Tag Archives: Maria Vrij

Another Gathering of Byzantinists in Birmingham

My reporting backlog now reaches 30th May 2015, which was a very full day in Birmingham occasioned by the 16th Annual Postgraduate Symposium of the Centre of Byzantine, Ottoman and Modern Greek Studies, with the title Fragmentation: the Eastern Mediterranean in Conflict and Cohesion. I have dithered before about whether I report on what is essentially a postgraduate event, but it’s a postgraduate event with a keynote by an established scholar and people come to it from all over the world, so it’s really as high-level as such things get and the people participating in it are all working at their highest level. So, I shall blog it, but as the backlog is so long and time is so short I shall try to be brief and hope it still does the participants due credit. I should stress, though, that looking through my notes for this, the number of times I have said to myself, “Oh! I met so-and-so then?” or even, “Oh? I ran that? I have no memory of this at all” has been much higher than it really should be for anyone of even my advanced age. I was clearly just getting by at this point in my life on not enough sleep, and while things have come back to me as I write this, we are basically reliant on my notes for what I’m reporting, which may be wrong or inadequate. So if you were there, I invite corrections!

The caravanserai of Kesik Köprü

The caravanserai of Kesik Köprü, in the erstwhile Seljuk Sultanate of Konya

We began with the keynote address, which was by Professor Scott Redford and entitled “84 Mongols Walk into a Caravanserai…”. This promising start was occasioned by a document, signed indeed by eighty-four Mongols, mostly local officials of various grades, at the caravanserai of Yüksekligi, to witness the act of one Nur ad-Din ibn Tayā as he established a church. The document is dated to the Year of the Monkey and has a gloss in Mongol. With this example of how cultures were mixing in the thirteenth century in what is now Western Turkey, Professor Redford then picked out a number of other ways in which we can, if we choose, find links between Greek, Turkish and yes, even Mongol cultures of patronage and power in this area. For example, Nur ad-Din had also built a caravanserai at Kesik Köprü, which is still up as you can see above, on the route between Constantinople and the local Sultanate of Konya, and stands near a bridge which went up at about the same time and only fell down in 1990, but contained an inscription set up by the Sultan of Konya when he was actually in rebellion against his masters in Baghdad, and so closer to the Greeks than the Turks in some ways.

The bridge at Kesik Köprü

The bridge at Kesik Köprü, as it has been restored I think

I was personally less convinced by some of the art-historical links which Professor Redford drew, but the widespread use of a symbol called the ‘elibelinde’, seen below, in Constantinople (and indeed more once it became Istanbul), various locations in the Seljuk sultanates and indeed yet another local caravanserai, did speak loudly of a cultural identity that crossed and blurred political boundaries that were in any case more fluid below the top, state, level than we sometimes remember when doing history in outline. So this was good, and full of much better illustrations than I have been able to use here.

A modern piece of weaving featuring a central row of four elibelinde symbols

A modern piece of weaving featuring a central row of four elibelinde symbols

After this we were down into the postgraduate sessions. I had volunteered to chair one of these, so my choice about what to go to was made for me, but in fact this put me into my first ever contact with two future colleagues so unbeknownst to me it worked well. Also, the papers were interesting. They were these:

  • James Hill, “Missing the Opportune Moment: John V Palaiologos and the spectre of union”
  • Nafsika Vassilopolou, “Royal Marriages of the Palaeologi (1258-1453): appraising a political practice”
  • Maroula Perisanidi, “Should We Abstain? Marital Equality in Byzantine Canon Law”
  • All these papers were about one or other sort of union, really. James was looking at the agreement of Emperor John V to re-reunify the Eastern and Western Christian churches, an agreement that in the end collapsed not just because of its deep unpopularity in the eastern Empire (where it doesn’t even seem to have been made public as a plan) but also and perhaps mainly because the popes simply couldn’t deliver the troops that were John’s asking price, despite their best diplomatic efforts with Genoa and Venice. Ms Vassilopolou’s paper made it seem odder that the eastern emperors had such trouble enjoining union of the Churches on their people, because when it came to marrying off princesses there was pretty much no theological objection which they could not overrule: consanguinity, juvenility, differing religions or sects of Christianity… What is less clear is what most of the eighty-eight political marriages the Palaeologan emperors arranged actually got them: alliance, sometimes, especially with the Mongols who seem to have received the most consistently high-status brides, territory sometimes, but it usually cost a lot in terms of land, money and human capital as well, and Ms Vassilopolou thought that the main motivation was to remain on the international stage as a player, not an extra, which as we know in the UK is a strategy that can make you do some very stupid things. Lastly Maroula went looking for gender equality in Byzantine canon law, hoping to find it at the most fundamental point: who got to choose when to abstain from sex? The trouble here is that most of the law deals with churchmen, who by reason of needing to perform holy office weekly and being supposed to abstain before and after were much more often confronted by this question, so that kind of comes pre-gendered. It was quite surprising to me how much thought the Byzantine canonists had put into this question, but I suppose it did keep coming up (if you’ll forgive the phrase). The paper is now out in print, anyway, so you can read it yourself if you like!1

