Category Archives: Romans

Numismatic entertainment

Once I had discovered the coin collection in Leeds University Library and begun to put it to work in my teaching, the convenors of the Leeds Medieval Group were not long in asking me if I might be able to put on some kind of event using the coins for them. We set this up for 25th April 2016, under the title, “Medieval Coins for Beginners: A Workshop”, and I planned it very loosely, because I didn’t at all know what sort of audience to expect: Medieval Group draws people from well outside its host department and indeed from outside the university, so levels of expertise or interest were hard to gauge. After a year at the Barber I was pretty sure I could manage whatever the needs were. As it turned out, basically everybody who came was one of the department’s historians, with one postgraduate looking worried among them. This worked well for me, as I have a sort of undeclared mission to get someone other than me in the department using the coins, so I asked the gathering what they were hoping to get from the workshop, and one of my colleagues whom I will not identify declared loftily, “I want to be entertained.”1 Well, that I could do, but it is of course a trick that can be repeated here, so this post is three of the little stories of coins that I told all that time ago.

Obverse of an Æ3 of Constantine I struck at Rome in 314, University of Leeds, Brotherton Library, Thackray Collection, CC/TH/ROM/IMP/400

Obverse of an Æ3 of Constantine I struck at Rome in 314, University of Leeds, Brotherton Library, Thackray Collection, CC/TH/ROM/IMP/400

Reverse of an Æ3 of Constantine I struck at Rome in 314, University of Leeds, Brotherton Library, Thackray Collection, CC/TH/ROM/IMP/400

Reverse of an Æ3 of Constantine I struck at Rome in 314, University of Leeds, Brotherton Library, Thackray Collection, CC/TH/ROM/IMP/400

So, let me start with a teaching point of which I never tire. This is a chunk of small change struck for the Emperor Constantine I, at Rome in 314, a couple of years after he had taken over that city by defeating his rival Maxentius, who drowned in the retreat. We don’t know what the small-change coins of this period were called, but these ones are half the size of the biggest, and numismatists unhelpfully call them Æ3s in print and then struggle over how to say that out loud to each other. Anyway! The teaching point is that in the year between his defeat of Maxentius and the issue of this coin in the city where he’d done that, Constantine, along with his colleague Licinius I, had famously legalised the practise of Christianity within the Empire with their 313 Edict of Milan. Many historians will still tell you, faithfully following the testimony of Constantine’s biographer Bishop Eusebius of Cæsarea, that Constantine himself was Christian by this stage.2 These coins show nothing of that, however: on the reverse Constantine is proclaimed Soli invicto comiti, “(to the) Companion of the Unconquered Sun”. It may have been possible to see Sol the sun-god and Christ as somehow reflections of the same divinity, but the type had also been used by the pagan emperors Aurelian and Diocletian, the latter of whom was one of the persecuting emperors whom it seems safe to say was not after an expression of Christian syncretism on his money. Basically, whatever his personal religious convictions were, they didn’t change Constantine’s coinage at all (barring three very very rare types, of which much too much has been made given how drowned they were by continuing pagan issues).3

Obverse of copper-alloy 40-nummi of Emperor Justin II struck at Nicomedia in 574-575, Brotherton Library, University of Leeds, Thackray Collection, CC-TH-BYZ-227

Obverse of a copper-alloy 40-nummi of Emperor Justin II struck at Nicomedia in 574-575, Brotherton Library, University of Leeds, Thackray Collection, CC-TH-BYZ-227 (not to scale)

Reverse of a copper-alloy 40-nummi of Emperor Justin II struck at Nicomedia in 574-575, Brotherton Library, University of Leeds, Thackray Collection, CC-TH-BYZ-227

Reverse of a copper-alloy 40-nummi of Emperor Justin II struck at Nicomedia in 574-575, Brotherton Library, University of Leeds, Thackray Collection, CC-TH-BYZ-227 (likewise not to scale)

Two hundred and fifty years down the line and the emperors now ruled from Constantinople, while Rome had been lost and won back several times, even in the living memory of Emperor Justin II for whom this 40-nummi coin, which I showed you a few posts ago, was issued at Nicomedia (modern-day Iznik) in 574-575. We can date it because, unlike almost any other ancient or medieval coins, Byzantine small change between 532 and around 700 carried regnal dates; we don’t know why this was done—why are there dates on our coins, after all?—but current explanations don’t seem adequate.4 In any case, the teaching point here is that you will note that there are two figures on the coin. That’s apparently because Justin II, who was not a well man for much of his reign, ruled with the aid of his Empress Sophia, who therefore seems to have got onto the coins. She only appears on the small change, however, and alongside her husband, whereas all precedents for empresses on imperial coins so far had them having coins of their own struck, and mostly in gold. More bewilderingly, a close look at this coin will reveal that the inscription, δN IVζTINVS PP AVC (Dominus noster Iustinus perpetuus Augustus, our Lord Justin Eternal Emperor) names only the emperor. Just one mint, Carthage in North Africa, struck these coins with the empress’s name on too. Otherwise she is visibly there but in some sense unrecorded, and one could make that into a cunning representation of the real political situation but then Carthage’s practice becomes very hard to explain; as far as we know she wasn’t from there or anything. Who made these choices and why is a question that has been keeping people occupied for a good long while, and probably will some time longer.5

Obverse of a silver penny of King Harold II struck at Canterbury in 1066, University of Leeds, Brotherton Library, Winchester Collection, uncatalogued

Obverse of a silver penny of King Harold II struck at Canterbury in 1066, University of Leeds, Brotherton Library, Winchester Collection, uncatalogued

Reverse of a silver penny of King Harold II struck at Canterbury in 1066, University of Leeds, Brotherton Library, Winchester Collection, uncatalogued

Reverse of a silver penny of King Harold II struck at Canterbury in 1066, University of Leeds, Brotherton Library, Winchester Collection, uncatalogued

Lastly something closer to home, the above is one of the relatively few silver pennies that there was time for King Harold II of England to issue in 1066, this one struck at Canterbury by the moneyer Eadwine, which is proclaimed abbreviatedly on the reverse. Harold’s presentation here is interesting, not least because of how Byzantine it is, with a cross-sceptre and a diadem. The leftwards profile portrait was normal in England at this time, and would be changed for an even more Byzantine facing one by the Normans, presumably unbeknownst to Harold, though he obviously knew that the Normans were a danger. The coin is involved in some quite deliberate political signalling, therefore; not only are there these signs of royalty attached to someone whose family had never previously been royal, but the reverse message is one simple word, PAX, Peace. Of course, Harold’s promise here would prove empty. Ironically—or not?—William the Conqueror’s coins would also use a PAX legend of a kind, but then he could reasonably say that unlike Harold he’d been able to achieve it. That debate has since continued at least as far as Sir Walter Scott, of course, but it’s interesting to be able to see it happening at the time on one of the few public image tools available to a medieval régime.6

So there you have it, stories to tell with three of the sixteen coins I took with me into that workshop, and I hope that they provide some entertainment for you also!


