Monthly Archives: May 2022

Name in Print XXIX: at long last Casserres

Last post I promised news as well as olds, and here is the first of them. (I’m not saying they’re all publications – but they might be!) You would have to have a really long memory of this blog to remember the beginning of this story, but the goods news (in a way) is that I’ve blogged pretty much every dogged step of the way except the very first one, which took place in 2004, ante bloggum and therefore time immemorial. In summary, with links, the story goes like this:

  1. Your humble author, having had his first ever article accepted very easily, sent another one out hoping for the same, and got a pretty thorough revise-and-resubmit, which, being a student still, he took badly and sat upon for years. The bit that stung particularly was reviewer #1 saying, more or less, “it’s not clear that this author has ever seen any of the original documents”, and this stung because, although I still don’t think it made any difference to the argument, it was true. I therefore fomented a plan to publish something using unpublished material – if only I could find some…
  2. A little later, in 2006, I no longer know how, I discovered that the charters of Sant Pere de Casserres were in fact such an unpublished cache, and my target was set. In 2008 I finally got to see them, and discovered that the sequence of originals only starts in 1006, but also that the earliest ones in that sequence have some decided peculiarities, and that therefore there was a paper here.
  3. I started work on that paper, but it became more complicated when the inestimable Catalunya Romànica explained to me that there also survives an altar slab from the monastery church, which is covered in scratched-on names, which the relevant authors thought were of my period.1 This opened up the possibility of matching the names on the slab, such as they were recorded, to the ones in the charters, which as I thought, only I knew. And I wrote that all up and presented it at the International Medieval Congress in 2009, and decided that I had to go and see the place.
  4. But at this point, the first two complications arose. Firstly, in that 2008 trip to Catalonia I had got my own copies of the volumes of the Catalunya Carolíngia volumes for Osona and Manresa, and by now I was slowly working through them.2 And this exposed to me that, while the original documents for Sant Pere de Casserres did indeed only start in 1006, in the 1980s an 18th-century manuscript containing abstracts of earlier documents from the archive had been found in a Tarragona bookshop, and was now available for consultation in Vic. Lots of the documents were in the Catalunya Carolíngia, but obviously I couldn’t know how many were not without going to see. So I started planning that.
  5. Before I could, though, a second complication solved the first, which was that Irene Llop Jordana published an edition of the Casserres charters, and because it was free to the web I found it.3 In one sense this was great, as it included the 18th-century abstracts and the original material so obviated the immediate need for a trip to Vic; but in another it was very annoying, as firstly I quite like trips to Vic, and secondly and more importantly the whole point of the project, to use unpublished documents, was now removed. As it happened, Dr Llop had not spotted the problems I had with the 1006 charters and did not consider the altar slab, so I still had a paper; but it made it all seem a bit less important.
  6. Nonetheless, by 2011 I was working through Llop’s edition and discovered what was new, and a bit more about the parchments I hadn’t seen because of deciding they were too late. I also made an attempt to see the altar slab, and that was in one way fairly easy as it was and is on display in the Museu Episcopal de Vic, as it then was; but in another way not so much, as gallery lighting isn’t great for epigraphy and they wouldn’t let me see it out of visiting hours.4 They did send me a reference image, which helped a bit, but in the end I got more out of it just by crawling round the thing with a camera hoping a security guard wouldn’t come past, which indeed they did not. Still, not my most fun research moment.
  7. The altar stone of Sant Pere de Casserres, set up in front of a reconstruction of the apse of Sant Martí del Brull, with its original fresco artwork, in the Museu Episcopal de Vic

    The altar stone of Sant Pere de Casserres, set up in front of a reconstruction of the apse of Sant Martí del Brull, with its original fresco artwork, in the Museu Episcopal de Vic, also visible here, but this photo by your author

  8. However, on the same trip I did get to the actual site, by a series of odd outcomes, which helped a lot with understanding the difference between the castle which the documents mention and the church.
  9. Sant Pere de Casserres viewed from the vistor centre

