Name in Print XVI

The teaching reading is still swamping me, I’m afraid, what with having so little spare time in which thus to add the unpaid hours that grind my wage for teaching down to well below minimum wage… but, lifting my head briefly from the interesting but unremunerated business of adjunct teaching, what do I find but that the third of my 2014 outputs has now emerged, taking the form of a paper in this rather handsome-looking volume.

Cover of Rory Naismith, Martin Allen & Elina Screen (edd.), Early Medieval Monetary History: studies in memory of Mark Blackburn

Cover of Rory Naismith, Martin Allen & Elina Screen (edd.), Early Medieval Monetary History: studies in memory of Mark Blackburn

When Mark Blackburn told us at the Fitzwilliam in 2009 that his long-running battle with lymphoma was now in its final stages, many plans emerged from the initial shock and sadness. One of them was this, a volume of essays which we knew, even then, short of a miracle he would not live to see but with which the editors, Rory Naismith, Martin Allen and Elina Screen, along with many others all wanted, nonetheless, to express somehow our personal debts and the great debt of the field of early medieval monetary and economic history to Mark’s vast energy, encouragement and scholarship. Now it exists, and while one obviously wishes he could have seen it, it more than fulfils its task: there are essays here by people in the UK, Ireland, Norway, Sweden, Finland, Denmark and France and by people at all stages of their academic careers inside and outside the Academy (because that last is allowed in numismatics), twenty-five essays in all, covering Anglo-Saxon, Anglo-Norman, Viking, Scandinavian, Carolingian, Byzantine and Spanish coinages, and there’s also me.

fsmasbbovo

No, for once I am not just being self-deprecating in my announcement of a publication, I’ve just totted the contents up and I really am the only person in this volume not writing about coins, except in their absence, which is of course my numismatic speciality: instead my paper is about the supposed use of livestock as a currency equivalent in Northern Iberia in the early Middle Ages. I will admit that coins do get mentioned, but only to emphasise their absence. Still, this was a subject I came across during working on Medieval European Coinage 6 for Mark, I ranted about it in his office to his amusement and I think it would have amused him further to see it in print. I’m really pleased to be in this volume. I’ve only got two things forthcoming now, I need to pile more stuff into the queue! Happily there is an article in final revision on my active pile right now

Statistics, for the record: one draft only with two rounds of revisions, that draft submitted November 2012 for a final emergence in print October 2014, just short of two years. This is about average and it was a complex book to assemble considering how various the contributors’ employments and backgrounds are: I’ve changed jobs twice during its preparation and I’m not the only one either!


Full cite: Jonathan Jarrett, “Bovo Soldare: a sacred cow of Spanish economic history re-evaluated” in Rory Naismith, Martin Allen & Elina Screen (edd.), Early Medieval Monetary History: studies in memory of Mark Blackburn (Farnham 2014), pp. 187-204.

Announcing All That Glitters

Starting work at the Barber Institute in August meant learning to work in and outside of office hours again, and I’m still rebalancing my routine. It has also meant an even longer to-do list, not least since I am also still doing some teaching for History at Birmingham on my spare day. There are long and difficult jobs connected with the electronic catalogue of the coins and the numismatic library, as well as more immediate ones connected with the next exhibition. But it has also meant a bunch of exciting new research projects! In some ways this should have been expected, and indeed I came into the job with one particular problem I wanted to use the coin collection to address, which I’ll tell you about when I’m slightly further along. But in the meantime, we are about to start something quite big and I wanted to announce it. The project name is “All that Glitters: the Byzantine solidus 307-1092″, and it aims to carry out non-destructive scientific testing of the metal composition of the Byzantine gold coinage over that period, up to 300 coins in all depending on results.

A gold solidus of Emperor Anastasius (491-518) struck in Constantinople, Barber Institute of Fine Arts B0031

A gold solidus of Emperor Anastasius (491-518) struck in Constantinople, Barber Institute of Fine Arts B0031

The reason this has got so ambitious is that word ‘we’, because this is essentially the brainchild of Rebecca Darley, one of the curators of the current coin exhibition at the Barber as you may remember and now part of the Bilderfahrzeuge project based at the Warburg Institute in London. Rebecca is an energising collaborator who does not think small and has thus gathered me, as the man with the coins and the wider medieval background, and Robert Bracey of the British Museum, as a man with an X-ray flourescence spectrometer and experience using it on the money of ancient empires, into a suddenly-active attempt involving Birmingham University’s School of Chemistry and Bruker Industries Ltd., who make XRF machinery among many other things, to deepen the basis of Byzantine monetary history (and with that, it’s probably not too much to say, the monetary history of the early Middle Ages as a whole). Here is our synopsis, with some edits for context:

“The Byzantine Empire, which evolved from the eastern Roman Empire, issued coinage continuously for more than a thousand years. The gold solidus, a coin of 4·5 g and a notional 95-97% purity, was the backbone of this system from the reign of Emperor Constantine I (306-37) to the eleventh century, though it was debased steadily from the tenth century until its replacement in a coinage reform in 1092. Before that time, the reputation of the solidus was near-legendary and it has remained so in scholarship.” In fact, however, we have limited evidence as to the precise purity or composition of the early coinage prior to debasement.
Earlier metallurgical studies of Byzantine gold coinages concentrated mainly on the later period, and used the most sophisticated equipment available in the 1980s and 1990s. Recent developments in X-Ray Flourescence technology, in which Bruker Industries Ltd. have been at the forefront, now make it possible to evaluate non-destructively the composition of metal alloys with far greater sensitivity to a range of trace elements, and the ability to quantify very small changes in the proportions of different metals in an alloy and in detecting and identifying even minute quantities of trace elements. “These newly developed techniques have not, however, been applied to Byzantine gold coinage and the time is therefore ripe for a project which could not only offer new data on the Byzantine monetary economy but also explore the possibilities of XRF testing, and set standards of analysis for other currencies and precious-metal objects.
“The Barber Institute of Fine Arts contains the most important collection of Byzantine coins in Europe and its greatest strength is in the coinage of the sixth to eighth centuries. It is currently unpublished, though cataloguing is in progress, and it has never been subject to any metallurgic analysis. It therefore offers an entirely new source of data for a detailed examination of the gold coinage that underpinned the Byzantine economy. In light of increasing recognition by historians that the numerous crises experienced by the Empire were survived only because of the sophistication and resilience of the imperial monetary and taxation system (Haldon, 1990; Wickham, 2005; Brubaker and Haldon, 2011), this study has immediate relevance not just to the Middle Ages but also to wider questions about the impact of monetary stability on political balance.”

