Monthly Archives: January 2021

Gallery

Finding the Medieval in Rome I: ruins and cats

This gallery contains 17 photos.

Given the state of things in the UK at the moment, and with the work to get ready for term very much upon me, it’s actually quite nice that my blog backlog means I can write about and remember happier … Continue reading

Gallery

A visit to my local castle

This gallery contains 13 photos.

By the time this post goes up, my officially-ordained break from work will be over and there will be, already is, really quite a lot to try to catch up on before teaching restarts and we resume the will-we-won’t-we dance … Continue reading

Money doesn’t stink (once the blood’s dry)

There was, of course, lots in Michael Hendy’s magnum opus that I was writing about last post that might have provoked a blog post, but apparently I only stubbed one other, and this was it, a reflection on something he was willing to do that many scholars now are not, which is, cite material which he’d seen on sale as well as material in collections.* For example, when I worked at the Barber Institute, we were offered one quite large and fascinating collection; but English law on importing antiquities, which largely follows a UNESCO Convention about the same, made it such a headache to accept that instead the collector in question just sold the stuff. That was a bit of a loss to scholarship, because even if we could track every one of those coins through the market the corpus will still never be together again. But I can also point you at reasonably well-founded-looking stories about how antiquities looting funded ISIS and we’ve heard before here about one rather surreal case of how crime will feed the antiquities market if the antiquities market will buy from it, so though it’s a somewhat extreme position, that there are some scholars who won’t even cite material from sales, let alone buy things themselves, because you just can’t know who got it out of the ground when and whether you’d want them to be able to keep doing that because of your contributions to the market.1 And then I can remember a presentation at the International Numismatic Congress in which an Afghan curator whose museum had been looted had sent a message to the Congress urging us please, please, to ignore the law and buy his museum’s stuff if we saw it come up, so that at least it would not be lost or destroyed, and by now you get the idea that whatever the ethics of this question are, they’re not completely simple.2

Map of the location of Isauria in Asia Minor

The red dot shows where Isauria, the district within which the plurifocal city of Isaura lay, was within Asia Minor; image by Keith Johnston and Polylerus (talk), derivative work, made from Asia_Minor_Map,_Classical_Atlas,_1886,_Keith_Johnston.jpg, public domain, via Wikimedia Commons

Michael Hendy, however, writing in the early 1980s, was able to remain unconcerned by such issues, and this became very clear when I reached his brief discussion of the Byzantine coinage of Isaura. Isaura was a mint only for a very short time, between 617 and 619, during the desperate campaigns of Emperor Heraclius against Persia. One of several such short-lived mints, and replacing one at nearby Seleucia, it seems to have been meant to provide deployed armies with small change at a time when that could not reliably be brought from Constantinople in time. Its products are rare, and Hendy alone knew of one from the final year of operation, 618/19, of which he said: “I owe knowledge of the so far unique coin (a follis) of this year, seen in the bazaar at Silifke, to Jim Russell.”3

Now, as far as I can see, that specimen—which Hendy himself had not seen, as he admits—remains unique, and we could probably more or less safely dismiss it as being either a fake or so very rare as to be historically insignificant. But the coins of Isaura are rare in any variety. Hendy’s collection of reference, the Dumbarton Oaks Collection in Washington DC, largely assembled by Philip Grierson, contained none when catalogued in 1973, although it subsequently acquired two. The British Museum currently has eight—though if you follow that search link, don’t believe the single picture they have, which is of something quite different—but its catalogue of Byzantine material, published in 1920, contains only two, though the modern digital catalogue also counts two which Wroth thought belonged to Antioch, and I think, as apparently do the current curators, that he was wrong.4 The Bibliothèque Nationale de France has two, or did in 1970.5 The American Numismatic Society has one, only. And the Barber Institute of Fine Arts in Birmingham, of which Hendy was notionally curator when he wrote the above, has four, for what it’s worth, but none of 618/619.6 I bet there are more in collections from closer to the site, too, but I can’t straight away find their catalogues online. (I did just try the Hermitage in St Petersburg, not exactly closer but at least not Western, but no results there; the Istanbul Archaeological Museum so far doesn’t have a catalogue online.) So from the obvious Western collections at least, that’s a corpus of seventeen coins of Isaura, which is not all that many when just the Barber’s total sample of coins of Heraclius from all mints is more than a thousand pieces. The total corpus of Heraclius across those same collections is probably in the order of four thousand, and Isaura thus probably contributes nearly half a per cent of that corpus.