    Sant Pere de Casserres viewed from the vistor centre, photograph also by me

  10. But, almost as soon as I thought I had things under control, a third dose of unexpected evidence arrived – or rather, didn’t. Instead, someone at the 2011 IMC told me it existed and then wouldn’t tell me where. He had his reasons, but it was not what I wanted at that stage. Now, after a bit of work I knew that I could get at the missing evidence in Toledo, which also sounded like a trip worth making, but for various reasons, not least language, it was difficult, and there were easier things to do.
  11. So there things rested for a short while. I gave versions of the paper in Australia and in Exeter, but there was only so far it could go till I untied the knot around the extra charters.
  12. Finally, in 2017, the missing evidence was actually published, again free to the open web, and I therefore fell upon it, only a few months later, and it turned out I hadn’t really needed it, at least for this project. And that’s where we run out of previous blog.
  13. But it was now possible to finish the dratted thing, and in April 2018 I did so. Then, having had a long time to think about it before this point, I got in touch with the editor of Studia Monastica. He was agreeable to seeing the paper, and it turned out, once he’d seen it, agreeable to publishing it. A pause then ensued, for reasons I don’t need to go into, and in February 2020 it was officially accepted. I persuaded the editor without difficulty to delay its publication till after the REF census, for which I was more than fully equipped already, and it thus came out in March 2022. But physical evidence of this only reached me about three weeks ago. And here it is…

Offprint of Jonathan Jarrett, "On Stone and Skin: Inscription of Communities at the Foundation of Sant Pere de Casserres" in Studia Monastica Vol. 63 (2021), pp. 269–302

Offprint of Jonathan Jarrett, "On Stone and Skin: Inscription of Communities at the Foundation of Sant Pere de Casserres" in Studia Monastica Vol. 63 (Barcelona 2021), pp. 269–302

Actual paper offprints! It’s always nice to see somewhere still doing them. Anyone want one? I have lots. I suppose it might help you to make up your mind to have the abstract:

The history of the Benedictine monastery of Sant Pere de Casserres, in modern-day Catalonia, is relatively well-studied, but includes an acceptance that it became a monastery in around 1005 by the agency of Viscountess Ermetruit of Osona. Before that, however, the site had been home to a church, whose congregation and priests are partly recorded in inscriptions preserved on an ancient altar-slab from the site. A critical re-examination of the monastery’s supposed foundational documents, and their comparison with the slab and other surviving charters from the church’s and monastery’s archive, establishes that the conversion from church to monastery was neither quick nor simple, and probably contested by the church’s old congregation. This article performs that re-examination and suggests what the power dynamics and solidarities in the area may have been that could explain the record as we now have it. In so doing, as well as questioning both Ermetruit’s role in and the traditional 1005 date for the monastic conversion of the site, it suggests that recognition by the would-be founders of the congregation’s investment in their traditional place of worship was crucial to the eventual success of the foundation, a situation perhaps repeated in other times and places.

I’m really quite pleased about this one. It’s my first dalliance with epigraphy, it is the second of what is probably three studies I will eventually have about ways to start a monastery which don’t conform to the normal standard picture, it is clever in places, it has identified me as a scholar to the Montserrat community (which has great potential application), and most of all, as you can see from the above, it was a right pain to do and I did nonetheless do it. Admittedly it damps the old publication statistics a bit, as even if I hadn’t delayed it it would have been two years five months between submission and publication; but since actually the timings work fine for me, I don’t care. I’ve been working on this for years and now it exists.5

Opening page of Offprint of Jonathan Jarrett, "On Stone and Skin: Inscription of Communities at the Foundation of Sant Pere de Casserres" in Studia Monastica Vol. 63 (2021), pp. 269–302

Opening page

For that it exists, by the way, I owe thanks to quite a few people, but especially and more or less in order, the staff of the Biblioteca Universitària de Barcelona’s Biblioteca de Reserva, my family in Palautordera who put me up while I did the work in that library, the Arxiu Comarcal d’Osona even though in the end I didn’t visit them, Dr Mark Handley for advice on and references to scratched-up altar slabs, the Museu Episcopal de Vic’s documentation centre, Dr Kathleen Neal and Steven Joyce for comments and encouragement during the low period, Dr Rebecca Darley for making a late draft make the kind of sense that I could submit, and, in the end, Dr Francesc Rodríguez Bernal for providing the last of the evidence. All of you have prevented this being a worse article than it is. Obviously, as it is conventional to say, the faults that remain are my own fault; but this one has needed more help than most and it’s nice to be able to close the story with that acknowledgement.

Signature page of Jonathan Jarrett, "On Stone and Skin: Inscription of Communities at the Foundation of Sant Pere de Casserres" in Studia Monastica Vol. 63 (2021), pp. 269–302

Signature page and acknowledgements

1. Antoni Pladevall Font, Joan-Albert Adell i Gisbert, Xavier Barral i Altet, Enric Bracons i Clapes, Marina Gustà i Martorell, Montserrat Hoja Cejudo, María Gràcia Salvà Picó, Albert Roig i Delofeu, Eduard Carbonell i Esteller, Jordi Vigué i Viñas and Roser Rosell i Gibert, “Sant Pere de Casseres”, in Jordi Vigué (ed.), Catalunya Romànica II: Osona I (Barcelona 1984), pp. 354-391, pp. 382-384 by Bracons, Gustà, Hoja and Gràcia, specifically at p. 384.