1. That colleague’s anonymity will be protected, but honourable mention here must go to Dr Alan Murray, who was using the coins to teach with even before I arrived and who is so far still the only other person in the School of History to do so except on my modules. I’ll get them one day though!

2. Eusebius is now best got at in Eusebius, Life of Constantine, ed. & transl. Averil Cameron & Stuart G. Hall (Oxford 1999), and for bigger background my students seem to do best with Charles M. Odahl, Constantine and the Christian Empire, 2nd edn. (London 2010), which does include the coinage as part of its source base.

3. The debate on Constantine’s conversion is almost too tedious to cite, but try Raymond Van Dam, “The Many Conversions of the Emperor Constantine” in Kenneth Mills & Anthony Grafton (edd.), Conversion in Late Antiquity and the Early Middle Ages: Seeing and Believing (Rochester 2003), pp. 127–151, for an account of it; on the coin types, a dose of quantitative common sense is provided by Patrick Bruun, “The Christian Signs on the Coinage of Constantine”, in idem, Studies in Constantinian Numismatics: Papers from 1954 to 1988 (Rome 1991), pp. 53–69.

4. See Jonathan Jarrett, “Middle Byzantine Numismatics in the Light of Franz Füeg’s Corpora of Nomismata” in Numismatic Chronicle Vol. 177 (London 2018 for 2017), pp. 514–535 at pp. 515-516 & n. 9 for a short round-up of this question.

5. Leslie Brubaker and Helen Tobler, “The Gender of Money: Byzantine Empresses on Coins (324–802)” in Gender and History Vol. 12 (Oxford 2000), pp. 572–594, repr. in Pauline Stafford and Anneke B. Mulder-Bakker (edd.), Gendering the Middle Ages (Oxford 2001), pp. 42–64, gathers the evidence but even they struggle to conclude very much about the thinking behind the coins.

6. You probably don’t need a go-to reference on the Norman Conquest of England and the build-up to it but I think Brian Golding, Conquest and Colonisation: the Normans in Britain, 1066-1100 (Basingstoke 1994) is a good one; Martin Allen, “Mints and Money in Norman England” in Anglo-Norman Studies Vol. 34 (Woodbridge 2012), pp. 1-22, is a good introduction to where we are now with the coinage of the era.

Standing figure facing with two long crosses

It seems to have been a while since we had anything here about coins, so here’s a little coincidence that I notice every time I teach with it on my late-antique survey module, Empire and Aftermath. Predictably, I use coinage as a source on this, because we have a good collection to play with and it gets students involved who might not react so well to purely textual sources, but each year I do I am struck by something I remember from much longer ago in my career, which is this coin:

Obverse of an early English penny, Cambridge, Fitzwilliam Museum, De Wit Collection, CM.1815-2007

Obverse of an early English penny of the so-called Series L, struck at London in the late-seventh or early-eighth century, Cambridge, Fitzwilliam Museum, De Wit Collection, CM.1815-2007

Reverse of an early English silver penny struck at London, Cambridge, Fitzwilliam Museum, De Wit Collection, CM.1815-2007

Reverse of the same coin

This is an early Anglo-Saxon penny, and it’s one of the very rare ones that actually carries some legible information about its place of issue: you may not believe me, but the letters around the presumably-royal bust decode as LVNDONIA, London. How many people could have read this, given that the actual coin is about the size of most people’s little fingernails, is another question, but it does, and a sibling of this coin in the same collection was even recovered from the River Thames, so that’s nicely coherent.1 However, today I’m more interested in the reverse imagery. Here it is bigger and clearer:

Reverse of a silver penny probably struck in the Thames Valley between 730 and 745, Fitzwilliam Museum CM.1815-2007, De Wit Collection

So, what can we be sure that we have here? A figure, apparently in a tunic and body-armour, with long-hair or a head-dress of some kind, holding a long cross in each hand, seems reasonable. But he or she is also standing on some kind of crescent, perhaps? And the people who have tried to read this image have therefore wondered if she or he is on a boat, and thus even perhaps a missionary bringing the Christian faith to the English peoples as had indeed happened scarcely two generations before this coin was likely struck.2 It leaves the armoured-looking dress a little hard to explain, but as an iconographic reading it certainly fits its context nicely. But compare it to this one:

Copper-alloy Arab-Byzantine follis struck probably in Syria in the mid-seventh century, provenance and location unknown

Copper-alloy Arab-Byzantine follis struck probably in Syria in the mid-seventh century, provenance and location unknown, though I found it in Clive Foss, Arab-Byzantine coins: an introduction, with a catalogue of the Dumbarton Oaks Collection, Dumbarton Oaks Byzantine Collection Publications 12 (Washington D.C. 2008), p. 32. It’s not actually part of the Dumbarton Oaks Collection, however, so I don’t know where it now is

I’m sorry that I have no better image of this, but it is one of those enigmatic coins produced in Syria during the earliest decades of Islam that I love to talk about so much.3 And here, again, we appear to have a figure, apparently in a tunic and body-armour, with long hair or a head-dress of some kind, holding a long cross in each hand, standing on some kind of crescent. And the people who have tried to read this image have not usually got much further than that it is a development or degeneration of a standing figure of the Byzantine emperor such as is seen on the later coinage of Emperor Heraclius, where he stands in campaign attire with a long cross and cross on a globe, and indeed it doesn’t seem too far a stretch. It might seem weird that a putatively Islamic issuer changes a small cross for a bigger one on a figure that is, putatively, still the emperor who no longer ruled them, but again, we have reason—from the coins!—to suspect that this was a very fluid period and we can’t, for example, be sure that the issuer of this coin wasn’t Christian and didn’t think that the emperor was still in charge, despite the current local régime change, so it’s all far from impossible.4