You see that we have plans, and as of last week, we now have permission from the Henry Barber Trust, who own the collections of the Barber Institute, to carry on and do Science! with their coins. At this point we’re still in meetings-and-planning stages but before the end of the year we will in fact be zapping solidi with X-rays and trying to get money from people to do so on a rather larger scale. We should be presenting preliminary results from the first phase of work as early as January. It’s all moving rather fast! Anyway. One of our pledges is to keep the world updated via our various blogs, but I rather thought you might be interested anyway. Now, when those results come in, you’ll have some idea of what they might lead to…


The references above decode as John Haldon, Byzantium in the Seventh Century (Cambridge 1990); Chris Wickham, Framing the Early Middle Ages: Europe and the Mediterranean 400-800 (Oxford 2005); and Leslie Brubaker & John Haldon, Byzantium in the Iconoclast Era c. 680-850: a history (Cambridge 2011). To those I should add the essential starting point for the scientific study of Byzantine coinage till now, Cécile Morrisson, C. Brenot, J. N. Barrandon, J. P. Callu, J. Poirier & R. Halleux, L’or monnayé I : Purification et altérations de Rome à Byzance (Paris 1985).

Name in Print XV

Cover of Antonella Ambrosio, Sébastien Barret & Georg Vogeler (edd.), Digital Diplomatics 2011: the computer as a tool for the diplomatist?

Cover of Antonella Ambrosio, Sébastien Barret & Georg Vogeler (edd.), Digital Diplomatics 2011: the computer as a tool for the diplomatist?

Second of the 2014 outputs now! In 2011, as you may remember, I went to a conference in Naples about digital study of charter material. It’s been a long time coming but the proceedings of that conference are now published, in the Beihefte of the Archiv für Diplomatik, and my paper is in there, the last in the volume indeed. It’s called “Poor Tools to Think With: the human space in digital diplomatics” and it’s about database techniques that try not to over-determine structure. Let me put that another way by exemplifying with a paragraph. Taking a data search from the Casserres material as an example, I write:

“I think that, where I have been prepared to deduce here, the deductions are all reasonable, but of course they are not certain. This is not a failing of the database, however; it is an accurate result. There is not enough information to make those judgements, and the data returned from the query accurately reflects that. This design is set up to require the human user to make the final decision, or not. This subset is small enough that I can, even without a computer, establish accurately that we cannot tell which of these [homonymous people] are the same on a logical basis, and I ought not, therefore, to entertain data schemas that would make me do so. We do not, in fact, have to make technical solutions for these problems, because the historian can do as much with the information presented this way as he or she can with it anchored to look-up tables and so on.”

This is coming out of the problem of building a structured database whose purpose is to allow one to identify people without having to identify them to build the database. If this sounds like a problem you too have faced, or expect to, I may have something to say to you! It’s probably as close to a publication of ‘my’ database method as there will be, and on a first read-through possibly actually free of typos, which I have never before managed. I humbly put it before you all.

Grim statistics: this was written in September 2011, revised and submitted in November 2011 and revised after editor’s comments in March 2012 and then again in April 2013. Proofs arrived in December 2013 and it’s taken 9 months to come to press, not what I expect from the Archiv which, last time I dealt with it, went through the whole submission process in that time. From first submission to press would thus be 2 years 11 months, rather below even my long average. But, fortunately indeed for a technical paper, my methods are so low-tech that they remain useful I think…


Full citation: J. Jarrett, “Poor tools to think with. The human space in digital diplomatics” in Antonella Ambrosio, Sébastien Barret & Georg Vogeler (edd.), Digital Diplomatics 2011: the computer as a tool for the diplomatist?, Archiv für Diplomatik Beihefte 14 (Köln 2014), pp. 291-302.

Name in Lights X

Cover of Josep María Salrach's Justícia i poder en Catalunya abans de l'any mil (Vic 2013)

Cover of Josep María Salrach’s Justícia i poder en Catalunya abans de l’any mil (Vic 2013)

The 2014 outputs have begun to appear at last! Though thankfully this is already not the last of them, it is the first, a review by me of Josep María Salrach’s new book as you see above for The Medieval Review; it is online here. The final version of this went off at the end of June, it was up some time earlier this month, not too bad; sometimes online publishing actually does live up to its promise for quick delivery. The book, by the way, is rather good, but if you want to know why I think so, well, read the review, it’s open-access… Some of the points I make there in a sentence or so will turn up here as worked-up blog posts in due course. Stay tuned also, however, for more publications news!


Full citation: J. Jarrett, review of Josep María Salrach, Justícia i poder en Catalunya abans de l’any mil (Vic 2013) in The Medieval Review 14.09.16, online at http://hdl.handle.net/2022/18731, last modified 15 September 2014 as of 27 September 2014.

Back where the money is

Some of you may have been wondering, if you knew how temporary my lecturing rôle at Birmingham was, what has happened to me since it ran down by way of employment, and now that I have some pictures to go with the announcement it’s time to answer that silent question. Since August 2014, I have been and will for the next little while be the Interim Curator of Coins at the Barber Institute of Fine Arts.

The Barber Institute of Fine Arts, University of Birmingham

My new place of employ, really pretty much next to the old one


Two of the cases of the Faith and Fortune exhibition currently on inthe coingallery of the Barber Institute of Fine Arts

Two of the cases of the Faith and Fortune exhibition, and a really big map, all down to Rebecca Darley and Daniel Reynolds with help from Maria Vrij and Ali Miynat

The Barber is to the University of Birmingham roughly as the Fitzwilliam Museum is to that of Cambridge, which is to say, a university museum blessed with an excellent fine art collection that has also been lucky enough to acquire a world-class coin collection. The Barber’s strengths are especially in Byzantine coinage, where they have—we have—probably the best collection in Europe, but because of staff leave and other factors this has been essentially inaccessible for the last couple of years, except in connection with the Faith and Fortune exhibition I’ve mentioned and in charge of which I now more or less am, but for which I can of course take absolutely no credit.

