Category Archives: Romans

Conferring over coins in Birmingham

Sorry about the lateness of this post; I write between two family gatherings that have taken up quite a lot of writing time. But here is a post even so! We’ve come so far with the whole world situation that people are contemplating having real in-person conferences again, but this post is still a story of the distant past for now, and specifically of 18th November 2017, when I was down in Birmingham and indeed my old place of employ, the Barber Institute of Fine Arts, to listen to a conference about the collection I briefly managed, entitled ‘The Barber Coin Collection Colloquium Day: Past, Present and Future Research’. I didn’t speak at this myself, being somewhat embroiled with other work just then, but I learnt a few things by going. These were the speakers:

  • Margaret Mullett, “The Legacy of Anthony Bryer”
  • Rebecca Darley, “Sri Lankan Coins in the Barber Collection”
  • Maria Vrij, “How Do You Solve a Problem Like Mezezios?”
  • Wei-Sheng Lin, “Armenian Cilician Coinage”
  • K. MacDonald, “African Gold Sources for Byzantine Carthaginian Coins”
  • Anika Asp, “Numismatic Sources for the Empire of Trebizond”
  • Alex Feldman, “Coinage and Commonwealth, 9th-11th Centuries: local dynasties and mints in the ‘Ummā and Oikoumene”
  • Joseph Parsonage, “Coins and Co-Emperors – Crowned Regents in Byzantium”
  • Michael Burling, “Sasanian Numismatic Imagery and its Influence”

Now, of these, Wei, Alex, Joseph and Mike were at that stage various levels of postgraduate at Birmingham and were not primarily working on coins for their theses, and had really been introduced to them either by me or Maria as Curators, so they were presenting partly for practice and partly out of goodwill, and for that reason I shan’t discuss their papers in any detail. Professor Mullett’s presentation, in turn, was largely a biographical sketch of a man who had been involved in the negotiations that led to many of the collection items being in the Barber at all, and you can read about him in more detail yourselves if you like. So that leaves Rebecca, Maria and Dr MacDonald, all of whom had things to say which are still probably interesting if you’re interested in such things!

Gold imitation of a solidus of Emperor Theodosius II possibly made in India or Sri Lanka, Birmingham, Barber Institute of Fine Arts LR0482

Gold imitation of a solidus of Emperor Theodosius II possibly made in India or Sri Lanka after 402 CE, Birmingham, Barber Institute of Fine Arts LR0482

Rebecca’s paper was an analysis of the sale history of five late-Roman-or-Byzantine coins which, according to a note lurking in the Barber’s archives, had been found in Sri Lanka. This seemed, on the face of it, dubious. Now, not many people have a better idea of what imperial numismatic material is found in Sri Lanka, and as we’ve seen Rebecca also knows a thing or two about numismatic collectors. A false hope was realised by the possible connection of two of the coins to one Leslie de Saram, a man famous in Lankan archaeology but who nonetheless acquired pretty much all his coins on the London market; but the coin above, as well as one of Maurice, she thought could possibly be Sri Lankan finds given everything recorded about them in the Barber (not much) and the wider finds patterns, though even there the Maurice coin would fill a gap rather than having parallels.1 It makes me suddenly think that if our failed attempts to get through the surface dirt on these coins with an X-ray had in fact been directed at analysing the dirt, maybe we’d have been able to settle this question! But as it is, it is still a matter of possibility whether the Barber does in fact hold coins that went all that way out of the Empire and then had another Empire bring them back again and out the other side…2

Gold solidus of Emperor Constants II struck at Carthage 641-654 CE, Birmingham, Barber Institute of Fine Arts B4100

Gold solidus of Emperor Constans II struck at Carthage 641-654 CE, Birmingham, Barber Institute of Fine Arts B4100, tested in the All the Glitters project and not found wanting

