Tag Archives: Joan Vilaseca

Gallery

In Marca Hispanica XXXII: coastal Gothic

This gallery contains 6 photos.

In between second-marking palæography assignments I think I have time for a quick photo post. Now: we left this story of my April 2015 trip to Catalonia, now sadly more than a year ago again, with me in Barcelona but … Continue reading

In Marca Hispanica XXV: la meva primera adreça publica en català

I wrote a few posts ago of having been able actually to talk to fellow scholar of the tenth-century Catalan coinage Xavier Sanahuja, and that is because over 4th-6th December 2013 I was very briefly in Barcelona, and my backlog has now got up to that point so I should tell you about it. The occasion was a very numismatic one, a launch party for two works. The first of these was the then-latest volume of the periodical Acta Numismàtica that I was just showing you pictures from, but the second was a rather weightier work, Medieval European Coinage 6, with a catalogue of the coins in the Fitzwilliam Museum, 6: the Iberian Peninsula, by Miquel Crusafont, Anna Balaguer & Philip Grierson, at which point you may see where I came in.1 The occasion was put on (and the accommodation for myself and the other UK participant, Dr Elina Screen, general editor of the series, generously paid for) by the Societat Catalana d’Estudis Numismàtics, who publish the Acta, and it was a really nice occasion, but somewhat challenging because it involved me giving a speech. I thought that it would look pretty weak if I, the scholar of Catalonia, speaking in the Institut d’Estudis Catalans, already, didn’t do so in Catalan, but my Catalan isn’t very good.

Miquel Crusafont i Sabater, Anna M. Balaguer & Philip Grierson, Medieval European Coinage, with a Catalogue of the Coins in the Fitzwilliam Museum, 6: the Iberian Peninsula (Cambridge 2013)

Cover of Miquel Crusafont i Sabater, Anna M. Balaguer & Philip Grierson, Medieval European Coinage, with a Catalogue of the Coins in the Fitzwilliam Museum, 6: the Iberian Peninsula (Cambridge 2013)

There is a story I tell about my learning Catalan. I’ve never actually been taught either Catalan or Castilian (i el meu castellano és molt pitjor, cosa que no creu cap català!) When I first came up with an idea to work on this area, I was a Master’s student, and I took my idea to Professor Rosamond McKitterick, who was more or less in charge of me at that point. She told me to take it to Dr Peter Linehan and ask him if it was viable, and he said, if I recall, “Yes, I suppose so, if you can read Catalan. Can you?” And I replied, “I don’t know, but I’ll go and find out.” I went and looked through the first two things on the reading list he’d given me, one of them being Abadal’s Primers comtes catalans as I recall, and the other some earlier work of Abadal’s, and I found that what with several years of both Latin and French I could manage, with a dictionary to hand somewhere. When I came to write up the relevant essay, in fact, I realised that the second Abadal piece had actually been in Castilian, but by then it was too late!2

Joan gili's Catalan Grammar, 2nd edn.

As you can see, my guide to good Catalan was extremely second-hand… This is the second edition, it’s now in its nineteenth!

Anyway, I managed, and realised that Rosamond had been right that no-one else in the UK was using this brilliant mass of evidence, and here I still am, except when I’m doing something else. This does not equate to a speaking knowledge of a language, however! In fact, I made a bit more of an attempt to learn by means of picking up a copy of Joan Gili’s Catalan Grammar when it passed through the hands of the booksellers who then employed me, and that and a Routledge dictionary have held me together. Every trip out to Catalonia I make my grasp of the spoken language gets a bit better, too, but it’s still not good, and the fact that I learnt it from a grammar written in the 1940s means that people marvel at my last-century mannerisms while I don’t get half the colloquialisms, especially the periphrastic past tense using anar, which is really common but which Gili obviously didn’t like and mentions only in a footnote.3

Sala d'adreça in the Institut d'Estudis Catalans

It looks less of a challenge in this state than it did when it was full of learned Catalan scholars