Copper-alloy 4-<i>nummi</i> of the Emperor Heraclius, overstruck at Constantinople onto a cut portion of an older coin, probably of Anastasius I or Justinian I, in the early seventh century, Birmingham, Barber Institute of Fine Arts B3732

Copper-alloy 4-nummi of the Emperor Heraclius, overstruck at Constantinople onto a cut portion of an older coin, probably of Anastasius I or Justinian I, in the early seventh century, Birmingham, Barber Institute of Fine Arts B3732. The coins of this type usually carry Heraclius’s son standing behind him at his left, but many, like this one, were so carelessly made that he escapes the impression

The problem thus arises only when you know about both of these coins at once. If this is one design, as it appears, then it can’t easily be both a derivative Heraclius and Saint Augustine of Canterbury or whoever, not least because the Anglo-Saxon one also has a royal or imperial bust on it. It is possible, just about, that both engravers were deriving from the bronze coinage of Heraclius, but that is very hard to imagine being available as a model in Britain, since being copper-alloy it only had value inside the Empire; a few Byzantine bronzes are known from British contexts, but very few and to my knowledge from no later than the 580s.5 Also, we have to explain two unconnected engravers both deciding to do exactly the same things to the same design about half a century apart. It’s even less likely, to be honest, though still not impossible, that someone brought the Arab-Byzantine coin to Britain or the Britain-based engraver had met it in Syria.6 There are, admittedly, other versions of this design in both Britain and Syria that come closer to their supposed archetypes, and parallel evolution is maybe more plausible than I just made it sound, but there is, thankfully, a simpler answer. It looks like these:

Copper-alloy coin of Emperor Constantine I struck at London in 310-312, private collection

Copper-alloy coin of Emperor Constantine I struck at London in 310-312, private collection, image from Wildwinds under Constantine I, RIC VI 195

Silvered copper-alloy <i>antoninianus</i> of Empress Severina struck at Antioch in 274, CNG Coins

Silvered copper-alloy antoninianus of Empress Severina struck at Antioch in 274, CNG Coins, image from Wildwinds, Severina, under RIC 20 V

The shared reverse type between these two issues is a figure of Concordia with two military standards, personifying harmony among the soldiers, Concordia militum, sometimes such an important message for a Roman ruler to send… It’s an image that still turns up out of the ground every now and then in Britain even now, and I imagine it’s not unknown in the Middle East either, but anyone digging up Roman settlements in either place in the seventh century would have had a chance of coming across one. The design, of course, is not a bloke with two crosses, but a lady with two imperial standards, but three or four centuries later some adaptation to the times probably shouldn’t surprise us, and it’s less of an adaptation than is required to get there from Heraclius and his campaign shorts.

Now, of course, that both engravers had such an image before them explains some things, but it doesn’t tell us either what they thought their model showed or what they understood in what they turned it into. The people who think the English coin shows a saint on a boat may still be right; that may be what the engraver decided the border of the original design meant, or even what it could mean; there was all kinds of scope for invention here.7 Likewise, in Syria, the choice to super-Christianize what had been a secular and indeed pagan image could have a lot of possible meanings, but they could certainly have been deliberate. By suggesting a model I don’t mean to suggest that the engravers of the coins didn’t have anything of their own in mind. But I do think it’s kind of cute that to do that, they themselves were probably engaged in exactly the same game as that we’re playing here, trying to figure out what was shown on these coins from hundreds of years before their own time.


1. There’s an absolutely huge literature on early Anglo-Saxon pennies, or sceattas as they’re widely known, and no space here to try to list it all, but the introductory discussion to coins like these particular ones that I use for students is Rory Naismith, “Money of the Saints: Church and Coinage in Early Anglo-Saxon England” in Tony Abramson (ed.), Studies in Early Medieval Coinage, 3: Sifting the Evidence (London 2014), pp. 68–121.

2. E. g. Catherine Karkov, “The Boat and the Cross: Church and State in Early Anglo-Saxon Coinage”, in Tony Abramson (ed.), Studies in Early Medieval Coinage 2: New Perspectives (Woodbridge 2011), pp. 63–71.

3. Citation is in the caption, obviously, but Foss is also a pretty good guide to the whole coinage, at least if you are prepared to be more relaxed about chronology than he wants to be.

4. Helpful here, or at least I find it so, is Marcus Phillips, “The Import of Byzantine Coins to Syria Revisited” in Tony Goodwin (ed.), Arab-Byzantine Coins and History (London 2012), pp. 39–72.

5. Known to me from gossip but also from Tony Abramson, Coinage in the Northumbrian landscape and economy, c. 575–c. 867, British Archaeological Reports (British Series) 641 (Oxford 2018), p. 92, where his source is also gossip, but hey…

6. For a realistic assessment of pilgrimage from England to the Holy Land in this period, see Peter Darby and Daniel Reynolds, “Reassessing the ‘Jerusalem Pilgrims’: the case of Bede’s De locis sanctis” in Bulletin for the Council for British Research in the Levant Vol. 9 (London 2014), pp. 27-31, DOI: 10.1179/1752726014Z.00000000022.

7. On which see Anna Gannon, “Imitation is the Sincerest Form of Flattery” in Barrie Cook and Gareth Williams (edd.), Coinage and History in the North Sea World, c. AD 500–1250, The Northern World 19 (Leiden 2006), pp. 193–208.

Chronicle IV: April to June 2016

I am, slowly, increasing the speed at which I move through my backlog on this blog, but I’m still not quite at real-time speed… Still, the perspective of retrospection is often valuable and I make sure you hear about up-to-the-minute stuff one way or another, right? So I now reach the fourth quarter of my reports of what was going on my life academic as I acclimatised to that elusive permanent employment I now have. This picks up in the Easter vacation of 2016, and I’ll break it down into the now-usual headings.