Since we’re now talking about metals analysis, it probably makes sense to discuss Dr MacDonald’s paper next. This was coming out of a project that was trying, effectively, to work out when and if trade across the Sahara Desert can be archaeologically documented before the Islamic era. Part of this work had involved trying to work out if sub-Saharan gold had reached the north of Africa before that time, and one way to determine this was to test coinage issued in Byzantine Carthage, of which of course the Barber has a bit (and we tested some). The thing here is that Byzantine coins from Carthage took on an increasingly thick, globular aspect over the sixth century, as you can sort of see above, and it has been suggested that this is because the blanks were coming in as lumps from the Essouk goldfields, way way south, because such lumps have been found as production debris there.3 Somehow I didn’t write down what methods Dr MacDonald was using to test his coins, but the methods must have been better than ours as he was finding distinct differences between the normal, flat solidi previously minted by Carthage and the globular ones which did not themselves prove, but were consistent with, the idea of them being on Essouk blanks, and what the difference largely was was that the globular coins were made out of unrefined gold. I would have to say that this didn’t fit with what we’d found when we’d tested one, but then as we know our methods were not very good. This is why I (still) want to know more about his…

Gold solidus probably struck by Emperor Mezezios in Syracuse 668 CE, Birmingham, Barber Institute of Fine Arts B4272

Gold solidus probably struck by Emperor Mezezios in Syracuse 668 CE, Birmingham, Barber Institute of Fine Arts B4272

Lastly, here if not on the day, Maria’s paper covered a very rare coin of which the Barber has one, apparently struck by a very short-lived usurper—I suppose if he’d been long-lived we’d just call him an emperor—by the name of Mezezios, who rose up in Sicily in 668 after the murder of Emperor Constans II. His coinage was first identified in 1979, but has been disputed ever since, and while Maria did not claim to have solved the problem herself, she did, by explaining the arguments for and against, make it seem much more likely that such a thing would have existed, and therefore that since there are several known from different contexts, they’re probably that thing. The argument really hinges on the fact that, iconographically, the coins appear to imitate those of Emperor Justinian I, from a century before, rather than anyone more recent, and while this has a been a mark against the theory for some people Maria thought, quite reasonably I reckon, that if you’re usurping the throne from a dynasty you don’t borrow their iconography, but go back to before their problem ever arose. Certainly this happens with those who finally did, temporarily, replace that dynasty by overthrowing Justinian II and reversed his numismatic innovations, so I don’t have a problem with it thirty years before either!4

All things considered, this was a good thing to have been part of. It did what I think Maria had hoped, by demonstrating that having a good collection in a university can actually be a generator of research and that that research, even on tiny things like coins, can open up bigger findings. It is necessary to remind people of this, every now and then, and while I’m not sure the people who most needed to know it were there, at least by writing it up, even this late on, I can help to remind a few more people of this significant truth!


1. That Maurice coin is Birmingham, Barber Institute of Fine Arts, B1767, visible here.

2. Rebecca now has a version of this story in print, and indeed online, as Rebecca Darley, “‘Implicit Cosmopolitanism’ and the Commercial Role of Ancient Lanka’ in Zoltán Biedermann and Alan Strathern (edd.), Sri Lanka at the Crossroads of History (London 2017), online here, pp. 44–65 at pp. 51-56.

3. Dr MacDonald cited what had then just emerged as David W. Phillipson, “Trans-Saharan Gold Trade and Byzantine Coinage” in Antiquaries Journal Vol. 97 (London 2017), pp. 145–169, online here.

4. My bit of that is due soon to emerge as part of Jonathan Jarrett, “Coinage in the Western World at the End of the Roman Empire and After: Tradition, Imitation and Innovation” in Journal of Ancient Civilizations Vol. 36 (forthcoming). You will hear here when that happens!

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Finding the Medieval in Rome V: Fixing a Hole in a City Wall

This gallery contains 9 photos.

This is the last of the Rome 2017 photo posts, and then as promised last week, some more properly academic content will at last materialise. But right now, I hope you can forgive some more photographic antiquarianism. On the last … Continue reading

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Finding the Medieval in Rome IV: Teaching with the Crypta Balbi

This gallery contains 23 photos.

I mentioned a little while back that when I started in post at the University of Leeds I inherited a late antique survey module for first-year undergraduates which, indeed, I still run. That module has always ended with a class … Continue reading

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Finding the Medieval in Rome III: Emperor Hadrian, Defender of the Popes

This gallery contains 18 photos.