2. These being, of course, as what blog post of mine would be complete without a citation of them, Ramon Ordeig i Mata (ed.), Catalunya Carolíngia IV: els comtats d’Osona i Manresa, Memòries de la Secció històrico-arqueològica LIII (Barcelona 1999), 3 vols.

3. Irene Llop Jordana (ed.), Col·lecció diplomàtica de Sant Pere de Casserres, Diplomataris 44-45 (Barcelona 2009), 2 vols.

4. This is ironic, because I was by now already citing an article about the slab whose author also complained that the Museu wouldn’t let him see it; see Pere de Palol, “Las mesas de altar paleocristiana en la Tarraconense” in Ampurias Vol. 20-21 (Barcelona 1958), pp. 81-102 at p. 87.

5. Jonathan Jarrett, “On Stone and Skin: Inscription of Communities at the Foundation of Sant Pere de Casserres” in Studia Monastica Vol. 63 (Barcelona 2021), pp. 269–302.

Seminars CCLXVII & CCLXVIII: the Normans return to Leeds

As usual, apologies are owed to you, dear readers, for a long absence; sorry. We stopped working to contract at about the time all my marking came in, and the result of marking arriving was as usual disappearance from civilisation. This last weekend that was compounded by a breakdown and impromptu eight-hour stop in Brecon, as well, which cut back my blogging chances somewhat. But quite a lot else has been happening and I have news as well as olds to report. I had some olds half-set-up to go, however, so that’s where we’ll start, with two papers from two successive days at the University of Leeds in 2019, both on the Normans in Sicily.

Now, for those in on the medieval scene it may not be surprising to hear of work on Norman Sicily at Leeds; in fact the main thing that might be surprising is that we were bussing it in, because is Leeds not after all the seat of Graham Loud, doyen of the field and supervisor of many protégés therein? And this was true even then, but Graham was at this point in the second of three years of a research project which would take him neatly up to retirement, and his students had pretty much all completed. Furthermore, because of his absence, we weren’t even really teaching Norman Sicily any more. The thing that can happen when a specialist retires, where a whole section of the library quietly ceases to be used, was already in progress. But this did not mean that there was no audience when firstly, on the 19th February, Jeremy Johns hauled up from Oxford to give an Institute for Medieval Studies Open Lecture with the title, “Documenting Multi-Culturalism in Norman Sicily”, and then the very next day Francesca Petrizzo, one of those completed students of Graham Loud’s indeed, spoke to the Medieval History Seminar with the title “‘Normans Don’t Cry’: grief, anger and the Hautevilles”.

Medieval scribes from three Sicilian traditions in Peter of Eboli's Liber in honorem Augusti

The masthead image of the project Documenting Multiculturalism: Co-existence, law and multiculturalism in the administrative and legal documents of Norman and Hohenstaufen Sicily, c.1060-c.1266, which although they don’t identify it on the website turns out to be from Peter of Eboli’s Liber ad honorem Augusti sive de rebus Siculis, Bern, Burgerbibliothek, Cod. 120 II, fo. 101r, online here. Really, academic websites should do better than this, but never mind, let’s move on…

Professor Johns was introducing us to a then-new project, Documenting Multiculturalism: Co-Existence, Law and Multiculturalism in the Administrative and Legal Documents of Norman and Hohenstaufen Sicily, c. 1060-c. 1266, funded by the European Research Council in a way that had just become rather political. The project probably also looked rather political to some, in so far as it was engaged in that most dangerous of things, attempting to check facts behind a cliché about religious, racial and cultural interaction. The cliché in question was that of Norman Sicily as a multicultural paradise of tolerance and shared artistic cultures; it is, now that Islamic Iberia is a bit more widely contested, almost the last of those we have left, but obviously it’s not everyone’s idea of paradise, and not everyone believes that it can have been possible despite certain signal memorials of it, because those are more or less by definition from élite; social strata deeply concerned in the success of the governmental project.1

Tombstone of Anna in St Michael's Palermo

The tombstone of Anna in St Michael’s Palermo, lettered in Greek, Latin, Arabic and Hebrew, commonly used as an emblem of Sicilian medieval multiculturalism; but Anna was mother of a priest of King Roger II, so may not have been precisely typical…