Library shelving in the Coin Study Room of the Barber Institute of Fine Arts, Birmingham

Shelves of the Coin Study Room, library currently undergoing audit and reorganisation

Anyway, part of my job is exactly to end that inaccessibility, and there’s plenty of people already wanting to come and do either research or teaching with it, which is great. Where my actual expertise comes in, however, is that much of this collection is catalogued but not to database-compatible standards, those catalogues are not on the web and almost none of it is published, so there is a lot to do to get it where its contents are as well-known as they deserve to be and can be searched and studied from outside. But, these are things in which I have past form, so I and a slowly-growing roster of willing volunteers will get something done on that; watch this space. Right now, to do much work on the coins will mean watching this space:

Doors of the Coin Study Room in the Barber Institute of Fine Arts, seen from inside with one of the coin vaults open and a tray out

Coin trays open and doors to coin room firmly shut. Security, you understand. But the real question is probably, which contains more gold? And actually we have plans to get data on the coins at least…

… but this is going to change. There are also some exciting research questions I’m looking forward to getting at with this collection. About those you’ll doubtless hear more as they develop but while a number of them are substantially other people’s ideas (not least Rebecca’s and Daniel’s, collaborators whom one could not hope to better) with which I’m able to help, some are my own fascinations which I had never previously thought of exploring. Stay tuned and I will tell you more! And for now, this is where I am and what I’m doing.

Seminar CLIV: continuing to work out the Staffordshire Hoard

There seems to be little question that being in Birmingham has put me in a place where I can reach a much wider range of medievalist activity than my previous employments allowed, and by way of proof of this, on 13th May of this same year I was at the University of Leicester hearing Chris Fern give us the latest news on a certain famous find under the title of “The Staffordshire Hoard: the current state of knowledge”. Not many people would be better placed to, since Dr Fern (of whom we have heard here before) was then producing the object catalogue, meaning that he had perhaps a better view than anyone else of what the whole assemblage was like (at least, until they had got it all onto one table two months previously). For me, there were three particular areas where this lecture told me something new, and those were the silver items, the links between items, and the problem of parallelling any of the stuff, so that’s how I’ll divide the post.

Fragments of silver foil from the Staffordshire Hoard during conservation at Birmingham Museums and Art Gallery

Fragments of silver foil during conservation at Birmingham Museums and Art Gallery

When the Hoard first came to light, one of the questions I quickly developed was “what is the silver stuff?” The news was always clear that that there was about three kilos of gold and one and a half of silver but it seemed that the gold was all we saw. This turned out to be not least because the silver was in much smaller parts than the gold, and thus harder to separate from the mud, but also because both those factors made it much harder to identify. In fact, it turns out very largely to be bits of 12 friezes that might all be from a single helmet, and the difficulty in working that out will be clearer if I say that amounts to more than 700 fragments. This is not actually a job I would want, I have to admit…

A silver strip from the Staffordshire Hoard in the process of reassembly by Rachel Altpeter at Birmingham Museums and Art Gallery

A silver strip in the process of reassembly by Rachel Altpeter at Birmingham Museums and Art Gallery

However, the Hoard team had been doing this, and not just with the silver. Of the total of circa 3,800 fragments they could at this point join up more than 600, not a lot but enough to show patterns. For example, they had 41 pairs of hilt collars to go at the top and bottom of sword grips, but a total of 85 pommels for those swords, as well as enough hilt-plates to allow for 4 each per sword, and much of this groups into two basic styles albeit with great and ingenious variations, one being gold, garnets and cloisonée glass and the other, later, involving much more filigree work and fewer gems or glass bits. On the other hand there are also some odd things that won’t group, the crosses and the wire serpents for example but also the three sword-rings that seem to have been casts, meant to look like really old Scandinavian swords but not actually being made the same way.

A close-up of a hilt collar with fine filigree work from the Staffordshire Hoard

A close-up of a hilt collar with fine filigree work, and when I say fine, I mean, the wires are less than a millemetre thick each!

This, along with the fact that we don’t know and probably can’t know who it was that stripped all this stuff violently off the objects it had once adorned, who it was who gathered it together and then who it was who buried it, and whether any of these people were the same or around at the same time, makes dating the Hoard qua hoard very difficult still. (One interesting point that only makes that more complex is that apparently though many of the fragments show signs of wear, this is typically at the extremities, not the parts that were handled, suggesting that these splendid weapons were perhaps worn more than drawn. This opens up the possibility that they might have been kept for a long time, and be heirlooms whose antique look was important in an age where normal weapons would have looked different.) We have a lot of stuff here that Dr Fern thought was best paralleled from East Anglia, which is something that happens a lot because basically our biggest single source of early Anglo-Saxon art parallels is the assemblage from the Sutton Hoo ship burial, and that was so varied and so is this that parallels are to be expected, but there are a lot; on the other hand some of the material, especially the older-looking stuff and the silver, is more Scandinavian and at the other end of the period range Dr Fern suggested that some of the material, which is best paralleled from the Scottish site of Mote of Mark, might indicate British workmanship under Northumbrian influence and by that point, really, anything is possible except that there will be an easy explanation. So there is still a lot to do, but in some ways it seems that the range of things we can actually hope to resolve is closing down, and the parts of the Hoard that are destined to remain enigmas are, paradoxically, becoming more clearly obscure as our knowledge of it increases.


Presumably a full publication of the Hoard is now relatively close but until that time, apart from the project website from which I have linked almost all my pictures in this post, the basic starting point is Kevin Leahy & Roger Bland, The Staffordshire Hoard (London 2009), which was quite limited in what it could then say. For the other two sites I’ve mentioned there’s a wealth of material on the Sutton Hoo ship burial but the easiest way in is perhaps now Gareth Williams, Treasures from Sutton Hoo (London 2011), in the same series. Then lastly there’s Lloyd Laing & David Longley, The Mote of Mark: a Dark Age hillfort in South-West Scotland (Oxford 2006).

Quick! To the palace!

Sometimes I have big learned-looking points I want to make on this blog, and then at other times I just want to jump and down and tell you about something fascinating I’ve found. This is one of those latter times, a document I encountered in the Catalunya Carolíngia most of whose details I never seem to have noticed before, even though it’s very unusual. It also supports the point I’ve felt towards before about the different ways of running the county of Barcelona that Count-Marquis Ramon Borrell thereof (992-1018) was already developing as he picked up bits of its rule during the lifetime of his father Borrell II (945-993), but mainly it’s one of those cases where the regular form of the documents is stretched to fit something quite unusual and one is left wondering what on earth they were trying to accomplish and how odd it was or wasn’t.