Copper-alloy follis of Emperor Heraclius overstruck on one of Maurice Tiberius at Isaura in 617-618, Barber Institute of Fine Arts B3496

An impressively messy example, a copper-alloy follis of Heraclius overstruck on one of Emperor Maurice Tiberius at Isaura in 617-618, Birmingham, Barber Institute of Fine Arts B3496

Now, forgive me if this is already an obvious point, but whence, and indeed when, did these coins arrive in those collections? In some cases, this information is not available: the ANS record, for example, doesn’t make this public, though they got it in 1984, rather after the UNESCO Convention. Dumbarton Oaks got its from Harlan J. Berk in 1977 and from none other than Simon Bendall in 1980, who apparently traded some Palaeologan coins for it. Perhaps the other party in the swap had full provenance details going back past 1970; perhaps. I can’t supply details for the Barber any more, though almost all its Byzantine stuff was given to the University of Birmingham by Philip Whitting in 1967 and he acquired almost all his stuff through London dealers, so the Barber is probably on the right side of UNESCO here, at least, if only by reason of age. One of the BNF’s coins came to them from the collection of Gustave Schlumberger in the 1860s and the other was already there when a catalogue was first made in 1853, so their trail vanishes into antiquity in a way which almost certainly involves colonial tourism and bazaars, but can’t be shown to. And the BM got its first one in 1859 from one J. B. Warren, bought another from Henri Hoffmann in 1862, these being the two which Wroth published; it subsequently ‘acquired’ four, we are not told whence, in 1920 (two of them), 1925 and 1927, and has no provenance for the remaining two that Wroth misassigned to Antioch, except that they must have arrived before he published in 1920. But if we were in a position to dig further, which for example at the Barber I was, we’d be able to find where Philip Whitting bought those coins, and at the BM possibly where Warren and Hoffmann bought theirs, and maybe even at Paris whence Schlumberger got his, and I bet you that they were all either bought from dealers in London or Paris or actually off market tables in Turkey or Syria, or from people who one way or another had got them from those tables. Perhaps one or two were actually found in archaeological digs, but archaeology in Ottoman territories was usually a matter of licensed European plundering anyway, and the Paris examples pretty much pre-date archaeology as a practice, as do the oldest London ones. Probably none of these coins would be bought, or even accepted gratis, by those collections today.

Copper-alloy follis of Emperors Heraclius and Heraclius Constantine struck at Isaura in 617-618, CNG Classical Auctions, Triton VIII Sale, 10th January 2005, lot 1368

Copper-alloy follis of Emperors Heraclius and Heraclius Constantine struck at Isaura in 617-618, Classical Numismatic Group, Triton VIII Sale, 10th January 2005, lot 1365

But they’re out there, even so. This one was sold at auction by Classical Numismatic Group in 1997 and then again in 2005; there don’t seem to be any obviously available right now through the main dealerships, and looking at eBay through a proxy so as not to stain my own search history, I can’t see any there either, but every now and then one clearly comes up. Now, even by showcasing this coin here I’ve stepped over a line for some of my colleagues; for them to use anything that’s passed through trade is to validate it and the continuing market for such things. And it can’t be said that much would be lost if I hadn’t used it; I have access to other images of the type, as we’ve seen, and there’s nothing unique about this one. We can certainly say that without Hendy’s friend’s find we wouldn’t know the mint dragged on into late 618, but firstly no-one else has ever seen or recorded such a coin, secondly it’s a matter of whether it had an extra vertical stroke right out near the border of the reverse right field, a call which I find hard enough to make even on the photos above, and thirdly that detail probably makes no difference to our greater picture of Heraclius’s reign or Byzantine coinage anyway. If Jim Russell had not been in that bazaar when he was, or had not told Hendy, or Hendy not told us, probably nothing much changes for numismatic or historical scholarship.