Well, this is a thing on which, to a certain extent, we can put numbers and for which we can find data, because the Normans arrived as French-speakers in a Sicily which had an Arabic administration and tax system, with older less Arabic components, staffed in part by Greek-speakers, and although survival of these systems’ documents is not what you’d call great (at least not by Catalan standards!), there are roughly 500 Latin, 350 Greek, 125 Arabic and 25 Judaeo-Arabic chancery records, quite a lot of inscriptions which at this point they had yet to count, and a good few other references that can be factored in.2 The difficulties or not that these documents describe are themselves qualitative instances of how these different cultural strata interacted, but also, and this was the main point of the paper, so is the choice and change of language in them. For example, one of the things coming out of this project will hopefully be the first ever study of Sicilian Arabic, because unsurprisingly it was a bit different. Ibn Hawqal, an Baghdadi merchant and probably Egyptian spy visiting in the 950s, thought it lamentably bad and ungrammatical; but the documents will tell us how it was actually written, and perhaps even spoken.3 Eventually, too, though this hasn’t happened yet, all the documents, in all languages of record, will be online in facsimile, transcription and translation, and that will be a fabulous resource to have.

What seems unlikely to emerge, however, is a simple narrative. The one we have at the moment is more or less that initially, the Normans needed the administration in working order so badly that they maintained it and its operators, thus practising tolerance by necessity and making a virtue of it while it did them good; but, after a century or so, partly because support for their endeavours from the Latin world was so necessary and partly just because the Normans did not naturalise very far, Latin tended to push out the other tongues and Christianity the other religions.4 What the project was already showing was that Arabic might have gone quiet, but had not completely gone, even in documents from close to the end of their sample, where boundary clauses might still sometimes be given in very local dialects of it in documents otherwise fully Latin.5 Who was the audience for that, nearly two centuries after Latin conquest? Likewise, it seems as if while the Normans may not have Arabised, they certainly naturalised to the extent that even by the 1190s, no-one seems to have been writing French on the island, rather than a local Romance more like that which would become Italian. Between Sicilian Arabic and Sicilian Romance, the most obvious outcome from the Norman period may actually have been, well, Sicily, admittedly not for the first time in its history, but ever reinvented as each wave washing over it dried into its shores.

Poster for the Medieval History Seminar, Institute for Medieval Studies, 20 February 2019

Poster for the seminar, designed by Thomas Smith

Francesca Petrizzo, meanwhile, had been one of my advisees while she was Graham Loud’s doctoral student, and so, disclaimer, can always be sure of a good write-up here, but I think more people than just me thought hers was a fun paper. Her doctoral thesis was on the political value of kinship among the most successful of the Norman families who made southern Italy and Sicily the new home for their endeavours in the eleventh century, by a process of hiring themselves into military disputes and slowly emerging as the masters of the situations into which they were hired, to the ultimate extent of becoming Kings of Sicily and counts of numerous other places nearby.6 However, what her thesis had not covered was emotional bonds, and this paper was an attempt to sound the evidence for that, and was therefore as much a methodological exercise as an empirical one: how can we get at emotions and feelings from the sources we have, and how can we ever be sure that they were what the subjects of report felt? There are some cases where it seems clear enough, relatively speaking: when Elvira of Castile, the wife of King Roger II of Sicily, died we are told by Alexander of Telese that Roger hid in his chambers for weeks, so that a rumour spread that he had died too and then his brother-in-law raised a revolt against his counsellors, whereupon Roger had to emerge in vengeful fashion and kill quite a few people. He then didn’t remarry for a decade, until he was down to one male heir. Love, grief and anger don’t seem unreasonable to attribute here, though one would like the hiding story to occur in more than one source.

Interior and crypt of Santissima Trinità di Venosa

Interior and crypt of Santissima Trinità di Venosa, with tombs of the Hauteville family visible beneath the floor, photo by Anna Nicoletta MenzellaOwn work, licensed under CC BY-SA 4.0, via Wikimedia Commons

The main emotional outlet of the Hautevilles does seem to have been anger and venegance – the title quote came from a report by Amatus of Montecassino about a band of Normans whose lord was killed in a fray, who, he says, did not waste time on tears but went straight through the stages of mourning to vengeance without waiting (not his language, obviously, but the title quote is: “Normanni non plorent”, ‘the Normans don’t cry’).7 But seeing other emotions in the sources is hard: we can see patronage as an expression of affection, especially when it was extended to people who repeatedly caused trouble (though that was a lot of the Hautevilles, and there may just not have been much choice); we can also, however, therefore see a preference for kin over outsiders, despite how troublesome a kindred it was.8 And then there are memorials that show us some level of mourning, of which we have two above, though of course these are the public expression of mourning rather than a private one. Many of these emotional pathways, interestingly, occasionally let women through into what would normally be men’s roles; women counts regnant, several powerful consorts, daughters who witnessed charters, patronesses of chronicles, and so on.