So on this occasion I cheated. I didn’t mean to! I wrote a speech, in actual Catalan as far as I could, and passed it to Xavier to correct, and got back what was basically a rewrite, saying what I’d wanted to say but in almost none of my chosen words, and it was so close to the time by then that I just delivered that. I delivered it among the great and the good, though, as Joan Vilaseca has recorded: the occasion was led off by Professor Jaume Sobrequés i Callicó, no less, and Xavier, Elina and the surviving authors also both spoke, as well as the President of the Institut and the head of the Consulat Britànic a Barcelona. But I did OK, I think, and I had to speak Catalan for real afterwards as almost everyone I’ve corresponded with in Barcelona was there, most notably Professor Gaspar Feliu i Montfort, to whom I owe a great deal of help, and of course Joan Vilaseca, loyal fellow of this blog and major contributor to the effort of making resources for studying Catalonia available online via Cathalaunia.org. I hadn’t expected to meet Joan—as he says in his report, he had heard about the occasion only that day—and it was great to meet him and put a face to the comments; thankyou, Joan, for coming out for it! And then there was an excellent dinner and late-night gin-and-tonic with numismatists in a cellar bar, making the whole endeavour seem much more underground and gritty than one usually expects, which is where we were discussing hoard provenance of transitional diners, because we know how to have a good time… But a good time it was, and it also gave me about twenty kilos of books to take back to Cambridge or Oxford and a day and a half in Catalonia to do something with, about the latter of which I’ll tell you post after next!


1. Full cite, because I’m still proud of it, Miquel Crusafont, Anna M. Balaguer & Philip Grierson, Medieval European Coinage 6, with a catalogue of the coins in the Fitzwilliam Museum, 6: the Iberian Peninsula (Cambridge 2013). This won’t be Philip’s last work, either, not bad for a man who died aged 96 eight years ago!

2. Ramon d’Abadal i de Vinyals, Els primers comtes catalans, Biogràfies catalsn; serie històrica 1 (Barcelona 1958, repr. 1980), still not a bad place to start, in fact, and probably idem, “El dominio carolingio en la Marca penínsular hispánica. Siglos IX y X” in Cuadernos de Historia. Anexos de la Revista «Hispania» Vol. 2 (Madrid 1968), pp. 38-49, transl. as “El domini carolíngi a la Marca Hispanica (segles IX i X)” in idem, Dels Visigots als Catalans, ed. Jaume Sobrequés i Callicó which is why it’s worth mentioning in this post you see, Estudis i Documents 13 & 14 (Barcelona 1969, repr. 1974 & 1989), 2 vols, I, pp. 139-152.

3. Joan Gili, Introductory Catalan Grammar, with a brief outline of the language and literature, a selection from Catalan writers, and a vocabulary (Oxford 1943, 2nd edn. 1952, many more since), periphrastic future dismissed at p. 50 of the 2nd edn. n. 1, “very often in use”. That’s exactly the problem!

Chasing a fake chronicler: ‘Eutrand’ of Toledo

OK, I’m back! Sorry, there were two conferences and there are still many deadlines, but so many people at Leeds were kind about the blog that I feel under even more compulsion than usual to combat its backlog. I hope to post pretty frequently for the next few months now, as my responsibilities are about to acquire a much more regular shape, which will itself be a post topic shortly. Meanwhile, here’s a post I’ve been wanting to write for a long time. It’s something of a historiographical detective story, and it doesn’t have an ending, because as you will see I had to decide somewhere along the line that it was too much of a sidetrack for me. But it has a clear beginning, and that is with a post of Joan Vilaseca’s in May 2012 at his Cathalaunia blog. For those not up to a bit of Catalan, the post was about the earliest date we could put on the presence the relics Saints Llucia and Martial at Sant Sadurní de Vic, and Joan had just discovered an apparently-unnoticed mention of this in the Chronicon of Liudprand of Cremona.

The frontage of Sant Sadurní de Vic

The frontage, which is all that remains, of Sant Sadurní de Vic, taken from the Carrer de Sant Sadurní by your humble author