But how far back do we want to go with that logic? What if we decided even the 617/618 coins were unusable because of their provenance, or their lack of it? Well, because of the scholarship which had used them already, we would still know that there had been a mint at Isaura and what its products looked like, but we might argue that we should not, because that scholarship was using materials that we would not ourselves use. What if, because this kind of selection had operated in the 1970s and 1980s too, and all the way back to the 1860s when Schlumberger was writing, we just didn’t know about the Isaura mint? What else would we then not know? Well, the series of short-lived mints that date from these years collectively tell us several things. Heraclius didn’t maintain these mints once they’d served their purpose, so they weren’t a new part of the system, they were emergency measures. Therefore, they tell us that the Empire was in trouble; we knew this from the narratives, but that it couldn’t ship small change around safely for several years is a bit of extra depth when otherwise we are mainly told that Heraclius couldn’t pay his troops in gold, once only, eight years later.7 On the other hand, that this could be done tells us something about the administrative ability of the empire even in crisis; mints, whose output seems negligible now but must have been in many thousands at the time, could be set up and shut down, or moved where necessary, quickly and usefully, and systems which were temporarily not useful could be circumvented.

Obverse of copper-alloy follis of Emperors Heraclius and Heraclius Constantine overstruck on one of Maurice Tiberius from Antioch at Isaura in 617-618, Dumbarton Oaks Collection BZC.1980.5

Obverse of copper-alloy follis of Emperors Heraclius and Heraclius Constantine overstruck on one of Maurice Tiberius from Antioch at Isaura in 617-618, Dumbarton Oaks Collection BZC.1980.5

Reverse of a copper-alloy follis of Emperors Heraclius and Heraclius Constantine struck onto one of Maurice Tiberius from Antioch at Isaura in 617-618, Dumbarton Oaks Collection BZC.1980.5

Reverse of the same coin

Thus, the coins of Seleucia, Isaura, Alexandretta and maybe Cyprus—though Cyprus went on working as a mint, so doesn’t quite fit the pattern—do tell us not just how much trouble the Empire was in but also what it could do about it, in detail we wouldn’t get any other way. Obviously, any one of those mints by itself would suggest that; two together probably shows a pattern; we might not need the third. But since the same objections about provenance could doubtless be raised about Heraclian coins of Seleucia and Alexandretta, and indeed without Seleucia and Isaura being known I imagine we’d be attributing the Alexandretta coins to Alexandria because to hypothesize an entire mint on their basis would seem a little foolhardy, and we’d have no indication of where else it might have been anyway, I think the question has to be asked about the whole sample.8 And of course we could carry on up the scale from there ad absurdum; I’m not sure where the absurd starts on this ladder of hypotheses, myself, but we don’t need to climb it all to get there.

Of course, it is absurd, because we don’t do this; the known coins in collections are known, are somewhat published, and have been described in scholarly publication and synthesized into the history of the period, and I’ve not (yet) heard anyone suggesting we should actually roll back on what we claim to know because of it being based on dodgy antiquities and colonial looting, even if some might suggest those collections shouldn’t still be keeping the coins. But thanks to the UNESCO Convention and its pretty widespread uptake, really no other collections can get such coins, only ‘unscrupulous’ private collectors can. (The fact that sometimes those collectors do in fact contribute to scholarship is an issue I can’t look at now, but it has been noted.9) What that ends up meaning, therefore, is that the scholarship has to work with the established material in the big Western collections, because those were all bought, ‘acquired’ or looted long enough ago that we can ignore it. In other words, the Victorians and Edwardians did so much of our dirty work that we can afford to keep our hands clean and insist that others abstain without loss to ourselves.

Now, I myself don’t have a next step from this; I’m stuck in the dilemma. The loss to regional heritages from looting, nighthawking and sale of antiquities is well-documented and huge and I’ve done my bit in documenting it. But even that misnomer of a hoard was only acquired just in advance of a change in English law that now wouldn’t permit Her Majesty’s Customs and Excise Service to do that; now, the Barber’s hands would have stayed off and it would now presumably be in a crate on a shelf in Rotherham or somewhere, in an uncollapseable legal Schrödinger state from which it could be neither sold nor given, unknown to basically everyone in the world (next to the Ark of the Covenant, perhaps). Then again, when stuff comes up on eBay that’s probably out of Palmyra or the now-dispersed collections of the Iraqi National Museum, I wince, and if we did follow that Afghan curator’s advice and buy it anyway, to safeguard it, of course more would turn up to feed that demand and whether or not the money eventually paid for someone to kill someone else, what’s pretty clear is that the stuff would not be returned to the land and people whence it came. But, equally, if the Academy as vested in the global West didn’t have these massive colonial legacy collections to resource its scholarship, acquired by means just as dodgy but a century or two older, I wonder if it would be quite so unanimous about how we shouldn’t participate. I don’t think that means that we should just declare open house on looted antiquities, obviously, but I’d be more comfortable about the debate about what people should do if it involved just a bit more privilege-checking from those who aren’t at risk of exclusion because the international moral clock only started in 1970.