Teaching

The academic calendar is semestral at the University of Leeds where I work, so you might think that teaching was done by Easter vacation, but it’s more complicated than that. Leeds has examinations after each semester, you see, and because there’s no space for exams after an eleven-week semester before Christmas on a UK timetable, the exams are held in the first two weeks of the following semester. We then have a week to get them marked, and then teaching starts again, but we can’t be through all eleven weeks before Easter falls, so the semester breaks over that, with two or three teaching weeks that come once term is resumed after the vacation. Then we examine again, this time for six weeks, then mark for two, then finally it’s the end. Complicated enough? I won’t tell you when I discovered this, but it was well after I’d started work at Leeds and I had to amend a lot of materials…

Cover of my module handbook from HIST1045 Empire and Aftermath for 2015-16

It’s hard to know what to illustrate this section of the post with, so here’s some documentation, the cover of my module handbook for the module I now go onto talk about, HIST1045 Empire and Aftermath

So anyway, that means that term restarted with a jolt for me in the middle of April, though as you may recall this could have been worse, since I was at that point only running one module, the late antique survey I’d inherited on arrival. I was still new to more of it than I would have liked, but it went OK. I had had to envisage a final-year two-semester special subject enough to pitch for it at a module fair we run to compete for students with our colleagues, but that was obviously a lot less work than actually having to teach it (though I did in fact get four pupils so had to run it next year). Apart from that and joint care of a visiting Chinese doctoral student, though, my load was really pretty light this term, for the last time too really.

Other Efforts

On the other hand I was keeping busy in other ways! For a start I was, now that I look back over my calendar, doing quite a lot with coins, including going to meet the University’s principal donor of them, who was (and is) a very interesting fellow. He gave us some more, so I guess it went well? I also took up inventorying the University’s collection again over the summer, which has stood me in good stead ever since, and as you’ll shortly see I also did a short introduction session to the collection for my colleagues, although I’m not sure I persuaded any of the unconverted of their teaching utility…

Obverse of copper-alloy 40-nummi of Emperor Justin II struck at Nicomedia in 574-575, Brotherton Library, University of Leeds, Thackray Collection, CC-TH-BYZ-227

Here’s one of them, here the obverse of a copper-alloy 40-nummi of Emperor Justin II struck at Nicomedia in 574-575, Brotherton Library, University of Leeds, Thackray Collection, CC-TH-BYZ-227…

Reverse of copper-alloy 40-nummi of Emperor Justin II struck at Nicomedia in 574-575, Brotherton Library, University of Leeds, Thackray Collection, CC-TH-BYZ-227

… and here its reverse

I was also mentoring four doctoral students I didn’t supervise; I went to Birmingham for an exhibition opening I told you about at the time, was back there again to give a guest lecture I’ll tell you about in its turn as well, and in between those things, believe it or not, was in Princeton to speak at a conference that the XRF numismatics work had got me invited to, about which I’ll also write separately. Then there was the Staffordshire hoard exhibiton here in Leeds, and of course exam marking, a departmental research away day, and a doctoral transfer for someone I’d later, for reasons of staff change, wind up supervising, so that also stood me in good stead for later. I don’t mean to pretend that this is a lot, but I think I was being a good colleague wherever the chance arose, and getting engaged in the local academic community as well as holding my ties to my old ones where possible, which is generally how I like to play it.

Other People’s Research

On that subject, I was also still going to seminars, though this was kind of a quiet period for them anywhere outside Leeds, and even there a lot of it was internal stuff like work-in-progress meetings I don’t plan to talk about here. Running through my notes files, I find these:

  • Jonathan Jarrett, “Medieval Coins for Beginners: a Workshop”, Medieval Group Seminar, University of Leeds, which I’ve already mentioned and will describe briefly in due course;
  • Joanna Phillips, “The Sick Crusader and the Crusader Sick: A ‘Sufferers’ History of the Crusades’, Medieval History Seminar, University of Leeds, one of our own then-postgraduates here showing that she could compete with her graduated colleagues on a perfectly equal footing, in a careful and entertaining talk that crossed the history of medicine and philological text critique in a really good showcase of how our department’s strengths could combine;
  • Coins, Minting, and the Economy in Late Antiquity and the Early Middle Ages, Framing the Late Antique and Early Medieval Economy Conference, Princeton University, already mentioned and definitely deserving its own post;
  • Jonathan Jarrett, “The Marriage of History and Science: Testing the Purity of Byzantine Gold Coinage”, Guest Lecture at the Barber Institute of Fine Arts, Birmingham, likewise already mentioned and worth at least a quick note, I feel, given that this is my blog;
  • Caroline Wilkinson, “Depicting the Dead”, Digital Humanities Workshop, University of Leeds, probably worth its own post too as the issue interests me;
  • Mark Humphries, “‘Partes imperii’: East and West in the fifth century”, Earlier Middle Ages Seminar, Institute of Historical Research, University of London, a detailed study of recognition of emperors in the western half of the empire by the eastern ones and indeed vice versa, neither of which were as simple or common as one might expect in the tangly history of the fifth century and the sources for which each have problems not always appreciated;
  • Philip Kitcher, “Progress in the Sciences and in the Arts”, Leeds Humanities Research Institute Seminar, which I was going to blog about separately as it definitely provoked me to argument in my notes, but I now discover that the speaker was giving this all over the place at this point, so you can see it for yourself, I have a lot to write up already and my views aren’t necessarily the same in 2019 as they were in 2016, so I shan’t, leaving it to you to decide what you think if you like:
  • Andrew Prescott, “New Materialities”, Cultures of the Book Seminar, University of Leeds, a visit to the Brotherton Library by a man I knew well to be an Anglo-Saxon manuscripts specialist, who was as the title suggests talking mainly about digitisation but emphasising the sometimes unappreciated physicality of the digital medium—you work it by touch—and the changing rôle of the library—perhaps only some libraries—from being literacy stores to being special archives, as well as the persistent worth of many old technologies (such as, you know, the book).

And that, I think, gets us to the end of the list for that quarter, and my main impression looking back is that there really was a lot going on in Leeds! It definitely helped me feel that I’d wound up in a good place, even if, as mentioned at the time, outside events were threatening to crumble some of my plans for it.