Obviously, the subtitle of this post is not true. Not strictly. How could it be, after all, when Hadrian, ruler of the Roman Empire from 117 to 138 CE, and respected chief priest of it too, probably didn’t even know … Continue reading

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Finding the Medieval in Rome I: ruins and cats

This gallery contains 17 photos.

Given the state of things in the UK at the moment, and with the work to get ready for term very much upon me, it’s actually quite nice that my blog backlog means I can write about and remember happier … Continue reading

Another showcase of my department (as of 2017)

I’ll try to make up for some lost time here by following fast on the last post for once. The next thing I want to record from the memory banks of 2017, after a huge conference in which my department played a small part, is a small one in which we were all of it. The theme for the 2018 International Medieval Congress (which was a huge conference organised from my department, to coincide with the Congress’s 25th birthday, was ‘memory’, and by way of trying to get the department, or at least its partly contained cluster the Institute for Medieval Studies, geared up for that, on 23 May 2017 we held a workshop on that theme of memory. This was an all-day event featuring twenty speakers, which we managed by limiting everyone to no more than five minutes. This kept everyone to showcasing one important point about how our work intersected with the key theme and no more, and was actually quite an enjoyable challenge, but it also makes a neat little time capsule of who we then were. It would be a bit daft to try to summarise five-minute papers, but it seems worth giving at least a running order and some comments arising. So this was that running order.

    Axel Müller, “Welcome and Introduction”

  1. Catherine Batt, “Mind, Memory and Penitential Psalm in Cambridge MS CUL G.I.1”
  2. Fozia Bora, “The historical digest (mukhtasar) as an aide memoire in the medieval Islamicate”
  3. Hervin Fernández-Aceves, “Del olvido al no me acuerdo: the medieval memory of Mexico”
  4. Discussion

  5. Jonathan Jarrett, “Remembering the Deeds of Guifré the Hairy?”
  6. Alan Murray, “Memorialising Virtue: Exempla in Chronicles of Teutonic Order”
  7. Trevor Smith, “Remembering the Nation’s Past: Middle English Passages in the Long Anglo-Norman Prose Brut Manuscripts”
  8. Daniele Morossi, “How Manuel I’s Good Memory Led to the End of the Venetian-Byzantine Alliance”
  9. Discussion and Coffee

  10. Julia Barrow, “Hereford Cathedral Obit Book”
  11. Melanie Brunner, “Memory and Curial Processes in 14th-Century Avignon”
  12. Joanna Phillips, “Memorialising the Crusades: History with the Nasty Bits Left In”
  13. Thomas Smith, “Constructing German Memories of the First Crusade”
  14. Discussion

  15. Iona McCleery, “Memories of Meals”
  16. Francisco Petrizzo, “The Disappeared: Memory Loss in Family History”
  17. Pietro Delcorno, “The ‘Memorable’ Armour of John of Capistran”
  18. Alaric Hall, “Alternative Facts, History, and the Epistemologies of Wikipedia”
  19. Discussion and Lunch

  20. Emilia Jamroziak, “Response”
  21. Further Discussion

  22. Alec McAllister, “Mnemonic Software”
  23. Sunny Harrison, “Between Memory and Written Record”
  24. Coffee and Cake
    Closing Discussion

So there we have seven permanent members of the School of History, two from the School of English and one from the School of Languages, Culture and Society; one from IT Services with a responsibility for us in History; two temporary members of History staff; and five of the IMS’s postgraduates. And what were we saying? Well, it’s my blog, so let’s start with me me me… I used the different ways that the half-legendary founder count of Barcelona, Guifré the Hairy, has been put to work for various political endeavours over the centuries following his demise, to argue that we had a responsibility to ensure that the control of certain memories cannot become a political monopoly. This involved a pomo syllogism so I’m not sure if I convinced even myself, but there is material there.