The Santuari del Mare de Déu d'Espona de Saderra

Espona de Saderra, probably not involved in today’s documentary excitement but as close as I can get copyright-free

We are in the year 996 here and the protagonist is one Gombau. He had come to a deal with a priest called Donadéu and was selling him some stuff.1 The transaction related to an estate in the Vall de Saderra, but the first complication is the nature of what they were actually transacting over, which is best set out in their own terms:

“By this scripture of my sale I sell to you in your and your heirs’ alod, that was your grandfather’s Asner’s and your father’s Galí’s, my selfsame census such as I have there that my lord Ramon, Count and Marquis, sold me, such census as you and your heirs were accustomed to answer for thence and it came to me by my purchase from my above-written lord…”

Census, in the terms of this period, is really any kind of rent or levy taken by a lord from the owner of a property over which he or she is lord, but here I think we are dealing with something that we could respectably call tax, a revenue belonging to the public official personified by the count, and it was for sale. Now, this is not quite new, you may be thinking if you really follow along here: didn’t we, after all, have a few complicated arrangements with two-way sales that effectively bestowed the tax revenue on the landholder? And yes, we did, but there are two differences here: firstly, here they were just straight out selling the revenue (for a ‘best charger’) and secondly the count had previously disposed of it, in a document we don’t have, to someone other than the landholders, which is how come Gombau had it to sell it on to them. The last time I looked at this I observed that, circa 990 at least, the counts of Barcelona could not or would not simply sell tax revenue, but had to come up with elaborate ways round it; a mere six years later we see that there was no longer such a problem with it, which means that it was probably very new.

So all of that is interesting to me, and teeters dangerously close to what we could carelessly call ‘feudalism’.2 But digging deeper we discover that actually it is even more like feudalism, because having sorted out the price Gombau made further specifications and they look very much like someone borrowing ideas:

On this account I thus hand into your power the aforesaid census for your own so that from this same day in future neither you nor any of your successors shall answer any more for any census thence to any count, nor to any vicar, nor to any man, unless your heirs so much to you. And let this above-written alod thus be free without any impediment and without any disturbance, but so much on account of the great attentiveness which I shall make to you and of the benevolence and honour and governance of the above-written alod I shall thus have patrocinium over you, I and one son of mine without any ill intent.

This is a very funny definition of ‘freedom’ that’s developing here, isn’t it? The priest Donadéu was already holding an alod, but while this has been understood as land free of lordship the difference between it not being free of lordship and a private person taking the tax revenue might be hard to spot.3 It was enough to be worth a good warhorse, apparently, but the ongoing cost was that Gombau, giving up that direct and quantifiable form of dominance, picked up a much vaguer but more subjecting one, the old Roman idea of patrocinium, a word I’ve seen in no other Catalan charter. Later documents like this, in so far as there are any like this, would just use the word dominatio, but we can see that they were here feeling out something for which they didn’t have words, because the bits that I’ve put into bold here are all coming from outside the sale formulae: the first bit is riffing off Carolingian royal immunities, by which public officials were excluded from a given territory, and the final clause is coming out of the vernacular, or at least would in later documents such as those we’ve seen here before be reflected in the vernacular, “sin engany” for what is here in Latin, “sine malo ingenio”.4 They didn’t have the formulae ready for what they were doing here, which is essentially a very early homage arrangement.

A homage ceremony illustrated in the Catalan Liber Feudorum Maior

Time therefore for the obligatory picture of an act of homage from the Liber Feudorum Maior, which for all that it was a twelfth-century compilation does contain documents from this far back. From Wikimedia Commons.

So what was going on here is at some level a delegation or even a privatisation of public authority, but at another level this is immensely personal. The last time I looked at these concessions, when they were still fiddly, I suggested that the claim to census might itself be fairly new, irregularly enforced and brought out mainly, as I then put it, as kind of “a protection racket, in which the counts picked somebody whose tax liability they were willing to enforce in order to bind them closer into the structure of personal obligations created by these kinds of deals.” By the 1050s, as we’ve seen, those kind of personal obligations were most of how power was being constructed in these areas, in a hierarchy much like the supposed feudal pyramid except far less tidy.5 Here, in 996, we see it already happening, but within the old structures of power that gave the scribe the words he used, words whose use suggests this was new.

What made this worth wording carefully, however, was presumably a lurking sense that in some way this was public revenue. I say this not just because of the repeated invocation of the count, but because of the detail that was actually the first one I noticed when I read this document during my Ph. D. (and clearly subsequently forgot), which is the signature clause by the scribe: he explains himself as he, “who wrote this sale in the See of Vic, and it was confirmed in Barcelona, in the selfsame palace of Count Ramon, in the street, by the order of the above-written Gombau”.

The erstwhile comital palace of Barcelona

The erstwhile comital palace of Barcelona, fourteenth-century as it stands but with one or two tenth- and eleventh-century bits in it… It’s in that courtyard, even though it wasn’t then there, that I imagine this scenario happening. “Plaça del Rei 2074102277” by Carquinyol from Badalona, Catalunya, upload by HerrickBarcelona – Plaça del Rei. Licensed under CC BY-SA 2.0 via Wikimedia Commons.

When I first saw this I was mainly interested in the palace, because it was then the earliest mention of it of which I knew (though as you have seen here there is one text that makes it clear that Borrell also had a palace, presumably the same one). But it’s weirder than just that, isn’t it? Gombau didn’t get this deal confirmed in the palace, but outside it, in the street, “in platea”. Neither did the count witness it, though a judge did and he only one of seven clerics who make up the witness list, including Gombau’s brother. Again, there is for me the sense here that there wasn’t a procedure for this, that this was not a common or perhaps entirely legitimate operation, and it needed a kind of public sanction that brought it to the centre of comital government, rather than the solemnity of Vic cathedral, but then didn’t actually involve that governor but a raft of clerics instead.

There are plenty of questions that arise: did all these sales of tax revenue involve the kind of recognition of patronage that Gombau here got made explicit, but which a count might not need to have because of already having it? Is the reason this arrangement was so undefined and fudged from bits precisely that everyone was clear that this was in some sense acting like the count, and therefore conscious that public power had a particular sphere still that private persons shouldn’t really have? Or is it instead more important that the count himself had disposed of these rights to Gombau in the first place (and that Borrell, evidently, had not)? Without being able to work out more of what was actually happening here (and why Vic cathedral wound up with the charter) I can’t answer these questions, but I ask them feverishly anyway, believe me I do.