My Own Research

I was almost dreading writing up this part of this post until I went briefly through my files. I’ve no clear recollection of what I was working on this long ago and I was very afraid I would turn out still to have been in the kind of vague fugue I mentioned in one of the earlier ones of these posts. But not so! With the weight of teaching mostly off me, apparently despite all the other things I was up to I was also getting some work done. Not only were there those three papers I mentioned, but on inspection I find that I also turned round a new draft of that article on Carolingian crop yields that has now come out; that in this period I also reworked and sent out again my ill-fated article from Networks and Neighbours, though you’ve heard how that turned out; I must also have been reading Jesús Lorenzo Jiménez’s excellent then-new book on those Andalusi frontier warlords par excellence, the Banū Qāsī, because I was slated to speak about them at the fast-approaching International Medieval Congress, and was because of this able to do so; and I was also writing pretty decent chunks of what was then supposed to be my second book, on Borrell II.1 All of this, of course, took some time thereafter to come to fruition, where it has at all, but at least I was doing it then!

So yes: I think I was having a good time in these three months, looking back. There were certain other griefs that must have damped that impression at the time—my partner and I had decided we needed to move out of the area we were in, which did not like us, and so were doing a lot of house-hunting in this period, for one thing—but writing it up, from the academic side, at least, I wish it was always like that! And I shall move on now to telling you more about some of the interesting bits…

Kirklees Hall

This, sadly, was not where we wound up, although it is extremely suitable for medievalists and was on sale while we were looking… but for rather more than we could afford! But it has a crypt bathroom and a neo-medieval hall and went for less than a million…


1. The book I mention here is Jesús Lorenzo Jiménez, La dawla de los Banū Qasī: origen, auge y caída de una dinastía muladí en la frontera superior de al-Andalus, Estudios Árabes e Islámicos: Monografías 17 (Madrid 2010).

Many many Barber Institute coins now online

Following up on that previous post more quickly than usual, the mention of Dr Maria Vrij of the Barber Institute of Fine Arts, my honourable successor and exceeder in post there as Curator of Coins, and also the use of the University of Birmingham’s online objects catalogue to instance a Barber coin, both lead me together to pointing something out that’s deserved notice since it began in March 2016 with some of the Barber’s Roman Republican coinage, which is: they have managed to put really quite a lot more of their coin collection online since I left you know!

An anonymous bronze quadrans of the Roman Republic, struck at Rome in 215-212 BC, Barber Institute of Fine Arts B0073

For a while Maria was keeping me posted as uploads went up, so that I could post about them here, but since I wasn’t really posting and she soon had a new exhibition to cope with, that stopped and I’ve only just got as far as the first stub I made to mention this to you all. What this means is that the phenomenon has meanwhile achieved very serious proportions! When I took on that collection, 188 items were online, out of a collection of nearly 16,000; by the time I left, not least due to the efforts of Maria, that was 462. But since I left, in four fairly short years (three only 365 days each, I believe!), that total has risen to more than the 3,000 items the search will find at once, even in just Byzantine coins. I can determine that it includes 2,109 Roman coins, including 400-odd Republican pieces, but not including 22 Late Roman pieces of about 250, so that at least is still ongoing work, and the Byzantine collection doesn’t yet include the coins of Constantine XI so can’t be finished yet either, but it’s amazing what has been achieved. That achievement includes the digitisation and getting online of 908 Sasanian Persian coins, a larger collection than most other places in the world and surely pretty much the only one online; it includes the fascinating Mardin hoard, which is very worn Roman and Byzantine coins that were some of them countermarked for use in the medieval Islamic world and therefore presumably were all used thus, since they were buried together; and a selection of Trebizond and Vandal stuff, to name but a few things I can find in searches.1

An anonymous copper-alloy follis struck in the Byzantine Empire between 976 and 1035 and then later countermarked 'Saif' and lost as part of Mardin Hoard, Barber Institute MH0099

An anonymous copper-alloy follis struck in the Byzantine Empire between 976 and 1035 and then later countermarked ‘Saif’ and lost as part of Mardin Hoard, Barber Institute MH0099

So great things have been afoot, and so many feet have they been a’ that I can’t actually determine how great they are; but we are talking records in the thousands, all with good images and metadata that tell you at least something about the rulers who issued them and sometimes the collectors who found them and made it possible for the Barber to make them available all these years later. More is doubtless still to come, but meanwhile I invite you to have a browse, follow some cross-references and revel in the numismatic riches of it all!

A gold hyperperon of Emperor John III Vatatzes of Nicaea struck at Nicaea in 1227-1254, Barber Institute of Fine Arts B6081

A gold hyperperon of Emperor John III Vatatzes of Nicaea struck at Nicaea in 1227-1254, Barber Institute of Fine Arts B6081. Note the way that the method of striking with two dies has left the image of Christ doubled up on the obverse!


1. The Mardin Hoard has actually been exciting people for long enough to be published in print, at least in summary, as N. M. Lowick, S. Bendall & P. D. Whitting, The Mardin Hoard: Islamic countermarks on Byzantine folles (London 1977).

A disconcerting realisation about my past (and perhaps yours)

As I got set up, in early 2016, for teaching the high Roman Empire for the first time as described three posts ago, I obviously had to do a lot of reading, and in the course of that I came up ineluctably against the name and ideas of Edward N. Luttwak. Since Luttwak has been writing for a long lifetime and has probably not even finished, I’m not by any means going to attempt a summary of his impact on the field of Roman, Byzantine and indeed world history here; suffice to say it’s considerable. But both because of teaching the third-century crisis and because of my own interest in frontiers and how early medieval polities (and thus, often, late antique ones) managed them, the work that did keep coming up was his [Edit:]oldestfirst venture into history, The Grand Strategy of the Roman Empire.1

Cover of Edward Luttwak's Grand Strategy of the Roman Empire

Cover of Edward Luttwak’s The Grand Strategy of the Roman Empire, from the First Century A.D. to the Third (Baltimore: Johns Hopkins University Press, 1976)

Now this is a work that has spawned a slew of refutations, and again that is a debate I don’t want to try and reprise here.2 But while I was reading other things around the issue, I came across something that made me suddenly feel decidedly uncomfortable, as follows:3

“Luttwak gave scientific precision to the theory of defensive imperialism, arguing that the ‘escalation dominance’ of the legions (that is, their perceived efficacy as a weapon of last resort) would serve to deter any large-scale attack without their actually having to be used. Meanwhile a ring of satellite states (client kingdoms) was expected to cope with ‘low-intensity threats’ beyond the borders of the Roman provinces; and the territory of the satellite states could be used as the battle-ground if the legions had to be deployed. Needless to say, this made extremely uncomfortable reading in Europe during the 1970s, and particularly in the 1980s under President Reagan, whose leading security adviser was none other than Edward N. Luttwak.”