    Tailpiece of a chrysobull of Emperor Alexios III Megas Komnenos of Trebizond to the Dionysiou Monastery on Mount Athos, showing him and his wife Theodora, niece of Emperor John VI Kantakouzenos of Constantinople

    Tailpiece of a chrysobull of Emperor Alexios III Megas Komnenos of Trebizond to the Dionysiou Monastery on Mount Athos, showing him and his wife Theodora, niece of Emperor John VI Kantakouzenos of Constantinople, image public domain via Wikimedia Commons

That took us to lunch, and then after that, the programme tells me, I was dashing back to the Barber Institute to give a coin handling session, “Coins of Byzantium and its Neighbours in the Barber Institute of Fine Arts”. I have literally no memory of this, although I remember correspondence about it, but it’s in the programme and I have a handout from it in my notes, so I guess it happened! I was apparently basically showcasing the Byzantine collection, from beginning to end, or at least, as close to the end as I thought we could get, a solidus of Constantine I to a half-stavraton of John VIII. (I later discovered two coins of Constantine XI in the collection which the Curator for whom I was standing in had acquired but never accessioned; they are there, if you want to see them.)

Silver half-hyperperon of Emperor John VIII struck at Constantinople in 1423-1448, Barber Institute of Fine Arts B6492

Silver half-hyperperon of Emperor John VIII struck at Constantinople in 1423-1448, Barber Institute of Fine Arts B6492

The route between the two took us via Justinian I’s reforms, Heraclius’s mighty beard, the strange mixture that is Arab-Byzantine money, Komnenian concavity and the various daughter coinages of Byzantium; I picked Trebizond, Venice and Hisn Kayfa, all of which tells you that I was finally beginning to get my head round what this collection had to offer and what, had circumstances been otherwise, I might have done with it. But with the alternative path laid out before me already, it was still really nice to be able to show off some of its shiny and curious components. Then, it was back up the road to where the papers were.

  • Yannis Stamos, “Kazantzakis’s Representations of the Greek Civil War: the divided vision of socio-political fragmentation”
  • Mike Saxby, “Arms in Exile: an analysis of military iconography on coins of the Byzantine successor states”
  • Carl Dixon, “From Armenia to Bulgaria? The Transmission of Heterodoxy in Peter of Sicily’s History of the Paulicians
  • The first of these was the only paper on the programme representing the Centre’s Modern Greek component, a study of two novels by the 1940s Cretan writer Niko Kazantzakis, Christ Recrucified and The Fratricides, arguing, I think, that Kazantzakis was trying to find an ethic that might heal his riven country in the form of a grass-roots socialism well infused with Christian charity, a community religious mutual help ethic; the paper overran and had to be cut short, so what the conclusion was to have been I have no idea. Mike, who was one of the vital sources of institutional memory when I took over at the Barber, went into the messy period after 1204 when Byzantine rulers-in-exile set up in Nicæa, Thessaloniki and Epiros, all of whom struck coin which generally diversified from the fairly standardised Constantinopolitan money of the previous period. Mike noted that although all tried out images of armed rulers and saints to different degrees, Thessaloniki had Saint Demetrius with a sword on more than half of its coin types, which as he said could be down to the six-hundred-year tradition there of the saint as the city’s military protector but could also just be down to the fact that Thessaloniki was most exposed to war, mostly with the Bulgarians who also by now claimed Saint Demetrius as a protecting saint. Several kinds of politics vie for expression in the coins, therefore. Lastly Mr Dixon took us into the history of a disputed text about the dualist Byzantine heretics known as Paulicians.2 The History in question purports to be from the 870s and to be a warning to the Byzantine administration that the group plans to mount a mission to convert, or subvert, the Bulgarians, but this cannot easily be; the situation it foresees had in part come about by the eleventh century, but the themes of the early tenth century, when the movement seems newly to have been observed, place it in Armenia, and it was only moved to the Balkans by Emperor John I in the late 970s. The text is thus very hard to date, and while Mr Dixon didn’t want to rule out that it was just a forgery given how little knowledge it seems to have about the settlement at Tephrike where it is set, he certainly felt that any evidence that it existed and was being used in the early tenth century, as has tended to be assumed from the text’s own claims, needed reexamination. Discussion suggested a few ways this might be done, but none of them were easy, so it’s quite the mission Mr Dixon had ahead of him.

