The Picts have recently been invading the blogosphere. I didn’t start it, though my rant about the Pictish Arts Society has been part of it. But at about the same time Carla Nayland opened the very vexed question of Pictish matriliny at her blog, and the comments have ballooned into a very interesting exploration of just who and what the Picts were, which is something of course which we will never really be able to settle, but that’s not going to stop bloggers trying :-)
I’ve weighed in quite a lot there already, and when I found myself building another mini-essay for her comment box, I decided at the last minute to bring it here instead. Partly because I’ve dominated that too much already, partly because I think it will work better with pictures that I can’t provide there, and mostly because I want to establish a claim on some of these ideas, which I’ve been wanting to find time to write up properly for ages, in my own space on the web. Selfish, but that’s blogging for you, it’s about thinking you have something to say, isn’t it. So here goes. Let’s mark that with the traditional Pictish Beast and get down to the politics.
![]()
Carla says, you see: “There’s little doubt that the people fighting the Romans were the same people who later became called the Picts.” And this is indeed a staple of the field, but I’d have to quarrel I’m afraid. I think Picts means too many peoples. Let me explain.

There’s a huge area of what is now Scotland that Pictland is supposed to cover, in which we can dimly detect lesser political formations. At first there’s the Caledonii and Verturiones mentioned in Ammianus (if that is Ammianus, I forget), then we get a whiff of a kingdom of Argyll later on, this mysterious place Fortriu, Orkney seems to be sort of a kingdom or sub-kingdom apart…
All this could make a model like England, where there are lots of kingdoms and maybe sometimes an overking but we can still talk about the English as a lump, even if maybe not before the Viking Age. But there’s also the material culture. In the North-East, the `Picts’ build (or had built and now lived among) brochs.
In the south-west they like souterrains to store their grain in, in a way that the rest of `Pictland’ does not.
In the East and South-East they bury like the British, in long cists, except that sometimes the `Picts’ recycle symbol stones as grave-slabs, which is extremely difficult to understand given what I think the symbol stones are;
but elsewhere they either like reusing cairns, for important people presumably, or we just don’t really know what they did. Some Pictish place-names are identifiably Pictish because they are recognisably P-Celtic; but some don’t appear to be Celtic at all, and the actual script of the symbol stones, where it’s used, is Ogam imported from Ireland, and has `maqq’ instead of `mapp’ so that the language of writing may even have been Gaelic.
No way are these all the same `people’.
You just can’t talk about Pictish material culture or society the way you can talk about `Saxon’ archaeology, except where we’re dealing with art and the stones, which seem to be élite statements of some kind because they must have cost real wealth to get made. Pictland is a political construct, just like England, which is built out of smaller units; but the lost history of those units seems to be much more various than in England, and we probably need to think of Pictland in terms of something that exists as a unit only for brief periods, like Wales for example except more often than that, and at other times is a grouping for whose various inhabitants and their local cultures only outsiders from beyond the walls would use the same name.
This helps explain another question asked in Carla’s comments, about what happens to the Picts, in fact, because I think that the answer is that really, the most identifable thing about them, their stonework and sculpture, is an élite cultural manifestation that needs to be thought of as court or noble culture. Most of the so-called `Picts’ would have had precious little to do with this stuff, however distinctive it be. So when the élite changes, as it does with Cinaed mac Alpin’s takeover, even if maybe not by much, there is a sea-change in élite self-representation, the nobles may be the same people but they fairly quickly change their fashions, and the result is that we stop seeing the only thing that really identifies itself as `Pictish’ so quickly that we wonder where all the `Picts’ went. Well, they were probably still there but with nothing to identify them by. I bet that Pictish went on being spoken just as much—but then the Vikings arrived and messed up the place-name map for ever.
26 March 2008 at 6:33
[...] Pictland Should Be Plural, by Jonathan Jarrett. [...]
7 December 2008 at 3:52
Hi Jonathan,
I enjoyed reading this post. It helped me understand more about the Picts… I am doing a research paper on Ireland, and am writing the history of ancient Ireland currently and your site came up when I was searching Pictland, from where St. Patrick originated (in Dumbarton). Thanks for the insight.