1. The document survives in the original and is printed in Eduard Junyent i Subirà; (ed.), Diplomatari de la Catedral de Vic (segles IX-X), ed. Ramon Ordeig i Mata (Vic 1980-1996), 5 fascs, doc. no. 594, where I first met it without apparently reading it properly, and in Ordeig (ed.), Catalunya Carolíngia IV: els comtats d’Osona i Manresa, Memòries de la Secció històrico-arqueològica 53 (Barcelona 1999), 3 vols, doc. no. 1712, where I apparently still had to read it three times before noticcing all of the things mentioned here. Given that and the weight I place on words here it seems worth giving a text myself:
“In Dei nomine. Ego Gondebaldus vinditor sum tibi Donadeo presbitero, emptore. Per hanc scriptura vindicionis mee vindo tibi in ipsum tuum alode et de eredes, qui fuit de Asenario avio tuo et de Galindone patre tuo, ipsum meum censum qualem ibidem abeo que mihi vendidit senior meus Raimundus comes et marchio, talem censum qual tu et eres tui exinde solvere solebas et advenit mihi per mea empcione de suprascripto seniori meo, et est hec omnia in comitatu Ossona, in kastrum Torilione, in valle Sedero vel in eius termines. Qui afrontat hec omnia: de orientis in ipsa Guardia, et de meridie in ipso pugo ultra flumine Tecer que dicunt Cergoso, et de occiduo in ipso grado de Seder, et de circii in ipsa gugularia de Boscatello. Quantum in istas afrontaciones includunt sic vindo tibi suprascriptum censum ab integrum, qualem senior meus suprascriptus comes ibi abuit et mihi vendidit, totum vindo tibi ab integre propter tuum kavallum obtimum, quod tu mihi donasti in precio et mihi placuit et manibus meis recepii, et est manifestum. Propetera sic trado in tua potestate suprascriptum censum ad tuum proprium ut de isto die in antea neque tu neque ullus de succesoribus tuis iam amplius exinde nullum censum persolvatis ad nullum comitem, neque ad ullum vicarium, neque ad ullum ominem, nisi tantum eredes tuis ad te. Et sic fiat liber suprascriptus alodes sine ullo inpedimento et sine ulla inquietudine, set tantum propter magnam diligenciam quod ego faciam ad te et bonitatem et onorem et gubernacionem de suprascripto alode sic abeam super te patrocinium ego et unus filius meus sine malo ingenio. Quod si ego Gondebaldus qui recepit de te Donadeo presbitero suprascripto precio aut filius meus qui de te aut successores tuos de suprascripto censo aliquid inquietaverit, non hoc vale vindicare set componat tibi omnem suprascriptum alode in duplo cum sua melioracione, et in antea ista scriptura vindicione firma permaneat modo vel omnique tempore.
“Facta ista scriptura vindicione XVIII kalendas februarii, anno VIII regnante Ugo rege.
“Sig+num Gondebaldo, qui ista vindicione fecit et firmavi et firmare rogavi. Dacho sacer et iudex sub SSS. S+ Sentelle presbiter. S+ Holiba levita SSS. S+ Agigane sacer. Erigane sacer de Terraca. Sentelle presbiter de Barchonina. Oliba levita, frater Gondebaldo.
“Francus sacer, qui ista vindicione scripsit in sede Vico et fuit firma in Barchinona, in ipso palacio de Raimundo comite, in platea, per iussione de suprascripto Gondebaldo, et sub SSS. die et anno quod supra.”

The bold bits are autograph signatures.

2. At this point I cite Susan Renyolds, Fiefs and Vassals: the medieval evidence reinterpreted (Oxford 1994), and duly note that what we have here includes neither a fief nor a vassal and that probably I should find a better word, if only anyone would recognise by it what I meant any more readily.

3. See Gaspar Feliu, “La pagesia catalana abans de la feudalització” in Anuario de Estudios Medievales Vol. 26 (Barcelona 1994), pp. 19-41, for a powerful argument that alodial property was never free in the way that historians of the period have often imagined.

4. On these documents see of course Adam J. Kosto, Making Agreements in Medieval Catalonia: power, order and the written word, 1000-1200, Cambridge Studies in Medieval Life and Thought 4th Series 51 (Cambridge 2001).

5. Ibid. but also Pierre Bonnassie, “Les conventions féodales dans la Catalogne du XIe siècle” in Annales du Midi Vol. 80 (Toulouse 1968), pp. 529-550, repr. in Structures sociales de l’Aquitaine, du Languedoc et de l’Espagne au premier âge f&eacuute;odal : Colloque International de Toulouse, Mars 1968 (Paris 1969), pp. 187-219, transl. Jean Birrell as “Feudal Conventions in Eleventh-Century Catalonia” in Bonnassie, From Slavery to Feudalism in South-Western Europe, transl. J. Birrell (Cambridge 1991), pp. 170-194, for the case before, and Michel Zimmermann, “Aux origines de Catalogne féodale : les serments non datés du règne de Ramon Berenguer Ier” in Jaume Portella i Comas (ed.), La Formació i expansió del feudalisme català : actes del col·loqui organitzat pel Col·legi Universitari de Girona (8-11 de gener de 1985). Homenatge a Santiago Sobrequés i Vidal, Estudi General 5-6 (Girona 1986), pp. 109-151, with English summary p. 557, French online here, for important nuance.

Seminar CLIII: working on and out the North Italian landscape

It’s seminar report time again, and this time it was back down to London for the Earlier Middle Ages Seminar at the Institute of Historical Research where, on 7th May 2014, Professor Ross Balzaretti was presenting with the title, “Early Medieval Charters and Landscapes: Genoa and Milan compared“. This is of course meat and drink to me as if there’s anywhere that has nearly as many charters left from the early Middle Ages as does Catalonia it’s Italy and the Mediterranean climate and mountainous landscapes the areas share made a lot of what Ross was saying seem comfortingly familiar.1 Insofar as Ross was out to make converts, therefore, he was not preaching to me, but I can at least join in with the hymns.

Terraces at at Corniglia

A Ligurian landscape of the sort that Ross has written about, this one being terraces at at Corniglia, man-made and nature overlaid and intercutting

The basic contention of the paper was that we can use charters as sources for landscape use and economic activity in a north Italian context, which is just as well as we don’t have a lot else left with which to do it given how intensely those landscapes have mostly been worked since the Middle Ages.2 The argument against such use of charter evidence has usually been that the documents are so formulaic that their detail can’t be trusted, to which the counter is that they vary a very great deal, and Ross was able by his comparison to show that the formulae, if that’s what they are, vary so much between Milan and Genoa that even if they’re formulae they must reflect considerable local differences in what formulae apply, so that in fact the level of choice would have to be such that it’s simpler to assume that what is making the variation is the actual landscapes concerned.3

Olive-groves at Castello Rosso, near Genoa

Olive-groves at Castello Rosso, near Genoa

As to that variation, it is quite marked. Genoese charters make much more of trees and Milanese ones more of fields for cereals. Both were producing in a specialised fashion, implying a market presumably dominated by the big towns whose hinterlands we were hearing about, but in Genoa the specialist product was olive oil and Milan it was much less focused (though that may be not least that at this point Milan was rather bigger). But the specialisation was also partly geographic: there are more mentions of terracing around Genoa not just because the charter scribess round there liked that formula but because the land requires it, being much more sloped than around Milan. Around Genoa the work to make the land yield food is very evident in terms of work contracted or expected and boundaries revealing it already done. Milan looks more domestic, as if less co-dependence was necessary to make a living here. And so on.