C19th statue of Guifré the Hairy outside the Palacio Real, Madrid

C19th statue of Guifré the Hairy outside the Palacio Real, Madrid

Catalan stamp depicting Count Guifré the Hairy

Catalan stamp depicting Count Guifré the Hairy

As for the others, you can see from the titles that we ranged from these islands and the Western Mediterranean to the Baltic, Arabia and México, as well as purely virtual space and, although it’s not obvious from her title, Iona’s case study was from Ghana, so I think our range shows up pretty well. Stand-out points for me that are still worth repeating might be these:

  • There were several examples here of things that were actually Roman being used to plug gaps in both medieval and modern memories, like nineteenth-century depictions of the pre-conquest kings of México, the medieval historical legends of Britain and of course actual ongoing Roman history in the form of the Byzantine Empire of the Komneni. I thought harder than I ever had before about this when putting together my 2015 exhibition Inheriting Rome, and I still think we could do with theorizing this reach for Rome better: my impression remains that we reach for it exactly when there is a gap that has arisen in our own memories, whether through ignorance or inconvenience of the truth, and it’s so natural that people don’t usually notice they’ve done it. But it has an effect…
  • A smaller and more obvious point but again not always remembered: we are at the end of a long chain of choices about what to remember from the period we choose to study, all of which left some stuff out. Here that was obvious from the letter Tom Smith had studied, which recorded a call to Germans to come and assist the newly-established Latin states in the Holy Land in 1100; this was probably forged, but survives largely in places from which Germans went on the Second Crusade in 1144. There’s a question there about which is chicken and which egg, that is, whether the Crusade demanded the creation of propaganda or the letter already existed and provoked that response. Our dating of the manuscripts isn’t tight enough to resolve that problem. But the other thing, which Alan Murray noted, is that the letter was apparently of no interest to keep in areas without much crusade response. Well, OK, obvious you may say, but if we start judging popular response by the survival of such texts, or just leaving out areas where they don’t occur from studies of supposedly global phenomena, problems may arise… And they’re bigger ones than just this source, too.
  • Lastly, apparently with a bit of quick work you can make Azhagi+, a software tool mainly designed for typing Tamil and other Indic languages from an English keyboard—which may already be something you’d want to know about—type pretty much combination of diacritics and letters you like… I had forgotten this till going back over my notes and now need to do some experimenting!

And that was my local academic community of 2017, many of whom are still there, and although I’m not sure exactly how well it set us up for the upcoming IMC, it was fun and collegiate to be part of and as you can see, did provoke thought as well. And the cake was excellent, which cannot always be guaranteed! So a day well spent in 2017, I think, and not the only one either.

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Taking in York Minster

This gallery contains 16 photos.

At the very beginning of the period covered by the last post, April 2017, I had a relative visiting and so decided to do one of the obvious bits of Yorkshire touristing I had not yet done, which is to … Continue reading

I found this coin, 5: Roman public image regulation

I should apologise for the lack of a post last week; the time in which I had meant to write it all went on processing the photos from which I was going to construct it. These were, as you may guess from the subject line, all coins, in fact most of the coins that I selected for the first run of one of the modules I suggested that I could when I applied for the job at Leeds, a second-year option based on the social and political changes of the late antique period in the West as seen through its money. As I originally conceived it, this module was going to work using the collections in the Leeds Discovery Centre but, as you’ve heard, soon after arriving I was informed there were resources as good much closer to hand and so it ran with the materials in Special Collections in Leeds University Library instead. This year I ran it as an MA module instead for the first time, which worked a lot better, but since firstly very few of my students seem to read my blog and secondly, and more grimly, it seems very unlikely we’ll be able to run any modules based on supervised handling of objects any time soon, there seems no harm in dedicating a post to one of its teaching points, which is to what the images I have finally processed most obviously lend themselves.

Obverse of ilver drachm of Shahanshah Yazdgerd I struck between 399 and 420 AD, Leeds, Brotherton Library, Thackray Collection uncatalogued

Obverse of a silver drachm of Shahanshah Yazdgerd I struck between 399 and 420 AD, Leeds, Brotherton Library, Thackray Collection uncatalogued

Reverse of silver drachm of Shahanshah Yazdgerd I struck between 399 and 420 AD, Leeds, Brotherton Library, Thackray Collection uncatalogued

Reverse of the same coin. I freely admit that this one has nothing to do with the post, I just couldn’t read the date or mint signature and am hoping that someone who can will be reading… It’s happened before!