    Anonymous copper stamenon struck in Thessaloniki around 1320, Barber Institute of Fine Arts B6534

    Anonymous copper stamenon struck in Thessaloniki around 1320, showing St Demetrios with sceptre and shield, Barber Institute of Fine Arts B6534

Then tea and then back into the sessions for the last round of papers, which took me back to the early Middle Ages where, really, my interests are.

  • Anna Kelley, “Rethinking Cotton Use and Cultivation in Late Antique Egypt”
  • Catherine Keane, “More than a Church: the archaeology of the economic reality of Christian structures in the late antique Mediterranean”
  • Maria Vrij, “The Anomaly’s Anomaly: the curious case of gold coin production at Syracuse under Justinian II”
  • Anna laid out for us a peculiar picture of cotton use and cultivation before the seventh century, in which it was far from unknown but for most people hard to get, and found only in certain areas; there was cotton growing on the Red Sea coast in the fourth century, for example, and in the Western Desert over the Nile, but not at points between. The current suggestion of a source seems to be Nubia but even there it’s hard to show cotton being grown for export, rather than just for local use. There’s a network here yet to be pieced together, which is roughly where Anna’s research comes in of course! Ms Keane was at a similarly early stage, and her basic question was about the relocation of economic production in Northern Africa, of oil, wine and so on, out of Roman rural industrialised complexes into cities and then, increasingly, localising out to the then-fairly-new churches. The focus of production seems therefore to be following the focus of public space, which is something that, like cotton, looks like there is more to be found out. although Ms Keane’s paper was full of citations indicating that the process has started.3 Lastly, Maria, my right hand at the Barber at this point and now my replacement there, was asking why, when Emperor Justinian II famously (to readers here at least) put a portrait of Christ on his gold coinage, the mint at Syracuse didn’t follow suit. Syracuse was rarely exactly on the Constantinopolitan model when it came to minting but this seems sufficiently outright a refusal of imperial authority as to need explanation, which might be offered in terms of a Western resistance to images of the divine, and one which was followed after Justinian’s death in all quarters, indeed. The discussion here circled somewhat around who this message might be for, the world of Islam or the coin-using public, and who they might be, all of which, sadly, the coins don’t really tell us.

    Ancient ruins at the modern city of Sidi Jdidi, Tunisia

    Ancient ruins at the modern city of Sidi Jdidi, Tunisia, one of the sites under discussion in Ms Keane’s paper

The final part of the symposium was a closing address by Professor Redford, who somewhat unconventionally started by asking the organisers why they’d picked this theme. With that answered he pointed out gaps and strengths in the programme and its adherence to the theme but reassured everyone that the Centre of Byzantine, Ottoman and Modern Greek Studies was still showing a flag for the value of study clusters like it, and the day closed with pretty much everyone much satisfied by how things had gone.


1. M. Perisanidi, “Should we Abstain? Spousal Equality in Twelfth-century Byzantine Canon Law” in Gender and History Vol. 28 (Oxford 2016), pp. 422–443.

2. Again, memory failure; I own this text, at least in translation… You can find it in Janet Hamilton and Bernard Hamilton (edd./transl.), Christian Dualist Heresies in the Byzantine World, c. 650-c. 1450: selected sources (Manchester 1998), pp. 65-91.

3. For example, Anna Leone, Changing Townscapes in North Africa From Late Antiquity to the Arab Conquest (Bari 2007) and Aïcha Ben-Abed-Ben Khader, Michel Fixot, Michel Bonifay & Sylvestre Roucole, Sidi Jdidi I : La basilique sud, Collection de l’École française de Rome 339 (Rome 2004).