You can imagine that this got my attention immediately. There is information about tenth-century Vic in the work of one of the most chatty chroniclers of the early Middle Ages? How had I missed it? So I clicked on the links Joan had helpfully provided and immediately found myself in a world of confusion, which is sadly reflected in the comments I left on that post. For a start, the seventeenth-century edition that Joan was using made the division between its texts very hard to spot.1 (There is no contents page…) So I looked for the extract in the Chronicon, not realising there were other texts in the volume at all, and found myself in something that seemed pretty clearly to be a truncated version of Liudprand’s Antapadosis, and I’ve got that and this bit isn’t there.2 Tracking the reference through the linked edition eventually clarified that the bit that Joan was using came from a text which the editor had called the Fragmenta.3 But there are, canonically, four works attributed to Liudprand: the Antapodosis, a scurrilous and gossipy account of tenth-century Italian and German history as Liudprand had lived through it notionally addressed to Bishop Recemund of Córdoba, whom Liudprand had met at the court of Emperor Otto I of the Germans, Liudprand’s second boss; the Historia Ottonis, a short but detailed account of Otto’s deposition of Pope John XII; the Relatio de Legatione Constantinopolitana, a bitter and vituperative attempt to excuse the failure of an embassy he’d led for Otto to the Emperor Nicephorus Phocas; and a recently-recognised homily on Easter. So what on earth was this?

Title page of the 1635 edition of works attributed to Liudprand by Tamaio de Vargas

Title page of the 1635 edition of Liudprand’s spuria that started this trouble, details visible or in notes below

It wants saying at this point that it is really perfectly fair for someone coming new to this stuff to take it for real. Joan had the best reason of all to take them seriously, to wit, that he was following up a citation from a book chapter by Manuel Riu i Riu, whose work was not the sort of place where one usually found forgeries cited.4 And after all, it’s just not normal to find a seventeenth-century book of 427 pages in Latin with all the special typefaces and so on and it actually be completely false. The thing looks serious. Even if the suspicion arose, though, you would have a hard time checking it. None of the standard editions or translations of Liudprand I knew so much as mention any dubious or pseudonymous writings, by which I mean the standard (and web-accessible) editions of the Monumenta Germaniae Historica, Wright’s famous translation or Squatriti’s new one that includes the homily.5 Even the brand-new edition by Chiesa, which I only got hold of later, only mentions them in passing once as “le opere spurie”, without further explanation, and in fact refers to the Chronicon once beforehand as if it might be a genuine work, just misattributed.6 I even spoke to two people in Oxford who’ve published on Liudprand, and they’d never heard of these texts. And web-searches only brought up the various seventeenth-century printings of these texts without contexts, and brought me back to where I’d started. So it seemed that there was really very little help to be had here beyond going back to the text and trying to figure it out.

Frontispiece of Higuera & Ramírez's edition of all the claimed works of Liudprand of Cremona

Frontispiece of the 1640 Antwerp edition of our problem texts

I couldn’t get very far with the Google Books version; there are times when a physical edition is still just easier to page through, and those times are when you don’t know what you’re looking for. But where was I going to find a dodgy seventeenth-century edition of Liudprand of Cremona in actual paper? And the answer turned out to be: where I worked, because the Upper Library of the Queen’s College Oxford has quite a lot of seventeenth- to nineteenth-century antiquarian works they apparently bought in a rush with a bequest and among them was a slightly later Antwerp printing of the relevant text.7 Once I’d got the thing open before me, I first noted that this edition contained, as well as all the three ‘regular’ works, the Chronicon, a Historia de rebus suo tempore in Europa gestis, a De adversariis, a Liber de vitis romanorum pontificum and the Fragmenta, that is History of Events in Europe in His Time, On Enemies, Book of the Vices of the Roman Pontiffs and Fragments. It’s quite full. The extra ones do admittedly sound like things that Liudprand might have written, but it didn’t take very long with the Chronicon to be sure that that, at least, could not be his. For example: its second entry states that in AD 607 Muhammad began to preach ‘his error’ in Spain and was booted out by the Archbishop of Toledo; only in 619, therefore, did he translate the said error into ‘books in the Arabic language’. Charlemagne, already mentioned as a saint in the prolegomena, is recorded visiting Toledo in 781 (although the era date given corresponds to 771) in order to marry Galiana, the Christian daughter (converted, of course, by an archbishop of Toledo, a title that perhaps we should mention they did not yet use) of a King Galafrid of Toledo, Muslim despite his name. I guess that I don’t need to point out that Charlemagne never came further south into Spain than Saragossa. In 799, King Alfonso the Chaste of Asturias and Count Roland and a bunch of Frankish nobles all go on campaign together; Roland, of course, had died in 778 at Roncesvalles and probably never met Alfonso. The best one is earlier, sub anno 690 where it says that there are ten languages spoken in the Iberian Peninsula, and lists them as “Hispanica, Cantabrica, Græca, Latina, Arabica, Chaldæica, Huriano, Celtiberico, Galicano et Catalaunica”.8 It’s hard to know what’s wrongest here, but it’s all pretty crazy and not something anyone could have thought in the tenth century. In fact it’s hard to think of a time when someone could have thought it!