So, if you ever read much in the way of numismatics and coinage history for the pre-modern period, you may have met the idea that coinage is in some sense state propaganda.1 And one could debate whether that is its primary purpose or whether it’s mainly for ensuring the operation of the economy; but since to be recognised as coin it must identify an authority of guarantee, or else it’s just a round disc of metal, many issuers have indeed used that fact to say something about themselves with their money. Where it gets tricky, though, is when from there we try to extrapolate the public image policy of ancient and medieval rulers. Do we, after all, imagine that modern heads of state choose their coinage designs? Those of us who remember the first UK pound coins will remember that they had eight different edge inscriptions and a different reverse design every year, which was basically anti-counterfeiting and although the designs did have some purposes of eliciting national pride in our great achievements and heritage, I don’t suppose any of us thought the Prime Minister came up with them, let alone Her Majesty Queen Elizabeth II.2

Reverse design of the 2004 UK pound coin

Reverse design of the 2004 UK pound coin, showing the Forth Bridge in Scotland

But when one tries the same argument on ancient or medieval rulers, one finds people weirdly reluctant to let go of the idea of royal or imperial agency. I once had a ten-minute argument with someone in the Institute of Historical Research about the coinage of William the Conqueror and the intended significance of the portrait iconography, with the other party believing that his facing portrait was a deliberate echo of Byzantine imagery which indicated William’s quasi-imperial status as now being a ruler of plural realms, and because they wanted this to be William’s initative they loudly asserted that since the coin bore his image and name, and thus directly touched his reputation, he could not have afforded not to take a personal interest. My counter-argument was more or less, “You mean he really thought he should look like this?”

Silver penny of William I of England struck by Æstan at Winchester between 1066 and 1087

Silver penny of William I of England struck by Æstan at Winchester between 1066 and 1087, from Tony Clayton’s Pictures of Coins of the UK, linked through for your perusal

Y’see, I believe that someone chose that crown and the facing portrait, which do indeed look like Emperor Justinian I’s coins a bit (see below), but I don’t believe that it had to be William who chose them, still less that it was intended to be portraiture; I think the designs would have been settled at a much lower level, and I don’t think William expected it to resemble him so much as generally to look like the kind of royal or imperial figure wot belongs on a coin. But neither of us had any proof of our positions, which is why the argument went on for so long. And so the question arises: lacking any actual documentation of these decisions, as until the maybe-fifteenth century we are, can we hope to show any case where the decision about what a coin looked like really did rest with the ruler?

Obverse of a gold solidus of Justinian I struck at Constantinople in 538-565, Leeds, Brotherton Library, Winchester Collection, CC/WC/BYZ/001 Reverse of a gold solidus of Justinian I struck at Constantinople in 538-565, Leeds, Brotherton Library, Winchester Collection, CC/WC/BYZ/001

A halfway position has been achieved with one or two Roman imperial coinages, which is possible because Roman minting happened on such a scale that there were obviously a great many separate pairs of hands at work in the coinage and there must therefore have been some higher-level direction about what the designs should look like. This gets even truer when plural mints are involved, and long ago a scholar by the name of Patrick Bruun did a careful analysis of one sort of coin of Constantine I, the so-called Gloria Exercitus coinage (The Glory of the Army) focusing on the differences between the mints’ interpretation of the design. I won’t trouble you with the detail here and now, mostly because I can’t remember it, but the point was that only some of the details varied. Therefore, he argued, the things that didn’t must have been in the instructions sent to the mint.3

Copper-alloy coin of Constantine I struck at Trier in 333-334, Birmingham, Barber Institute of Fine Arts, R2959

Copper-alloy coin of Constantine I struck at Trier in 333-334, Birmingham, Barber Institute of Fine Arts, R2959

Actually, the instructions must have been sent to the die-engravers, and they might not have been at the mint—they might even all have been in the same place and the dies distributed once carved, though that would be a bad way to cope with wastage and still avoid forgery—but the basic point holds, that we can see (a) that there were instructions and (b) roughly what they included. Even this, however, doesn’t get us as far as (c) who came up with those instructions. Did Constantine say: “I want a coinage that’s about the soldiers, man, I want to really speak to those guys, let them know that they all together support the unified Empire, so let’s have two soldiers both holding the same standard, it’ll be super deep”, or was it only the first clause or two then some artist came up with the rest and the under-secretary of the Count of the Sacred Largesses or similar went, “That’ll do, send out orders for a hundred dies in that pattern to be delivered in a month”? Can we ever know? Well, there might be just one coinage where we can, and it’s this next one.

