber’s introductory guide to its collections. These are mainly what you’d call ‘fine art’, but the old one had had coins in and it was thought best that these be updated in the light of what we now knew about the collection as a result of my tenure there. I did that quite quickly, though of course professionally, signed it all off in the last month I was there and forgot about it, and then 20 months later there it was in a pigeonhole in Leeds with me listed as one of the co-authors.1

Title page of Richard Verdi, Sarah Beattie, Jonathan Jarrett, Nicola Kalinsky and Robert Wenley, The Barber Institute of Fine Arts (London 2017).

Title page, including my own name

It is perhaps a sign of the way that the world of museums works that of the five named authors, only two still worked at the Barber by the time it came out—we’d noticed the same churn in the All That Glitters project, where all the remaining participants were in different jobs by the time we finished—but I felt especially flattered by my name appearing there, because my entire contribution to this book on which I am named is three of the six coin entries, probably a total of about 500 words. (The others, like a lot of the text, remain from the previous edition.) So this is a very generous, and probably undeserved, co-authorship, but I was of course inordinately pleased by it anyway. And as ever with museums versus academia, more people will probably read those entries than any of my actual academic work!

Silver denarius of Emperor Claudius I, struck at Rome in 41-42 AD, Barber Institute of Fine Arts R0943

Silver denarius of Emperor Claudius I, struck at Rome in 41-42 AD, Barber Institute of Fine Arts R0943

Silver drachm of Shahanshah Shapur II struck at an uncertain mint in 309-379, Barber Institute of Fine Arts S0078

Silver drachm of Shahanshah Shapur II struck at an uncertain mint in 309-379, Barber Institute of Fine Arts S0078

Gold ducat of Pierre d'Aubusson struck at Rhodes 1476-1503, Barber Institute of Fine Arts CR0037

Gold ducat of Grand Master Pierre d’Aubusson struck at Rhodes 1476-1500, Barber Institute of Fine Arts CR0037

The actual coins that got the benefit of my attention were these, a denarius of the Roman Emperor Claudius showing Nemesis (because we had to replace the previous Roman coin entry), a drachm of Shahanshah Shapur II (because the Barber has a really good collection of Sasanian coins that wasn’t even mentioned before and I insisted), and a ducat of the Knights of the Hospital of St John struck at Rhodes, because it’s unexpectedly flashy, one of those dissertation students had helped me identify it not long before, and because I was determined to get some of our medieval in there as well.2 (The other coins in the catalogue are a tetradrachm of Lysimachus I, a solidus of Emperor Leo VI and a sovereign of Mary Tudor.) So I did those things (including getting the coins online, where they are), and they can thus be seen! And now you know.

Statistics, as long as we’re counting: obviously, this work was never presented, and it went through only one draft, as I’ve described. What that also means, of course, is that it ran a pretty standard year and eight months from first submission to print, stretching that average out just that bit further, but in a volume with this many moving parts that is perhaps not too surprising, and I’m completely happy with how it came out, which is maybe more surprising by now!


1. Full citation, as above, Richard Verdi, with Sarah Beattie, Jonathan Jarrett, Nicola Kalinsky and Robert Wenley, The Barber Institute of Fine Arts (London 2017).

2. My contributions appear respectively ibid. pp. 18, 19 & 20.

Name in Print XVII

Well, the paper submissions are coming in, whch is very gratifying (though you still have two days to submit yours! Go on!*), and in the meantime I have been to Turkey and back and had food poisoning and recovered, and teaching is very nearly about to start. I’m often unsure when I look at my life that I really expected it to be like this when I finally ‘made it’, but here we are. And it seems to be a bit more than a week since I said anything here so it must be about time, and what it seems to be about time for is reporting on recent achievements, in the hope that at some point I will actually catch up to the genuinely recent ones. But right now, I have something from the end of March last year to bring to your attention.

Cover of Javier Muñoz-Basols, Laura Lonsdale & Manuel Delgado (edd.), The Routledge Companion to Iberian Studies (London 2017)

Cover of Javier Muñoz-Basols, Laura Lonsdale & Manuel Delgado (edd.), The Routledge Companion to Iberian Studies (London 2017)

At that time, there appeared in the world this rather hefty volume, the Routledge Companion to Iberian Studies, edited as you see by Javier Muñoz Bassols, Laura Lonsdale and Manuel Delgado. And of course, the reason that I mention this is that I am one of the literally-fifty authors therein contained. Witness!