The Upper Library of the Queen's College, Oxford

The Upper Library of the Queen’s College, Oxford

All this therefore raised the question of what the text is actually supposed to be, and that’s also fun. The text starts with a letter from Bishop ‘Tractemund of Elvira’, apparently meaning the real Liudprand’s real correspondent Recemund of Córdoba, telling Eutrand (as it spells him) that Tractemund has received the Antapodosis and the De rebus gestis, but he has very few other books in Elvira because the Muslims have destroyed so much and he gathers that at Eutrand’s new home in Fulda there may be a copy of the Chronicon of Maximus and Dexter. Luidprand (so spelt) then replies in a letter that follows in the edition, saying yes, as it happens they do have a copy of the Chronicon. Since it only went as far as 612, however, what he’s actually sending is his own supplement from 606 to 960, including lots of stuff about their mutual acquaintances in Spain, because, you see, these letters also make clear that Eutrand is supposed to have spent some considerable time as a subdeacon in Toledo, only going to Pavia to become a deacon later and then getting out to Germany sharply afterwards. It would be marvellous if any of it were true, but it can’t be: Liudprand’s career is well-enough documented that we can see there isn’t a gap that size in it, nor any suggestion of such a thing in the Antapadosis, written, you will remember, for a Spanish recipient. But the editor, one Jeronimo Román de la Higuera, spends some time justifying this, and in limited support, the person they get to introduce the volume says that Higuera and his colleague extracted the manuscript from Fulda’s library (something that the editors themselves do not mention, even when arguing for the authenticity of the text).9 But the notes, which are supplied by one Lorenzo Ramírez de Prado, are said to come from the Tamaio de Vargas edition, and it’s all extremely tangled.

It seems, however, that it is Higuera who was the problem. I did not know till I looked into this, but Higuera was one of the most notorious forgers of perhaps the entire early modern era. He is credited with so many faked texts, all more or less to the greater glory of his native Toledo, that some of his defenders (for as a prominent Jesuit he has had some) have attempted the rather weak argument that it seems impossible for one man to have forged so much, so it can’t all have been him at which rate is any of it?10 And there is something in this, because although several of the texts in the 1640 edition don’t occur in the 1635 one, the Adversaria first turning up in the younger printing, for example, the De Vitiis apparently first surfaces in an edition by itself in 1602.11 And anyway, what about Tamaio? And the answer to that turns out to be that Higuera’s stuff was being banned in Spain as forgeries even in the 1630s, which is why none of this stuff was printed there, and Tamaio seems to have been more or less a conduit for Higuera in getting it out.12 And what was it that got Higuera into trouble? Nothing other than the Chronicon omnimodae historiae of Flavius Lucius Dexter, first known from an edition by Francisco Bivar in Lyons in 1627 but apparently something in which Higuera was neck-deep anyway.13 So it does almost all keep going back to the one man.

Title page of the source edition of the <em>Chronicon Dextri</em>

Title page of the source edition of the Chronicon Dextri

Now, you will deduce from this that I eventually found some literature about this problem. In fact, the obvious thing that I should have done straight away but only thought of later was to look in the Patrologia Latina, because Migne seems to have been the last person before Chiesa to admit these texts existed. He printed the Chronicon, but he followed it with an absolutely stinging rebuttal of its authenticity by Nicolás Antonio Hispalensi from a text called the Bibliotheca Vetus Hispana, in which the author calls Higuera every kind of fraud and denounces his errors about various saints and historical figures, all of whom by some erudite confusion or in some cases, as with Charlemagne, by brass-faced error, wind up with an origin in or some connection to Toledo, in cataloguic style.14 And then, more solidly and thoroughly, there is an 1868 work by Jesús Godoy de Alcántara that sets it all into a history of seventeenth-century forgery and which is also now online, and since then some other useful bits have been written that I have eventually also found.15