(Top: billon nummus of Emperor Diocletian struck at Antioch in 300-301, Leeds, Brotherton Library, Thackray Collection, CC/TH/ROM/IMP/0972.
Second row: billon nummus of Emperor Maximian struck at Cyzicus in 297-299, Thackray Collection, CC/TH/ROM/IMP/0962.
Third row down: billon nummus of Emperor Constantius I struck at Rome in 296-297, Thackray Collection, CC/TH/ROM/IMP/0885.
Bottom: billon nummus of Emperor Galerius struck at Alexandria in 308-310, Leeds, Brotherton Library, uncatalogued.)
Obverse of billon nummus of Emperor Diocletian struck at Antioch in 300-301, Leeds, Brotherton Library, CC/TH/ROM/IMP/0972 Reverse of billon nummus of Emperor Diocletian struck at Antioch in 300-301, Leeds, Brotherton Library, CC/TH/ROM/IMP/0972
Obverse of billon nummus of Emperor Maximian struck at Cyzicus in 297-299, Leeds, Brotherton Library, CC/TH/ROM/IMP/0962 Reverse of billon nummus of Emperor Maximian struck at Cyzicus in 297-299, Leeds, Brotherton Library, CC/TH/ROM/IMP/0962
Obverse of billon nummus of Emperor Constantius I struck at Rome in 296-297, Leeds, Brotherton Library, CC/TH/ROM/IMP/0885 Reverse of billon nummus of Emperor Constantius I struck at Rome in 296-297, Leeds, Brotherton Library, CC/TH/ROM/IMP/0885
Obverse of billon nummus of Emperor Galerius struck at Alexandria in 308-310, Leeds, Brotherton Library, uncatalogued Reverse of billon nummus of Emperor Galerius struck at Alexandria in 308-310, Leeds, Brotherton Library, uncatalogued

You will quickly note that these coins are quite similar. That is true even though they are coins of four different emperors and each struck at a different mint in a different year. Nonetheless, there they are, pretty much indistinguishable except by text. Coincidence? Strong tradition? Well, almost certainly not, because these four all ruled together. They are the four Roman emperors known as the First Tetrarchy, a college of four rulers selected by their eldest member, Diocletian (284-305) to rule with him as delegates in different parts of the Empire. Despite that geographical delegation, their edicts all went out in the name of all four emperors, their monuments often depicted all four of them together even though that probably happened only twice, and, importantly for us, all the mints of the Empire issued coins in the name all four emperors at once.4

The four tetrarchs sacrificing together, on the Arch of Galerius, Thessaloniki

The four tetrarchs sacrificing together, on the Arch of Galerius, Thessaloniki, third register down; image by Armineaghayanown work, licensed under CC BY-SA 4.0, via Wikimedia Commons

The reasons for this are pretty clear if you know about the so-called third-century crisis, a fifty-year run of short imperial Roman reigns brought to an end by a seemingly-endless series of military coups as frontier situations bubbled out of the control of any single ruler: wherever the emperor could not be, there a resentful army appointed their own and the result was continual civil war.5 Diocletian, whose entire military career up to his succession—in a military coup—was spent in this political environment, seems to have realised that the need was for multiple emperors, but not plural emperors as had hitherto been tried, with a ruler’s young son who could be seen as inexperienced or second-best promoted up, but four more-or-less-equally experienced military officers any of whom could stand in for any of the others.6 And that seems to be what their public image was intended to convey: the emperors are all the same, and speak together; if you have one you have them all; they can’t be turned against each other and there is always one to whom you can address yourself.