Parco Agricolo di Milano

There is now an agricultural park outside Milan, apparently, which lets me show you the other kind of landscape in play here as well

All of this rang very familiar with me because of the similar, if lesser, variations I’d been seeing between the lands owned by San Salvatore di Brescia in the Santa Giulia polyptych, so much discussed a little while ago. Here as there, of course, another way to see the variation is as between people, making different decisions about how to make their living, and charters do have that advantage that the polyptych does not, that you can usually put names to these individuals. But that doesn’t mean at all that I thought Ross’s focus on the landscape was misplaced; the countryside these people worked was the silent partner in all their actions, and the charters let you get at something of that too.

Settling the sins of your father: when counts lost in court

Work pressure continues to damage my great resolve to reduce backlog here, but here is a thought I first had in June of this year when dealing with Josep María Salrach’s Justícia i poder (it was a very fruitful read for me), that perhaps addresses that question of why we sometimes see the counts of Barcelona of the tenth century lose court cases in documents that they then preserved, which we lately debated, and which has just come up again in the work I am just about managing to do.1

Cover of Josep María Salrach's Justícia i poder en Catalunya abans de l'any mil (Vic 2013)

Cover of Josep María Salrach’s Justícia i poder en Catalunya abans de l’any mil (Vic 2013)

You see, of late I have trying to get a decent detailed chronology of the reign of Count-Marquis Borrell II of Barcelona, Girona, Osona and Urgell (945/947-993) worked out. This is something you would think I had but apparently not quite enough; some interesting things are occurring to me just by realising that, oh, those two things happen sequentially, and so forth. But it has also reminded me of the details of two things that happened when he died: firstly, a number of people made bequests or donations for his soul, usually of lands or properties that they had originally got from him.2 Then, after a while, we start to hear about the opposite, people who lost land or property to him. The first of these is Bishop Sal·la of Urgell, in a curious case I discussed here long long ago, but after a few years more follow, indicating that Borrell was not always scrupulous about how he obtained property that he felt he needed. There are six of these cases all told, where despite land having been given somewhere it wound up back in the count’s hands.3 In three of these cases people had gone to law against Borrell for the properties and their right been admitted but somehow the counts never quite handed it back. Once Borrell was dead, these things could be pursued, although one of these cases comes up in 1021, so it took a long while all to work out.4 I feel this nuances Salrach’s point about the counts needing to lose some cases to make it clear to people that that could happen; losing might not cost them very much given that they were their own enforcement…

The ruins of the castle after which Castellfollit del Boix, location of the property Borrell had grabbed back, is named. By Elmoianes (Own work) [CC-BY-SA-3.0-es], via Wikimedia Commons.

The ruins of the castle after which Castellfollit del Boix, location of the property Borrell had grabbed back, is named. By Elmoianes (Own work) [CC-BY-SA-3.0-es], via Wikimedia Commons.

What interests me is the way that Borrell’s heirs handled these cases, however. This is quite different between his two sons, Ramon who succeeded him in Barcelona, Girona and Osona and Ermengol who did so in Urgell. Ramon Borrell is another of Salrach’s rulers who didn’t mind correcting himself, as we’ve seen, but he was also very happy to correct his father: we’ve seen before the case where Sant Benet de Bages took Ajó, widow of the judge Guifré, Vicar of la Néspola, to court for land that had been given to Sant Benet at its endowment (Sant Benet being a foundation of Ajó’s daddy, which also complicates things). Borrell had grabbed the land back and bestowed it upon Guifré by charter, and though Ajó had that charter Ramon Borrell’s court decided that Sant Benet’s title was better and awarded the land to the monastery.5 Last time I discussed this it was because that didn’t work, and a second hearing let her have it for life under rent to the monastery, but that hearing did not take place before a count.6 Ramon was happy to admit that his father had done wrong. Ermengol was also happy to do this but for a different reason: the two cases of this in his charters both involve fairly substantial payments by the unlucky defendant for their rights: in 1007, for example, Ermengol’s fidelis Sunyer gave him five denarii and a horse so that Ermengol would remit to him an alod in Solsona for part of which Sunyer had already taken Borrell to court and won, for all the good it apparently did him.7 Ermengol, who is also the best-documented recipient of a payment for simony I know, seems mainly to have offered justice at a price. Two years later, indeed, Ermengol made his will and there gave back to Santa Maria d’Urgell the villa of Tuixén which Borrell had bequeathed to the cathedral in his will, so the two brothers obviously learnt different things from their father’s examples…8

The village of Tuixén

The selfsame villa of Tuixént, as it is now spelt. By Jordi Picart (Own work) [CC-BY-SA-3.0 or GFDL], via Wikimedia Commons

What all this makes me think of is the efforts that Charlemagne’s son Louis the Pious, the second Holy Roman Emperor, made to demonstrate that his succession in 814 meant a change of régime: most of Charlemagbne’s courtiers were chased out, all Louis’s sisters put into nunneries and some of his male relatives tonsured too, and (we are told, though it was obviously not wholly true) all of Charlemagne’s charters called in and replaced. There was also a set of judicial enquiries set in train to clear up hanging cases like those we just looked at where justice had not in fact been done.9 One of the Catalan counts in fact did the charter replacement too, or so we are told, and again the survival makes this look unlikely but the fact that it was said is impressive.10 I guess that there was some important political capital to be made when a long-lived ruler died in reaching out to the people who had become his enemies and whom he had excluded from access to central power; by calling Daddy’s decisions into question you could tell those people that the situation was up for renegotiation and hope to bring them on board without necessarily having to go quite as far as did Louis in getting rid of the old guard.