First page of Jonathan Jarrett, ''Before the Reconquista: Frontier relations in medieval Iberia, 718-1031', in Javier Muñoz-Bassols, Laura Lonsdale & Manuel Delgado, The Routledge Companion to Iberian Studies (London 2017), pp. 27-40

Beginning of my chapter therein, ‘Before the Reconquista: Frontier relations in medieval Iberia, 718-1031’

This really happened because I ate lunch with Laura Lonsdale occasionally for a period of three years, but it’s real work despite the inside connection. This chapter represents the first substantive thing to come out of my ‘new direction’ on frontiers, and it aims basically to set the chronological limits of what I think of as ‘my’ period of the Christian-Islamic frontier in the medieval Iberian Peninsula, that being the one in which it didn’t, overall, move very much. In it, therefore, something like a standing frontier society can genuinely be spoken of. Subsequent periods, in which that was instead a dynamic, and forever normalising, frontier society are no less interesting, perhaps more so for some questions, but I argue here for a coherence of that static interval as a historical period and, further, that the fact that it doesn’t clearly belong in the narrative of the eventual expulsion of ruling Islam from the Peninsula, and so doesn’t really serve the teleology of the modern nation state, shouldn’t exclude it from study. After all, in the year 1020 Navarra was basically ruling what would become Northern Spain. That never happened again but that doesn’t stop it being interesting, and yet there’s almost no work on it, especially in English.1 So I argue here that the Christian-Muslim frontier 718-1031 was different from other frontier situations of the peninsula and set up dynamics of its own, which we should look at more.

This was an important publication for me in a number of ways. In the first place, I think it’s quite good, which is always heartening. Secondly, as you can see above, it is the making in print of a case I have often had to make in conversation for my period of study. Thirdly, it is the first of what I hope will be many things I write about frontiers, but which circumstances keep combining to push back compared to my other work. But fourthly, you may have noticed, if you happen to keep track, that publication had rather dried up for me after 2013. After a pretty steady output of stuff either accruing from my Ph. D. or other projects I was employed upon, and a real boom of stuff in 2013, I had out a review and two book chapters in 2014, neither of them on my cutting edges of research, only a privately-published exhibition booklet in 2015 and nothing at all in 2016.2 It wasn’t that I wasn’t producing stuff, but misfortune after misfortune struck it: things were not accepted, things that were accepted were delayed (and still are…) and there are still worse stories I shall tell in their due season. It was, therefore, something of a relief when the bad patch finally ended. There are more to report after this, but this is the one that turned the tide. I humbly recommend it to the audience. The actual citation:

Jonathan Jarrett, “Before the Reconquista: frontier relations in medieval Iberia, 718–1031” in Javier Muñoz-Bassols, Laura Lonsdale and Manuel Delgado (edd.), The Routledge Companion to Iberian Studies (London 2017), pp. 27–40

Boring statistics, because I still like those: unlike most of my work, this was never presented live. I wrote it, pretty much to order, in Birmingham in June 2014, in conjunction with another related article which is the subject of one of those worse stories just mentioned and never came out. I took it through two more drafts even before I had a response from the editors, largely because of the development of the companion piece, but the actual version for review in light of editors’ comments went in in July 2015, and the post-review version in December 2016. After that point, as you can see, things moved fairly fast, but still, time from first submission to print is a pretty desultory two years nine months, worse even than my average such interval. But when it did come out, it was very gratefully received!


* Wow, in fact, two more submissions even as I’ve been writing this!

1. Predictably, now that I check there is actually more than I realised, principally conference volumes resulting from the millennium of this unusual episode. I knew about Ángel Juan Martín Duque, Sancho III el Mayor de Pamplona: el rey y su reino (1004-35) (Pamplona 2007) but not about Ante el milenario del reinado de Sancho el Mayor: un rey navarro para España y Europa (Pamplona 2004)—though this seems mostly not to be about Navarra—Isidro Gonzalo Bango Torviso & María del Carmen Muñoz Párraga (edd.), Sancho el Mayor y sus herederos: el linaje que europeizó los reinos hispanos (Pamplona 2006)—almost entirely art history—or Gonzalo Martínez Díez, Sancho III el Mayor: Rey de Pamplona, rex ibericus (Madrid 2007), so I have some reading to do if I can get hold of any of these. There’s still nothing in English at all beyond two encyclopedia entries by Teresa Earenfight and snippets of books by Roger Collins as far as I can see, however, and there are few who snippet better but it’s still not what you could call deep analysis.

2. I seem not even to have graced the booklet with a blog entry! It should therefore at least get a citation, which is: Jonathan Jarrett, Inheriting Rome: the imperial legacy in coinage and culture (Birmingham: the Barber Institute of Fine Arts 2015).