Silver argenteus of Emperor Diocletian struck at Trier in 289-300, Birmingham, Barber Institute of Fine Arts, R2529

The four tetrarchs sacrificing together, again, this time on the reverse of a silver argenteus of Diocletian struck at Trier in 289-300, Birmingham, Barber Institute of Fine Arts, R2529

So I wouldn’t like to say, especially given the more naturalistic image on the coin above, that there was a meeting in which Diocletian and the others decided, “you know what we should all have? Beards and really really thick necks, like, unreal necks, OK?” The basic design details might still have been due to someone else lower down the chain, and the key thing might have been that it was easy for most die-cutters to reproduce, so, basic but characteristic. But that the same design went everywhere and every emperor struck the same coins for all four of them in his mints, I think must have been settled in such a conference between the top men themselves, and I would imagine that that being so, they probably did actually approve the designs before the dies were ordered. But this might be the only case where I’m prepared to admit that it really was the rulers’ decision…7


1. You need examples? How about Barbara Levick, “Messages on the Roman Coinage: Types and Inscriptions” in G. M. Paul and M. Ierardi (edd.), Roman Coins and Public Life under the Empire (Ann Arbor MI 1999), pp. 41–60 or Cécile Morrisson, “Displaying the Emperor’s Authority and Kharaktèr in the Marketplace” in Pamela Armstrong (ed.), Authority in Byzantium (Farnham 2013), pp. 65–80?

2. Of course, the anti-counterfeiting didn’t in the end work, which is why we now have the new seven-sided bimetallic ones, but by then people were already trying to solve the problem with lasers, as so often happens nowadays: see Andrew Appleby and Thangavel Thevar, “Identification of British One Pound Counterfeit Coins using Laser-Induced Breakdown Spectroscopy” in Optical Engineering Vol. 55 (Bellingham WT 2016), pp. 044104-1-044104–6, DOI: 10.1117/1.OE.55.4.044104.

3. Patrick M. Bruun, “The System of the Vota Coinages: Coordination of Issues in the Constantinian Empire” in Norsk Numismatisk Årsskrift Vol. 96 (Oslo 1958), pp. 1–21, repr. in Bruun, Studies in Constantinian Numismatics: papers from 1954 to 1988, ed. by A. Tammisto, Acta Instituti Romani Finlandiae 12 (Rome 1991), pp. 27–36.

4. A good guide here is Roger Rees, Diocletian and the Tetrarchy (Edinburgh 2004), which has a useful appendix of translated sources.

5. Here I like Alaric Watson, Aurelian and the Third Century (London 1999), despite the obvious case it wants to make for the brief reign of its imperial subject.

6. The alternative had been attempted by Valerian (253-260), whose son Gallienus (253-268) did OK until Valerian was captured by the Persians and he had to raise his own young sons to the purple, which ended badly for them. See for an attempt to save Gallienus’s reputation, of which there is now pretty much one per emperor, John Bray, Gallienus : A Study in Reformist and Sexual Politics (Kent Town 1997), an attack on the older Lukas de Blois, The Policy of the Emperor Gallienus (Leiden 1976). Actually, I don’t think anyone has tried to rescue Valerian yet…

7. Actually, that’s not quite true: I’m pretty sure that Emperor Nero chose most of his coin designs, but my main justification for that belief is that he fancied himself an artist and their iconography’s often very clever, which however much I like it as an idea still isn’t proof…

I found this coin, 3: imperial violence

I had intended to follow the last post, which was quite heavy, with something lighter-weight—specifically, about three and a half grams—by picking something out of the coins photography I was still doing in late 2016 and telling its story in that way that I sometimes do. And yet, without my having planned this, it functions rather well as an epilogue. So here’s three coins…

Obverse of a copper-alloy coin of Emperor Licinius I struck at Siscia in 320, Leeds, Brotherton Library, CC/TH/ROM/IMP/0650

Obverse of a copper-alloy coin of Emperor Licinius I struck at Siscia in 320, Leeds, Brotherton Library, CC/TH/ROM/IMP/0650

Reverse of a copper-alloy coin of Emperor Licinius I struck at Siscia in 320, Leeds, Brotherton Library, CC/TH/ROM/IMP/0650

Reverse of the same coin, with the imagery that’s important for this post, under the legend Virtus Exercitus, ‘strength of the army’

In one of the previous ones of these posts I remarked on a well-known but still interesting fact, that the conversion of the Roman Emperor Constantine I (306-337) to Christianity, however loudly his biographer Bishop Eusebius of Cæsarea wanted to tell us about it, shows up almost nowhere on Constantine’s absolutely prolific coinage, which retained the pagan imagery of his immediate colleagues and predecessors. The other favourite subject, however, was by now the Roman army. And above there you see the ideal results of its operations, two unlucky captives bound below a military standard, a reasonably simple visual message to parse.