In short, Luttwak is where the idea that Rome maintained a range of barbarian ‘buffer states’ about its borders as first-line protection came from, but it was an idea as much from his now as the Roman then. Now, you will not know this about me, could not know this about me unless you are the one sometime commentator here who goes this far back with me, but I was schooled at a place really quite close to the UK’s Government Communications Headquarters. The Navy base there used our playing fields. Every now and then a helicopter landed there to shuffle some dignitary outside the M25 more easily than a motorcade would. We were pretty clear, therefore, in the last days of the Cold War, before even Gorbachev had begun to defrost things, that when the four-minute warning went, we probably wouldn’t get four minutes (and no-one ever told us if there was a bunker). In short, we were in the firing line. We weren’t really into the full-on, “who cares, man? The bomb may drop tomorrow” disengagement; this was the era of Thatcher as well as Reagan, after all, and most of us would wind up yuppies not hippies (and as far as I know no yippies). But still, we had a certain bitter consciousness that the absolute best we could do for our futures could, still, be totally extinguished any minute by a decision that was utterly out of our hands, and we wouldn’t even know till it happened. And well, how that paragraph above takes me back.

Cover of Cullen Murphy's Are We Rome?

Cover of Cullen Murphy, Are We Rome? The Fall of an Empire and the Fate of America (Boston, MA: Houghton Mifflin, 2007). I love this as a teaching example.

Of course it’s not surprising that any state that gets big enough to push others around, and which sees its roots in the Graeco-Roman intellectual complex, begins to see the similarities between itself and its own archetype of super-state, the Roman Empire; it can’t be escaped, and one can only hope that people are conscious of the fact that there are important differences between then and now, or of the fact that they’re drawing those parallels.

Franklin D. Roosevelt and cabinet attired as Romans for a White House party in 1934

Franklin D. Roosevelt and cabinet attired as Romans for a White House party in 1934. Not sure how fully this was thought out…

Some of the lessons drawn from the comparison can be good, some can be bad, but they can all be instructive if handled well; that’s fine. It’s just that, perhaps especially since I grew up in a state that still sees itself in those terms really, I had not till I saw those words above ever realised that from some points of view, I and my fellow countrymen were just expendable barbarians whose strategic purpose was to keep the real new empire safe. And Edward N. Luttwak’s Grand Strategy of the Roman Empire helped make us so.



It’s probably safe to say that the current US régime, whose exalted leader has indeed just left my homeland, doesn’t think much on Luttwak’s work by now. Maybe I’m wrong, and as all the reviews one can find of it admit, it’s not as if it’s not good, well-historicised, amply-supported work. But it’s not often you read academic work that could have helped get you killed, and as you can tell even some years later I’m not quite sure how to process it yet…


1. Now available as Edward Luttwak, The Grand Strategy of the Roman Empire, from the first century A.D. to the third, 40th Anniversary edn. (Baltimore 2016). For the crisis of which I speak, a quick introduction to the debates is Lukas de Blois, “The Crisis of the Third Century A. D. in the Roman Empire: A Modern Myth?” in idem and John Rich (edd.), The Transformation of Economic Life under the Roman Empire (Leiden 2002), pp. 204–217.

2. I believe a good place to start is C. R. Whittaker, Frontiers of the Roman Empire: a social and economic study (Baltimore 1994), but Glenn Bowersock, “Rules of Battle” in London Review of Books Vol. 32 no. 3 (London 2010), pp. 17-18, online here, brings you more up to date in one direction at least.

3. Tim Cornell, “The End of Roman Imperial Expansion” in John Rich and Graham Shipley (edd.), War and Society in the Roman World (London 1993), pp. 139-170 at p. 143.

Chronicle III: January to March 2016

I’m sorry there was no blog last weekend. Frustratingly, the thing I spent that time on now isn’t going to work out, so I’m determined to make sure there is a post this weekend, and the post that is due is the next round-up of my academic life, which has now reached 2016. It has been five months since I posted the last of these three-month slices, and the only real consolation there is that it took me less time to get through those three months of blog content than it did the previous one, but we will hopefully still see further gains made as marking ebbs and the summer shapes up. Can but hope, eh? But meanwhile, here’s how it looked at the beginning of 2016 for your humble blogger.

Teaching

It’s not just tradition but also a reflection of the real state of life that the first item on the bill is always teaching. Actually, in the first half of 2016 I had a lower teaching load than I have had since or likely ever will at Leeds, given what they need me to cover; I was running one module, albeit a big one, and contributing bits to a couple of others. That said, the beginning of the semester was still a fairly steep learning curve, as the module I was running was an inherited first-year course called Empire and Aftermath: The Mediterranean World from the Second to the Eighth Centuries, and even my undergraduate study experience only previously went back to AD 284; I’d never done the second or third centuries before in any context, let alone one where I needed to show expertise. Thankfully I had the help of two postgraduates who’d taught the module before and that made everything easier, although I did also have to second-mark and observe those postgraduates so they were not solely a labour relief. It was all a fair bit of work, and it coincided with the early part of the excellent but intensive Palaeography: Reading Medieval Manuscripts that we put our MA students through, which has continuous assessment. Furthermore, Leeds has examinations on the first semester’s modules as soon as the students get back in January, so I was reading up for the new stuff and choosing manuscript images for palæography at the same time as marking these exam scripts, and by the time I was done with those the first palæography assignments were in, and they were only just back to the students by the time the first-years’ formative essays came in, alongside the second palæography assignments… and in general it seemed a long time before the marking stopped.

Wolfenbüttel MS Codex Guelfybertiani 13, fo. 6v

One that was set; can you read this? Come to Leeds and we’ll teach you! But if you want to know more independently, it is Wolfenbüttel MS Codex Guelfybertiani 13, folio 6 verso, and you can find out more via the link through the image

In between these I fitted a couple of workshops for an Institute for Medieval Studies module, Medieval Narratives on the Modern World, on European national origin myths and on the so-called Reconquista, but those were fun and much less work. And there were also personal tutorials to be fitted in, to which only half the students turn up but of course you must book the time anyway, and feedback meetings, and also joint care of a visiting Chinese Ph. D. student. I felt fairly busy. Still, looking back, I was not carrying very much and the next year would have been much harder if I hadn’t had this run-up.