Maquette in the abbey church of Corbie of the abbey church of Corbie (1810)

Mind you, there were worse places to wind up than where two of Louis’s cousins did, the abbey of Corbie, here delightfully represented by a maquette of the modern church as in 1810 inside the modern church as of this century. By Paulparis2010 (Own work) [CC-BY-SA-3.0 or GFDL], via Wikimedia Commons

This model is quite easy to find once you start looking, and I suspect it explains quite a few of Salrach’s cases where the counts let themselves be seen to lose; it was not they who lost, but the grip of their father. And if you think back to the Vallformosa case we discussed a few posts ago and have such trouble explaining, you’ll notice that the same thing is going on there: Borrell was pursuing rights that his father had claimed, exactly thirty years after his father had died when it cannot, legally, have had a chance of working out because of the legal limit on unpursued claims in the local law. Was the point to show that his father’s claims were not always just? I think, in this case, probably not, because Borrell had been willing to outright say as much when it must have counted a good deal more, just after his succession; but the tools he was using could be put to that purpose, and his sons were good learners.11 There is stuff I still have to work out here but I do think that dealing with succession to the successful, and perhaps still more to the unsuccessful (which is arguably more how Borrell was seen, after the sack of Barcelona in 98512) is part of what was going on with these cases of comital defeat.


1. J. M. Salrach, Justícia i poder en Catalunya abans de l’any mil, Referències 55 (Vic 2013), pp. 109-118.

2. For example, Argemir and Major giving land they had from him at Castelltallat to Sant Benet de Bages in 995 (Ramon Ordeig i Mata (ed.), Catalunya Carolíngia IV: els comtats d’Osona i Manresa, Memòries de la Secció històrico-arqueològica LIII (Barcelona 1999), 3 vols, doc. no. 1705, or no less than Count Bernat Tallaferro of Besalú and his wife Tota giving with the church of Santa Maria de Merlès, built on land he got from Borrell, to Santa Maria de Ripoll in 997 (Petrus de Marca, Marca Hispanica sive Limes Hispanicus, hoc est geographica & historica descriptio cataloniae, ruscinonis, & circumiacentium populorum, ed. Étienne Baluze (Paris 1688; repr. Barcelona 1972, 1989), ap. CXLV.

3. In order, Cebrià Baraut (ed.), “Els documents, dels anys 981-1010, de l’Arxiu Capitular de la Seu d’Urgell” in Urgellia: anuari d’estudis hist&orave;rics dels antics comtats de Cerdanya, Urgell i Pallars, d’Andorra i la Vall d’Aran Vol. 3 (Montserrat 1980), pp. 7-166, doc. no. 239; Ordeig, Catalunya Carolíngia IV, doc. nos 1840 & 1864; Baraut, “Documents, dels anys 981-1010″, doc. no. 286; Baraut (ed.), “Diplomatari del monestir de Sant Sadurní de Tavèrnoles (segles IX-XIII)” in Urgellia Vol. 12 (1995), pp. 7-414, doc. no. 35; José Rius Serra (ed.), Cartulario de «Sant Cugat» del Vallés Vol. II (Barcelona 1946), doc. no. 454; Gaspar Feliu & Salrach (edd.), Els Pergamins de l’Arxiu Comtal de Barcelona de Ramon Borrell a Ramon Berenguer I, Diplomataris 18-20 (Barcelona 1999), 3 vols, doc. no. 154.

4. The law cases are Baraut, “Tavèrnoles”, no. 35, Rius, Sant Cugat doc. no. 454 and Feliu & Salrach, Pergamins, doc. no. 154, the last being the 1021 one.

5. Ordeig, Catalunya Carolíngia IV, doc. no. 1840.

6. Ibid. doc. no. 1864.

7. Baraut, “Tavèrnoles”, doc. no. 35.

8. Baraut, “Documents”, doc. no. 300. Even then, Ermengol I still forgot to actually get the bequest carried out and Bishop Ermengol (no relation) had to take Ermengol I’s son Ermengol II (obviously more related) to court for it in Baraut (ed.), “Els documents, dels anys 1010-1035, de l’Arxiu Capitular de la Seu d’Urgell” in Urgellia Vol. 4 (Montserrat 1981), pp. 7-186, doc. no. 528. Nor was that the first time the comital family had grabbed back Tuixén just after it had been given away; I’m not quite sure why they kept letting it go…

9. Recorded in Thegan, Gesta Hludowici imperatoris, ed. E. Tremp in idem (ed.), Thegan, Die Taten Kaiser Ludwigs (Gesta Hludowici imperatoris). Astronomus, Das Leben Kaiser Ludwigs (Vita Hludowici imperatoris), Monumenta Germaniae Historica (Scriptores rerum germanicum in usum scholarum separatim editi) LXIV (Hannover 1995), online here, last modified 8 November 2004 as of 30 May 2008, pp. 167-277 with commentary pp. 1-52, cap. X.

10. Santiago Sobrequés i Vidal, S. Riera i Viader & Manuel Rovira i Solà (edd.), Catalunya Carolíngia V: els comtats de Girona, Besalú, Empúries i Peralada, Memòries de la Secció històrico-arqueològica LXI (Barcelona 2005), ed. Ramon Ordeig i Mata, 2 vols, doc. no. 288.

11. That more extreme case is the appointment of a replacement for his father Sunyer’s nominee as abbess of Sant Joan de Ripoll, recounted in Ordeig, Catalunya Carolíngia IV, doc. no. 645.

12. Gaspar Feliu, La Presa de Barcelona per Almansor: història i mitificació. Discurs de recepció de Gaspar Feliu i Montfort com a membre numerari de la Secció Històrico-Arqueològica, llegit el dia 12 de desembre de 2007 (Barcelona 2007), online here, last modified 15 September 2008 as of 3 November 2008.

Seminar CLII: the modern decline of Charlemagne

My progress through my ridiculous seminar report backlog now picks up in the summer of this year with none other than old acquaintance and collaborator Charles West, who on 6th May 2014 found himself in Birmingham addressing a new seminar of the Institute of German Studies, the Not the First World War Centenary Seminar, which was concentrating on alternative anniversaries to the one that we aren’t allowed to miss this year. Therefore Charles was brought in to address us on the topic, “Charlemagne and the Future of the European Past”. Now, as it happens, of recent years Charles has ventured onto the Internet himself along with a cadre of colleagues from Sheffield who contribute to their History Matters blog, which I recommend, and thus it is that you don’t have to take my word for it what Charles thinks about this issue, because he had already written something about it here. So I’ll be brief here and refer you over there if you want to debate things.

A perfectly-arranged photograph by Andreas Herrmann of the statue of Charlemagne outside the Rathaus in Aachen

A perfectly-arranged photograph by Andreas Herrmann of the statue of Charlemagne outside the Rathaus in Aachen

The short and essential pitch of what Charles had to say is that Europe used to be a lot more fussed about Charlemagne as a figure of importance than it has now become. Whereas he was the point of origin for the Holy Roman Empire and the man whose achievement in bringing a swathe of Occidental territory under one rule both Napoleon and Hitler expressed an intent to beat, and even after the war still the figurehead of various prizes and speeches intended to foster European unity, this has fallen off of late. In this, the 12th centenary of his death, which has sparked a number of exhibitions and celebrations around the Continent, that at Aachen was expecting only a third as many people as attended a similar exhibition at Paderborn in 1999 (and I’ve no idea how many it in fact got).