Obverse of a copper-alloy coin of Emperor Constantius II struck at Thessaloniki in 350-355, Leeds, Brotherton Library, CC/TH/ROM/IMP/0780

Obverse of a copper-alloy coin of Emperor Constantius II struck at Thessaloniki in 350-355, Leeds, Brotherton Library, CC/TH/ROM/IMP/0780

Reverse of a copper-alloy coin of Emperor Constantius II struck at Thessaloniki in 350-355, Leeds, Brotherton Library, CC/TH/ROM/IMP/0780

And the reverse of the same coin, showing as you can probably see a Roman soldier skewering a fallen horseman with his spear

The three of Constantine’s sons who eventually succeeded him, Constantine II (317-340), Constantius II (324-361) and Constans I (333-350), were all, we suppose, raised Christian, and there is a bit more Christian imagery on their coins but mainly they stuck to the same theme. It is worth bearing in mind, of course, that the Roman army was the primary user base for new coinage, since they received it as pay, or in the case of pieces like these, as exchange for a low enough part of the value of their pay, which was made in gold, that they could actually spend it. So messages that say how great and fearsome the army was make sense on Roman coinage, but still, this imagery of violent and unequal battle and, let’s face it, death, was also the general circulating medium of exchange in the empire.

Obverse of a copper-alloy coin of Emperor Julian II struck at Thessaloniki in 355-361, Leeds, Brotherton Library, CC/TH/ROM/IMP/0780

Obverse of a copper-alloy coin of Emperor Julian II struck at Thessaloniki in 355-361, Leeds, Brotherton Library, CC/TH/ROM/IMP/0780

Reverse of a copper-alloy coin of Emperor Julian II struck at Thessaloniki in 355-361, Leeds, Brotherton Library, CC/TH/ROM/IMP/0780

Reverse of the same coin, showing the new emperor (admittedly then operating as junior to Constantius II still) maintaining the same imagery

Now, it seems to me that this is one of those lines our culture (by which I mainly mean the Anglophone liberal one in which I currently write) has set up between the past and us; we wouldn’t put imagery of our state employees killing the state’s opponents on our money. But where does the past start that we have chosen to mark ourselves off from in the manner I was describing last post?

Colin Gill, 'King Alfred's Longships Defeat the Danes', 1927, London, House of Commons, WOA-2600

Colin Gill, ‘King Alfred’s Longships Defeat the Danes’, 1927, London, House of Commons, WOA-2600, used under the Open Parliament License

Maybe not all that long ago, huh? We all know that the 1914-1918 Great War was not in fact ‘the war to end all wars’, but in 1927 the UK’s governing establishment was apparently still pretty proud of its previous wars, and of course this is still there now, part of the normal backdrop to the entry and exit of our ruling class from their place of daily responsibility. Not just them, either; the last time I was in the London auction house Spinks, there was on display there a, how shall I put it? ‘dramatic’, I think is the word, a ‘dramatic’ diorama of the Battle of Rorke’s Drift, made in 1979. It eventually sold for £2,100 (lot 666, indeed). And we could go on piling up examples.

Which of us in the UK can, after all, honestly say that they have never uttered a line from this film? Not many! And yet it is the same message being delivered: this empire’s army surely does (did?) kill its enemies. Obviously, it surprises no-one to say that empires rest on violence. The Romans as a people knew this, not least because their state used means like these coins to tell them so. We would not put that on coins. But you can make a lot of money passing the message all the same. Funny, isn’t it, where our scruples now lie compared to theirs?

Gallery

Istanbul VIII: remains at the museum

This gallery contains 21 photos.

You may have gathered that the UK’s academics are on strike again, and more of us this time, 74 institutions where before it was 60; nothing got solved and people are even angrier now. It’s not a particularly good time … Continue reading