The examples involving women may be the most powerful ones, for me, because they sit against the otherwise obvious possibility that these actions of violence, inclusion, patronage or dispute may have been pragmatic and political rather than emotional (in so far as the two spheres separate). Obviously female kinship ties had political value as well, but Tancred of Conversano having his daughter witness charters probably didn’t help anything except her sense of being a nobleman’s offspring. Nonetheless, most of the questions were about how results of an enquiry like this could be made reliable, with one person saying it simply couldn’t be done, as all we were getting was the emotions that the agent of record thought would have been appropriate, and another wondering if the chroniclers’ emotions weren’t the thing we should study here instead. Joanna Phillips, also of this parish, wondered if it might be more reliable to track responses to emotion than records of its expression. More interesting to me was the question that asked if this emotional profile was a Norman thing or more generally medieval, to which Francesca said that it wasn’t even general to the Normans; few other families had this kind of internal cohesion and, apparently, trust. But also, in most other cultures and kingroups of the era crying was a perfectly legitimate display of sincerely felt emotion; if these Normans didn’t cry, then they were modelling a different, less emotive kind of masculinity than was the fashion with others. That kind of relative history of emotions might work better for me; the chroniclers in question are still individual lenses which need to be gauged, of course, as are any non-chronicle sources (of which there were some) involved, but at least once we can say, this story presents appropriate emotions thus but this one elsewise, we can start to dig into why. The material for that seemed to be abundant here!

1. This is a lot to substantiate in one footnote, so maybe I can just give examples. For example, Iberia maybe not a multicultural paradise even if some current hate speechifiers go too far in denying it: Anna Akasoy, “Convivencia and its Discontents: Interfaith Life in al-Andalus” in International Journal of Middle East Studies Vol. 42 (Cambridge 2010), pp. 489–499. Sicily still in the frame: Sarah C. Davis-Secord, Where Three Worlds met: Sicily in the Early Medieval Mediterranean (Ithaca NY 2017). Critical reevaluation (maybe too critical): Brian A. Catlos, “Accursed, Superior Men: Ethno-Religious Minorities and Politics in the Medieval Mediterranean” in Comparative Studies in Society and History Vol. 56 (Cambridge 2014), pp. 844–869. Lots more could be cited, often with quite different views.

2. See Hiroshi Takayama, The Administration of the Norman Kingdom of Sicily, The Medieval Mediterranean 5 (Leiden 1993), and indeed Jeremy Johns, Arabic Administration in Norman Sicily: The Royal Diwān, Cambridge Studies in Islamic Civilization (Cambridge 2002).

3. Professor Johns didn’t mention Ibn Hawqal, but the geographer’s peroration on Sicily is one of my favourite tenth-century sources, and can be found in French, at least, in Ibn Hauqal, Configuration de la terre (Kitab surat al-Ard) : Introduction et traduction, avec index, ed. J. H Kramers and trans. G. Wiet, Collection UNESCO d’œuvres représentatives : Série arabe, 1st edn (Paris 1964), 2 vols, I pp. 117-130. The only English version I know is a teaching translation of my own from that French, rather than the Arabic.

4. This is the picture you’d get from, for example, Donald Matthew, The Norman Kingdom of Sicily, Cambridge Medieval Textbooks (Cambridge 1992), which was the first thing I ever read on the subject (and was new then…).

5. The example here was a 1242 document by King Frederick II’s administrator Obbertus Fatamongelia, apparently the first charter in their sample to use Arabic for a space of forty years, but I’m afraid I have no tighter reference than that. When their website’s finished, though, we’ll all be able to find it from that I hope!

6. That thesis was, for the record, Francesca Petrizzo, “Band of Brothers: Kin Dynamics of the Hautevilles and Other Normans in Southern Italy and Syria, c. 1030-c. 1140” (Ph.D. thesis, University of Leeds, Leeds, 2018), online here.

7. Again, I don’t have a detailed reference here, but one can read Amatus in Amatus of Montecassino, The History of the Normans, trans. Prescott N. Dunbar, rev. Graham A. Loud (Woodbridge 2004).

8. As well as Petrizzo, “Band of Brothers”, see now Francesca Petrizzo, “Wars of our fathers: Hauteville kin networks and the making of Norman Antioch” in Journal of Medieval History Vol. 48 (Abingdon 2022), pp. 1–31.


Dead Vikings in Carlisle

This gallery contains 16 photos.

Sorry for the absence: despite working to contract at the moment, it turns out life fills up blogging time with work for other people sometimes. In order to get something out for the Bank Holiday weekend, however, here is a … Continue reading