Phylicia Duran
7 December 2008 at 16:53
Glad to have helped, but, er, I should read a little more widely about Patrick than that if I were you. The location of his birth is not securely identified, and Dumbarton was never in Pictland anyway, being the capital of the Britons of Strathclyde! These links may help you.
19 December 2008 at 16:38
Hm, guess my information was severely off! Thanks for the links…
17 January 2009 at 2:39
very interesting and I think you are right on the money with how they Picts “disappeared” through some sort of assimiliation. It happens worldwide….like the Anastazi for instance.
30 October 2009 at 2:35
This really was interesting. I thought we might have the oldest US archeology in the Ohio Valley with the Adean peoples and the Anasazi out west but the Picts appear to be older. Its really breathtaking that you have structures, stones and language to explore from this time period. I became interested in Picts reading that the Romans found them frightening in battle because of the blue tatoo art work on their naked bodies. So much to explore there. Their choice of tatoo imagery, their war style mind set and why did it frighten Romans. It would take alot to frighten Roman soldiers I’d think! That would be some art work to see! Oh to be a fly on a tree watching the Picts interacting, or better yet, tatooing one another other. Betty, Texas.
30 October 2009 at 10:47
There’s considerable argument, among the very small group of people who care about such things, about whether they really did have tattoos or whether they just wore body-paint for battle; the most recent thing on the subject is Kyle Gray, “Tattoo Redux: Picti, Pechts and the Motherland” in Journal of the Pictish Arts Society Vol. 12 (Edinburgh 1998), pp. 24-39, but it gets a bit crazy about the importance of mothers in Pictish society. It does collect all the references to painting and/or tattooing though; there aren’t so very many… Glad you found the post of interest!
1 November 2009 at 5:48
Please forgive my uneducated comments and thank you so much for replying and for your journal reference that perhaps I might be able to locate on the internet. The artistic talents, skills, tools and artistic spiritual perspectives of world cultures, historically is so interesting to me, with art being a common thread for man throughout human history. I want to credit the Picts with being a particularly artistic people. I realize much is just not known. Thank you again.
1 November 2009 at 10:02
They definitely had their own unique style, though as I say in this post, who “they” are in this instance is a difficult question and I think the art may have been almost all that united them, at least as far as we can now see. I don’t think you’ll find the PASJ online, not least because the Society that originated it is now rather troubled, but you may get somewhere with what’s left of their old website or the Yahoo group they briefly had running. The new site is up but not finished, and the contact details on that might be good; if so, I’m sure they’d at least be able to e-mail you scans of the article. If not, comment back here and I’ll see what I can do with my copy.
3 November 2009 at 7:22
All links above were good, and appreciated. Most sites show the stone art and symbols.
I’m thinking there probably isn’t anything showing a painted Pict warrior? The pre-Book of Kells Pict history and their possible influence on the monk artists of Iona is very interesting. I wish Scotland much success in discovering more artifacts and information on their Pict history. A very interesting history for sure. Betty.
3 November 2009 at 20:36
I’m afraid I don’t know of anything actually showing the warriors painted, no, and this might be one field where I can be reasonably confident that I would. Who knows if the stones used to be painted, of course! It has been suggested that they were, at least.
19 November 2009 at 21:34
Jonathan, I found a North Carolina University web site which seems to give engraved illustrations of Pict warriors, found in the book, “A True Report of the New Found Land of Virginia” written in 1588 by Thomas Hariot. Hariot includes engravings by Theodor de Bry of Picts to explain what other countries primative warriors looked like (I guess in comparrison to American primative indians).
The website is:
learnnc.org/lp/multimedia/6277
I am also going to try and forward the page to you. I would just search learnnc.org and then search Pict engravings.
I would be interested to know what you thought after viewing this. -If interested. Betty.
19 November 2009 at 22:36
Well, I think that de Bry knew no more than we do and probably less, given that as an ex-pat Fleming I doubt he knew the symbol stones well! What we have here is an illustration of the tradition of the Picts of Tacitus’s Agricola isn’t it, and not anything with evidential value for the Picts themselves.
20 November 2009 at 0:20
I agree. Still there it is for all to see whether or not they may or may not be a discerning viewer. Just for your information the original John White paintings (from which the engravings came from)are surprisingly enough on this web site: posters.com just search John White, artist. ~Thank you for your input. I really appreciate it. I think until any real evidence turns up, my recreational search is done. Betty.