Extra Labours

That must also be how I had time for the other things I was doing. In particular, having found out that there was this coin collection in the bottom of the Library, I had resolved to make it part of my teaching, and so one of the few changes I did make to Empire and Aftermath was to turn one of the seminars into a coin-handling session to try and get people excited about the reality of the period in their hands. I’m not sure how well that worked, though commendably both my postgrad assistants leapt at the chance to be able to say they’d taught with coins and did some crash-course Roman numismatics with me, which made me feel useful. More prosaically, in the state of the collection there wasn’t really a way to find out what there was to teach with except to inventory it, so I put aside my Friday afternoons for most of this period to inventory the medieval, Byzantine and late Roman coins and got through a fair few. Some day soon I will get round to sorting out the photographs I took of the cool ones…

Copper-alloy 40-nummi of Emperor Constans II overstruck at Constantinople in 641-642 on a coin of Emperor Heraclius, DOC II Constans II 59c, Leeds, Brotherton Library, uncatalogued

Here is one that perhaps only I could think is cool, a horribly-made copper-alloy 40-nummi of Emperor Constans II overstruck at Constantinople in 641-642 on a coin of Emperor Heraclius, DOC II Constans II 59c, Leeds, Brotherton Library, uncatalogued

There was also other stuff involving coins. Back at the Barber Institute the process of replacing me had unfortunately crossed with their normal exhibition schedule, so my humble effort, Inheriting Rome, was extended for a few months to give the new curator a chance. I got to see my thus-prolonged exhibition again because there were still two more sessions of the now-legendary All That Glitters project to do, about which I will tell you shortly, and of course back at Leeds this was also the time in which I started the wheels turning on the project that would become Unlocking the Winchester Cabinet. My head of department was actually concerned that I was going to spend all my time doing late antique numismatics and not the research on whose basis I’d been hired, which I didn’t see as a serious worry because, at this point, there was still time and I used it on stuff that was interesting and useful for others as well as for me.

Other people’s work

I was also at this point still managing to travel for seminars a bit, and I have a lot of notes from this period that I’m not really going to say much more about. The itinerary looked like this, though:

  • Katherine Cross, Dominic Dalglish and Robert Bracey, “Images, Relics and Altars: comparing material religion on the first millennium”, Earlier Middle Ages Seminar, Institute of Historical Research, University of London, 20th January 2016, to which I went mainly because Robert is an All That Glitters collaborator, but at this stage he was also busy with a project called Empires of Faith, which was doing the kind of cross-cultural comparison implied by their title here, with Katy Cross bringing early English Christian monuments like the Gosforth Cross to the table, Dominic Dalglish coming from the ancient Mediterranean world and Robert from Kushan India, but here talking as much about what made for valid comparison in this set-up as the actual objects. This was interesting but the results of the project can now be investigated on the web, so I’ll leave this one aside and move on to…
  • Hugh Kennedy, “ISIS and the Early Caliphate”, Centre for the Study of the Middle Ages Annual Public Lecture, University of Birmingham, 27th January 2016, to which I travelled down and which I thoroughly enjoyed, but which needs treatment together with…
  • Julia McClure, “A New Politics of the Middle Ages: a global Middle Ages for a global modernity”, Medieval History Seminar, University of Leeds, 3rd February 2016, also substantially about the way people were reading the Middle Ages into the situation in the Middle East at that time, but approaching it from a very different direction. So I’ll do a post about those two together.
  • I also made it down to London for Alex Rodríguez Suárez, “The Komnenian Emperors: a Latinophone dynasty”, Earlier Middle Ages Seminar, Institute of Historical Research, University of London, 11th February 2016, about the extent of the changes brought about in Byzantine court ceremonial under, especially, Manuel I Komnenos that would be attributed to Latin influence, which Dr Rodríguez wanted, I think rightly, to read as appropriation of ways to assert dominance over the new Latin lords in the Middle East, not an aping of their flashy chivalric habits as they have often carelessly been read. That seemed convincing to me but I don’t have much more to say about it, so on to a clutch of things back at Leeds, as follows:
  • Pat Cullum, “‘Looking the Part’: presentation and representation of clerical masculinity in late medieval England”, Medieval History Seminar, University of Leeds, 24th February 2016;
  • Esther Eidinow, “Seeing into the Future? Oracles and the Ancient Greeks”, Classics Seminar, University of Leeds, 25th February 2016, about ancient Greek stories in which oracles were tested before being consulted for real, pushing at the edges of our categories of rational and irrational, interesting and my first step in a plan to make friends with my counterparts in Classics and Ancient History;
  • Natalie Anderson, “Tournament Trappings: Textiles and Armour Working Together in the Late Medieval Joust”, Medieval Group Seminar, University of Leeds, 7th March 2016, the culminating presentation by one of our Ph.D. students then about to finish and very much a mature piece of work about the ways in which combatants in late medieval tournaments displayed and distinguished themselves, which was as much or more a matter of fabric as the armour that more often now remains to us.
  • Then, back to London again to see a big name, Philippe Buc, “Eschatology, War and Peace: of Christ’s Armies, Antichrist and the End of Times between ca. 1095 and ca. 1170″, Earlier Middle Ages Seminar, Institute of Historical Research, University of London, 10th March 2016, arguing for a change in the way that medieval people thought about the oncoming end of the world that occurred with Crusading, in which it becoming OK to kill for God was itself a sign of the end times, but one that could last for quite a long while, setting up the fight that would now go on until everyone was Christian and the End finally came. I remember this being fun and extremely erudite, but looking back over my notes I’m not sure what I have to add to that summary, so it’s back to Leeds for two more to close the season, the relevant items being:
  • Travelling the World: from Apuleius to the Icelandic Sagas, from the picaresque novel to travel literature, a more substantial seminar in Classics whose separate components were:
    • Regine May, “Travelling to the Land of Witches: Apuleius’s Golden Ass“, about Thessaly’s Classical reputation as a hotbed of magic and sorcery and how travel might thus lead you out of the known world in several dimensions, and
    • Ros Brown-Grant, “Encounters between the East and West in Fifteenth-Century Manuscript Cultures”, on pictures of Westerners meeting Easterners either in West of East as imagined by Western manuscript artists, usually for tales of betrayal where Greeks were concerned or conversion where Muslims were, sort of inevitably.
  • and finally, Ross Balzaretti, “Early Medieval Charters as Evidence for Land Management Practices”, Medieval History Seminar, University of Leeds, 16th March 2016, to which I would have gone even had it been further afield since Ross has been a supporter of mine for a long time and I am very interested in his work, but precisely because it’s quite similar to my own, I’m not going to do a detailed write-up here because it would look a lot like, “Ross’s charters say things like mine do!” It was good, but you can already read the same sort of thing here.