Announcing Buried Treasures

Entrance to the exhibition Buried Treasures: Uncovering Hoards, at the Barber Institute of Fine Arts, University of Birmingham

New state of the entrance to the coin gallery at the Barber Institute of Fine Arts

I no longer work at the Barber Institute of Fine Arts, as keen readers will know, but you could be forgiven for making the mistake given that while I deal with the backlog about half the things on the front page of this here blog are posts about objects at the Barber and that until a few weeks ago they were displaying my work in the form of the exhibition Inheriting Rome, which for reasons I explained a while back has had the benefit of a considerably extended run while the new Interim Curator of Coins, Maria Vrij, got appointed and to work. This, however, she has now done and the results in the form of a new exhibition, Buried Treasures: Uncovering Hoards, is now open and I got to go to a private view.

Two of the display cases and the golden doors of the Coin Study Room in the coin gallery at the Barber Institute of Fine Arts

Two of the display cases and the golden doors of the Coin Study Room

I could, if so minded, at least claim an assist on this as, when it still seemed that I would be setting up the next exhibition after Inheriting Rome, I had the idea of displaying some of the hoards that reside in the Barber in their entirety, of which there are several, one of which I am even working towards publishing. They are all kind of bronze and damaged, however, and it remained an undeveloped idea. Maria, however, who has always known the Barber Collections far better than I got to, was also aware that lots of items in the collection had come from hoards, and that has proved the seed for a rather brilliant exhibition.

Introduction case from the exhibition Buried Treasures: Uncovering Hoards, at the Barber Institute of Fine Arts, University of Birmingham

Introductory case, naming and placing the 1945 Carthage Hoard, the 1954 Tunis Hoard, the 1957 Syria Hoard, ‘Hoard A’ from Syria, the Messina Hoard, the Dorchester Hoard, the Appleford Hoard and the Mardin Hoard, parts of all of which are on display

Using the hoards and their discovery as a platform, Maria has been able to open up in accessible terms many of the questions that lie beneath the practice of burying coins, such as: why do people do it? Are the purposes always the same? (To which, this exhibition makes abundantly clear, the answer is ‘no’.) What sort of coins get buried when? Where do the coins come from? Why were they not recovered? And what can they tell us, about the history of the coinage or about the history of their times?

Coins from the Messina Hoard and a replica of one of the vessels from the Dorchester Hoard against a backdrop of photographs from that hoard's discovery in 1936, in the exhibition Buried Treasures: Uncovering Hoards, at the Barber Institute of Fine Arts, University of Birmingham

Coins from the Messina Hoard and a replica of one of the vessels from the Dorchester Hoard against a backdrop of photographs from that hoard’s discovery in 1936

There are also more specific research outcomes on display here. Maria is of course one of the investigators on the project All That Glitters about which I have written here, and as a result one small part of one case uses our findings from that to talk about metal purity in the Byzantine gold coinage. If you want to know more about that, firstly rest assured that further posts will appear here as I slowly tackle the backlog, but more immediately, this coming Wednesday the 18th May there will be a lunchtime lecture at the Barber with the title, “The Marriage of History and Science: Testing the Purity of Byzantine Gold Coinage” and the speaker will be none other than myself! It’s not really my work I’ll be presenting so much as the group’s, set into a context in which the general public can understand it (or so I hope), but it should be fun, it is free and if you happen to be in Birmingham that lunchtime perhaps you’d like to come along?

Section of display on the concavity of late-Byzantine coins in the exhibiton Buried Treasures: Uncovering Hoards, at the Barber Institute of Fine Arts, University of Birmingham

Section of display on the concavity of late-Byzantine coins in the Syria case

I am, though, almost more pleased with this inset, in as much as without committing itself to any of my theories on the question, this is actually based on my research, which of course I talked out with Maria while I was actually working on it.1 I never thought of displaying the coins in a way that made their fabric this visible, however. As with so many elements of this exhibition, it is not unlike what we did in the coin gallery before (and the designers deserve a huge credit for making it recognisable as well as different) but it is probably better, managing to do more with less and make it more accessible. It runs until 26th February 2017, but go and see it soon! Then you can go again before it closes!

Website banner image created for the exhibition Buried Treasures: Uncovering Hoards, at the Barber Institute of Fine Arts, University of Birmingham

Website banner image created for the exhibition


1. Jonathan Jarrett, “A Problem Of Concavity: The Original Purpose Of The So-Called ‘Scyphate’ Byzantine Coinage”, paper presented at the XV International Numismatic Congress, Università degli Studi di Messina, 21st September 2015, now under review for publication.