* The title of this post derives from a story told of the Emperor Vespasian, who infamously imposed a charge for the use of public latrines in the city of Rome. When it was put to him that it was beneath his imperial dignity to make money from people’s bodily waste like this, he is said to have held a coin to his nose and replied, “The money doesn’t stink.” I couldn’t find a good way to work this into the actual text of the post, though…

1. Here’s a selection of such scholarship ranging over the last couple of decades: Catherine Sease, “Conservation and the Antiquities Trade” in Journal of the American Institute for Conservation Vol. 36 (Abingdon 1997), pp. 49-58; Neil Brodie and Colin Renfrew, “Looting and the World’s Archaeological Heritage: The Inadequate Response” in Annual Review of Anthropology Vol. 34 (Palo Alto 2005), pp. 343–361; Paula K. Lazrus and Alex W. Barker (edd.), All the King’s Horses: Essays on the Impact of Looting and the Illicit Antiquities Trade on our Knowledge of the Past (Washington D.C. 2012); Blythe Bowman Proulx, “Archaeological Site Looting in ‘Glocal’ Perspective: Nature, Scope, and Frequency” in American Journal of Archaeology Vol. 117 (Boston MA 2013), pp. 111–123; Fiona Rose-Greenland, ‘Inside ISIS’ looted antiquities trade’ in The Conversation, 31 May 2016, online here. I started collecting things like this in order to help write Jonathan Jarrett, Reinhold Hüber-Mork, Sebastian Zambanini & Achille Felicetti, “Coinage, Digitization and the World-Wide Web: Numismatics and the COINS Project” in Brent H. Nelson & Melissa Terras (edd.), Digitizing Medieval and Early Modern Material Culture, New Technologies in Medieval and Renaissance Studies 3 (Tempe AZ 2012), pp. 459-489, but as you can see the problem has continued despite our short-lived digital contribution.

2. Reported in Michael Alram’s contribution to the closing ceremony, XVth International Numismatic Congress, Taormina, 24th September 2015.

3. Michael F. Hendy, Studies in the Byzantine Monetary Economy, c. 300-1450 (Cambridge 1985), p. 416 n. On the coinages more generally, see Philip Grierson, Byzantine Coins (London 1982), pp. 120-121, and in more details, Philip Grierson, “The Isaurian Coins of Heraclius” in Numismatic Chronicle 6th Series Vol. 11 (London 1951), pp. 56–67.

4. Warwick Wroth (ed.), Catalogue of the Imperial Byzantine Coins in the British Museum, 2 vols (London 1908), I, nos 274a & 275 (pp. 223-224), with the rest of Isaura as then thought at nos 266-268 (p. 221). Dumbarton Oaks would have had them, if they had had, in Alfred Bellinger & Philip Grierson (edd.), Catalogue of the Byzantine Coins in the Dumbarton Oaks and Whittemore Collections, 5 vols in 9 (Washington DC 1966-2006), vol. II pt 1, ed. Grierson, online here.

5. Cécile Morrisson (ed.), Catalogue des monnaies byzantines de la Bibliothèque nationale, 2 vols (Paris 1970), vol. I, nos 10/IS/Æ/01-02 (p. 290).

6. Though great efforts were continuing up until Covid-19 struck, these coins are among the part of the Barber’s Collection that has yet to go online. They can however be cited as Birmingham, Barber Institute of Fine Arts, B3493-B3496.

7. For more on this and Heraclius’s response, see Michael F. Hendy, “On the Administrative Basis of the Byzantine Coinage c. 400-c. 900 and the Reforms of Heraclius” in University of Birmingham Historical Journal Vol. 12 (Birmingaham 1970), pp. 129–154.

8. On the difficulty of attributing the Alexandretta coins see Grierson, Byzantine Coins, pp. 73-74; their chronology is not quite the same, but shows Heraclius using the same strategy earlier on.

9. See Jackson Hase and Rebecca Darley, “Collections to think with: Collecting, scholarship and belonging in the R. E. Hart collection (Blackburn Museum and Art Gallery)” in Journal of the History of Collections Vol. 32 (Oxford 2020), pp. 369–378.