My Own Research?

So that brings us to the end of the timespan, and I have only promised three extra posts out of it this time, though actually there are also one news and two tourism posts that should also be fitted in there. But what is as ever missing is my own research. What was I working on in this period, looking back? Well, for one thing I was finishing revisions on the conference paper that nearly wasn’t, “A Problem of Concavity”; the final version of that was fired off into what became a suspicious silence in the middle of February 2016. After that I seem to have turned to the reading to support the revision of my venerable paper on early medieval crop yields, of which I’d done the bulk while still at Birmingham, and I had a new draft of that done in March, although, it would seem, not one I thought submissible; that was still a way off, and I now don’t recall why. But beyond that it’s hard to see what I was doing, and the conclusion has to be, I think, that despite the apparently light load I was struggling. I would build up academic muscle from here, and reluctantly trim back a lot of the activity above to make other things possible, but at this stage I was still enjoying being an established academic as I’d imagined it and seen it done by others, as well as reading a lot for teaching, and perhaps not getting that balance entirely right, in retrospect. I think, also, I still hadn’t actually worked out how to schedule research in a job that finally actually included that as a duty, but had structured time only for other activities. Actually accepting that it was a legitimate use of my employers’ time to read a book, after years governed by the next deadline, was still proving weirdly hard for me… Of course, I still was governed by the next deadline, functionally, but I was only letting others set them, wherein a mistake with future complications. Anyway, this story will be continued! But for now there’s enough queued up to write about, and this has already been a long post, so I’ll wrap it here and thank you for reading.

Name in Print XVIII

The chronology of the content in these posts is a struggle for me to follow, so I dread to think what it’s like for you, dear reader, but despite that, having now shown you more photos of medieval places from late 2015, I now want to bring you forward to April 2017, when somewhat to my surprise, a new publication of mine I’d more or less entirely forgotten about suddenly turned up in my pigeonhole at work.

Cover of Richard Verdi, Sarah Beattie, Jonathan Jarrett, Nicola Kalinsky and Robert Wenley, The Barber Institute of Fine Arts (London 2017).

Cover of Richard Verdi, Sarah Beattie, Jonathan Jarrett, Nicola Kalinsky and Robert Wenley, The Barber Institute of Fine Arts (London 2017).

You see, in the final frantic days at the Barber Institute of Fine Arts, in which I had been counting all the coins, trying to ensure that my two dissertation pupils had what they were due from me and that the office would be usable by my successor, as well as maintaining a cheerful and helpful demeanour in the face of unexpected requests from members of the actual museum-going public, I also got asked to make some contributions to an update of the Barber’s introductory guide to its collections. These are mainly what you’d call ‘fine art’, but the old one had had coins in and it was thought best that these be updated in the light of what we now knew about the collection as a result of my tenure there. I did that quite quickly, though of course professionally, signed it all off in the last month I was there and forgot about it, and then 20 months later there it was in a pigeonhole in Leeds with me listed as one of the co-authors.1

Title page of Richard Verdi, Sarah Beattie, Jonathan Jarrett, Nicola Kalinsky and Robert Wenley, The Barber Institute of Fine Arts (London 2017).

Title page, including my own name

It is perhaps a sign of the way that the world of museums works that of the five named authors, only two still worked at the Barber by the time it came out—we’d noticed the same churn in the All That Glitters project, where all the remaining participants were in different jobs by the time we finished—but I felt especially flattered by my name appearing there, because my entire contribution to this book on which I am named is three of the six coin entries, probably a total of about 500 words. (The others, like a lot of the text, remain from the previous edition.) So this is a very generous, and probably undeserved, co-authorship, but I was of course inordinately pleased by it anyway. And as ever with museums versus academia, more people will probably read those entries than any of my actual academic work!

Silver denarius of Emperor Claudius I, struck at Rome in 41-42 AD, Barber Institute of Fine Arts R0943

Silver denarius of Emperor Claudius I, struck at Rome in 41-42 AD, Barber Institute of Fine Arts R0943

Silver drachm of Shahanshah Shapur II struck at an uncertain mint in 309-379, Barber Institute of Fine Arts S0078

Silver drachm of Shahanshah Shapur II struck at an uncertain mint in 309-379, Barber Institute of Fine Arts S0078

Gold ducat of Pierre d'Aubusson struck at Rhodes 1476-1503, Barber Institute of Fine Arts CR0037

Gold ducat of Grand Master Pierre d’Aubusson struck at Rhodes 1476-1500, Barber Institute of Fine Arts CR0037

The actual coins that got the benefit of my attention were these, a denarius of the Roman Emperor Claudius showing Nemesis (because we had to replace the previous Roman coin entry), a drachm of Shahanshah Shapur II (because the Barber has a really good collection of Sasanian coins that wasn’t even mentioned before and I insisted), and a ducat of the Knights of the Hospital of St John struck at Rhodes, because it’s unexpectedly flashy, one of those dissertation students had helped me identify it not long before, and because I was determined to get some of our medieval in there as well.2 (The other coins in the catalogue are a tetradrachm of Lysimachus I, a solidus of Emperor Leo VI and a sovereign of Mary Tudor.) So I did those things (including getting the coins online, where they are), and they can thus be seen! And now you know.

Statistics, as long as we’re counting: obviously, this work was never presented, and it went through only one draft, as I’ve described. What that also means, of course, is that it ran a pretty standard year and eight months from first submission to print, stretching that average out just that bit further, but in a volume with this many moving parts that is perhaps not too surprising, and I’m completely happy with how it came out, which is maybe more surprising by now!


1. Full citation, as above, Richard Verdi, with Sarah Beattie, Jonathan Jarrett, Nicola Kalinsky and Robert Wenley, The Barber Institute of Fine Arts (London 2017).

2. My contributions appear respectively ibid. pp. 18, 19 & 20.