Aside

Probably only one person reads my blog so closely as to notice this, but the backlog has actually advanced to the point where the ‘sticky’ posts on the front page that I have been using to hold current events and … Continue reading

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Parting Shots: two Michaels and a Leo

This gallery contains 6 photos.

For once I don’t feel the need to apologise for the lapse in posting here: moving house (including buying a house), starting a new job, learning my way around a new university and city, attending many many meetings, doing the … Continue reading

Gallery

The Empress, her Son, her General and his Heir

This gallery contains 15 photos.

Another day, another upload of Barber Institute coins to the web! This one is only small, 27 coins, and these comprise the coins of the notorious Empress Eirini, with her son Constantine VI (780-797) and then without (797-802), and those … Continue reading

Faith and Fortune is back, in Exeter

Masthead of exhibition Faith and Fortune: visualising the divine in Byzantine and Islamic Coinage, at the Barber Institute of Fine Arts, 8 November 2013 to 30 November 2014

Masthead of exhibition Faith and Fortune: visualising the divine in Byzantine and Islamic Coinage, now on show again, at the Street Gallery, Institute of Arab and Islamic Studies, University of Exeter

If you remember me mentioning Faith and Fortune: visualising the divine on Byzantine and early Islamic coinage, the rather excellent coin exhibition at the Barber Institute of Fine Arts which preceded my current one, and thought it sounded fun but did not in fact manage to go to it, you may be pleased to know that there is now a second chance! By a happy series of coincidences the fine people in charge of the Street Gallery at the Institute of Arab and Islamic Studies at the University of Exeter got to hear about it and decided they would like to host it, and so in April we packed the boards up and sent them down with supporting materials and one of the original curators, Dr Rebecca Darley, in tow to give an introductory lecture. It has been open since 25th May (sorry) and will be until 19th December 2015, so there is plenty of time to go and see it still! I present the exhibition information:

Faith and Fortune is the first exhibition in several years that draws exclusively from the in-house collections of the Barber Institute of Fine Arts. The principal chronological focus of the exhibition spans the years A.D. 300-750 but includes later 13th-century Turkmen material. The exhibition has been the focus of a presentation at the British Museum and has received positive reviews from specialists in medieval history, the Middle East and numismatics. It focuses on these particular themes and the current scholarly and research interest in Late Antiquity. The over-arching theme of the exhibition concentrates on the use of Late Antique coinage as a platform for the promotion of the respective political and religious ideals of the Byzantine, Umayyad and Sasanian Empires. This focus serves as a springboard for the exhibition to explore divergent attitudes among Byzantine, Sasanian and early Islamic societies regarding the representation of divine figures or religious subjects. The exhibition is curated by Rebecca Darley (4th-7th century Byzantine and imitation coinage) and Daniel Reynolds (7th-8th century Arab-Byzantine and early Islamic coinage) and the expertise of the Coin Collections Assistants Maria Vrij (7th-9th century Byzantine coinage and iconography) and Ali Miynat (Turkmen coinage).

Display of the exhibition Faith and Fortune: visualising the divine on Byzantine and early Islamic Coinage, at the Street Gallery, Institute of Arab and Islamic Studies, University of Exeter

The display in situ at the Street Gallery

This image was a bit peculiar to receive, because I’ve been there: two of the conferences I’ve been to at Exeter have been held in the Institute of Arab and Islamic Studies and I clearly remember not being able to afford to buy Richard Hitchcock’s books in that gallery space. Nonetheless, it is a good space for actual displays too! You will observe that there are no display cases, so we were not able to send the actual coins along with the boards; instead they have been replaced with life-size photographic reproductions that get the points across nearly as well. I must also acknowledge the help of Rebecca Darley of the Bilderfahrzeuge Project at the Warburg Institute, University of London, Evelina Kuvykovaite of the University of Warwick and Jane Clark and the team at the Street Gallery for making it all so easy for us collectively to set this up; it was remarkably easy to do, and hopefully worth it for many visitors!

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Images in metal of the alleged image-smashers

This gallery contains 5 photos.

Not everything whose recataloguing I have overseen at the Barber Institute has been Byzantine—I invite those with interests in the Roman period to examine our coins of the reigns of Tiberius I (14-37) and Gaius (37-41) if you like, which … Continue reading