Poster for the triple exhibition at Aachen, Karlder Grosse: Macht, Kunst, Schätze

Poster for the triple exhibition at Aachen

Charles put this down to two related things: in the first place, the early European Union was surprisingly close in extent to the territories ruled by Charlemagne (including the British Isles obviously attached but clinging to ideas of sovereignty anyway); Spain, Portugal and Greece kind of sneaked in, Scandinavia in general has some explaining to do but the lines east and south were otherwise close, whereas now that we count Eastern Europe in full and the Baltic States and are dithering over Turkey, the old model no longer fits even slightly. This larger Europe also has no collective history together: this group of countries have never been a unit, even Rome never ruled them all, so appeals to our great common history and its unifying figureheads (of whom, after all, there are few enough if that’s your aim) cease to have anything like as much traction. The whole paper thus served as another reminder that whatever we think we’re doing as historians, our work is put to use by people with political agendas that determine why people are interested, and when those agendas don’t need our work they instead put it out to grass. Charles concluded that the best way we can proceed is to tell the story we have and let it find its own audience, but of course we would also usually like it to find financial support and, well, there has ever been the rub…

TRAME: blowing nobody any good

I have been hoarding interesting links during this period of backlog (at least since the last lot) and at some point I will deluge them upon your terminals, but for now there is one in particular I want to talk about. Long-term readers will know that I have a long-orbit bee in my bonnet about funding grants for developing digital resources that already exist. There seems to be no offender here more prolific than the idea that it would be great to establish a unified catalogue of medieval manuscripts on the Internet, despite the fact that there are so many of those that one of the most established of these portals has officially quit keeping up. This was the frame of mind in which I encountered – I no longer remember how – an Italian initiative called TRAME, Text and Manuscript Transmission of the Middle Ages in Europe, and stubbed this post.

Screen capture of the front page of the TRAME site

Screen capture of the front page of their site, click to enlarge (for reasons given below, I’m not linking through)

Inspection reveals that this is not quite the usual deal, in several ways. Firstly, it seems a much more cooperative and consensual a metacatalogue than one of the previous ones, which intended to scrape online content by aggressive querying (not how they put it, but still true) and present it through their own portal; on this one you as manuscript-holding institution have to opt in, and they encourage you so to do. Secondly, it is collecting not actual digitised manuscripts but digitised catalogues of manuscripts. The first of these might be expected to limit their scope, though Italy seems to be good at these digital alliances. The second, however, greatly increases it: lots more such catalogues exist than do new manuscript digitisation efforts, so they are able, having mapped the incoming database to their own (a project in which I suspect I recognise the hands of the Università di Firenze), to present really quite a lot of data. On the other hand, because of the first that data is of quite varied quality and because of the second, ultimately all it is is a manuscript finding aid, not an actual repository.

I did a very quick test case that illustrates the issues. Firstly, my Italian not being so great and me not having really read the instructions, I tried just the word «aprisio» in the search box, but it returned nothing, so I bethought myself of metadata not data and started plugging possible author names in. I was searching, you may guess, for things Catalan and the surprising thing is that I found some. Slightly more surprising to me was that some turned out to be at the Escorial library in Madrid, which I didn’t think had any manuscripts digitised, and this is about the point where I discovered that we are dealing only with catalogue entries. But I persevered because there is really only one manuscript about the Escorial I know anything about, Z.II.2, which is the judge Bonhom’s copy of the adapted Visigothic Law.1 It is there, but all you get is the shelf-mark, so, well, what use is this?

It’s not as if asking the Escorial’s website gets you anything better, of course: its search engine breaks under the simplest query and if you poke far enough into their site you find what purports to be a download of their 1910 catalogue of Latin manuscripts that actually comrpises only the Prologue of its first volume.2 So there is probably less use TRAME could be, but it gets worse. Another example. Having with my first search established that there were manuscripts in this database from the Biblioteca de l’Universitat de Barcelona, I made it show me everything they had there, and this is revealing. Firstly it’s replicated between constituent databases a lot, some manuscripts appearing in several, but it’s the nature of those databases that makes me cross. For this search, lots comes from a resource called BISLAM, Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi, which is available through the portal with which the whole effort apparently started, a subscription service called MIRAbile.3 And what that means is that all you can get from a given search in it is an entry like the below and an invitation to subscribe for more information.

Screen capture of a MIRAbile database entry without subscription

There are those of us who would call this spam, and I’m really quite surprised that they got public funding thus to funnel people to their own pay-site. This seems to be the model of all the databases they connect, in fact. And since one of those databases, MSS-b, appears to be a citation index for manuscripts that, unless you have a subscription to that, gives you only single citations of manuscripts in scholarly literature but neither a verified shelfmark for the manuscript nor any part of the relevant scholarly publication. Again, what use is this? I would submit, not a whole lot.

Screen capture of a subscription-less MSS-b database entry

In fact, unless you really need to know a selection of odd mentions of the manuscript you work on and have a research library of international calibre to find them in, the only real use I can see for TRAME is to funnel your money towards their electronic subscription services. Presumably it’s this proud use of public money that means that the ‘costs’ page just links out to a parent body’s homepage and that there has been no news on this project’s website for nearly two years. I’m surprised and disappointed to find that one of their partners is the Institut de Recherche et d’Histoire des Textes, and rather sorry to find any universities involved with it at all. May it have made no-one rich!


1. Text printed as Jesús Alturo i Perucho, Joan Bellès, Josep M. Font Rius, Yolanda García & Anscari Mundó (edd.), Liber iudicum popularis. Ordenat pel jutge Bonsom de Barcelona (Barcelona 2003), and online for free here, but I’d still like to be able to virtually see the manuscript.

2. P. Guillermo Antolín (ed.), Catálogo de los códices latinos de la Real Biblioteca de l’Escorial (Madrid 1910), 5 vols.

3. Roberto Gamberini (ed.), BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors (Firenze 2003-2010), 3 vols & CD-ROM, which I’m sure is a very useful thing in its way but not free.

Gallery

Perhaps the most castly castle ever

This gallery contains 23 photos.

As I teeter through the ruins of my sleep patterns towards the end of the term, there seems to be just about time tonight to attack the blog backlog! And that puts me up against the last set of photos … Continue reading