All the same, it seems to me that there is still work to be done here. For a start, not all of this rubbish came directly out of Higuera’s head. Godoy identifies some sources here and there: the story of Charlemagne and Galafrid is a part of the Charlemagne legend, for example, and is a lot older than Higuera, however great it may have seemed for his purposes. But there’s a lot more that could be done, especially with the Notae that Tamaio provided to the Chronicon, which include a good few inscriptions and other texts he thought relevant entire. It would be nice at least to rule out the idea that he or Higuera had source texts that might in some cases have been from somewhere near the period they purported to recall. But what? One wants to sit down with as many of the texts as one can and slowly go through working out what the layers of accretion are, checking phrases in the Pat. Lat. to see where they’ve been lifted from and generally working out a bit more about what is clearly Higuera, what Tamaio and so on, and what is less obviously explained. And this was, of course, the point at which I shook myself, said to myself, “this is not your research. This is a dissertation topic for someone else” and dropped it. And so one reason for putting all this up here, I suppose, is in case anyone happens to want what looks like a fun thesis topic… But the main reason is that because this stuff answers to a web-search now and most of the limited scholarship is in Spanish and doesn’t, there’s every reason for someone encountering this stuff as it comes up with your search terms, not necessarily near any of the overtly crazy bits, to assume it’s genuine. So there really ought to be something out there and easy to search up saying that it’s not… Hopefully this will do!


1. The edition Joan was using was Thomas Tamaio de Vargas (ed.), Luitprandi, sive Eutrandi e subdiacono toletano, & Ticinensi diacono episcopi cremonensis, Berengario II. Italiae Regi a Secretis, pro Othone I. Germ. Imp. ad Pont. M. & ad Imp. CP. legati Chronicon ad Tractemundum Illiberitanum in Hispania episcopum, a multis hactenus desideratum, nunc editam (Mantua 1635), online here.

2. I’m not quite sure how I did this, as I must have stumbled into the De rebus gestis discussed below, which is indeed nothing but a truncated version of the Antapodosis but is not printed in Tamaio, Chronicon, but in Jeronimo de la Higuera & Lorenzo Ramírez de Prado (edd.), Luitprandi Subdiaconi Toletani Ticinensis Diaconi tandem Cremonensis Episcopi Opera quae extant: Chronicon et aduersaria nunc primum in lucem exeunt (Antwerp 1640), which is online here.

3. This is printed in both the above editions, but it’s still not simple to cite: neither have contents pages, and they paginate each work separately. It occupies the last fifty pages bar index of the Tamaio edition. Tamaio introduces it with a title page saying that it is “Luitprando sive Eutrando hactenus attributa”, ‘until now attributed to Liudprand or Eutrand’, but by the actual text that caution has been forgotten and the reason to question the attribution is never given. The text itself is a strange bundle of 270 separate little items, some large and some no more than “In Hispania habuit Carolus Martellus multos amicos, ut apud Cantabros, & Astures.” (‘Charles Martel had lots of friends in Spain, just as he did among the Cantabrians, and the Asturians too.’ (no. 252)) Only about half are dated, and they’re arranged in seemingly indeterminate order, a few being related by theme but not all of those on one theme being gathered together. It’s a bewildering text, though the bit quoted suffices to show that it too knows more modern names than it should to be what Tamaio claimed.

4. M. Riu i Riu, “Consideraciones en torno del Cronicon Luitprandi” in Luisa D’Arienzo (ed.), Sardegna, Mediterraneo e Atlantico tra medioevo ed età moderna: studi storici in memoria di Alberto Boscolo (Roma 1993), 3 vols, II, pp. 23-29. Riu’s reference was Tamaio, Chronicon. He was a canny man but not always alert to forgery: there’s a few things in his “Diplomatari del monestir de Sant Llorenç de Morunys (971-1613)” in Urgellia Vol. 4 (Montserrat 1981), pp. 187-259, that I’m very reluctant to accept. This is such an obvious case once you read it, though, and here discussed in a memorial volume, that I’m inclined to wonder if he might have been perpetrating a joke that would have made the deceased friend or colleague laugh…

5. There are three MGH editions, Georg Heinrich Pertz (ed.), Monumenta Germaniae Historica inde ab anno Christi quingentesimo usque ad annum millesimum, Scriptorum Vol. III (Hannover 1839), pp. 264-363 (online here); Ernst Dümmler (ed.), Liudprandi episcopi cremonensis opera omnia, in usum scholarum ex Monumentis Germaniae Historicis recusa (Hannover 1877), which is now on sale all over the web in knock-off reprints from the PDF but also in the Internet Archive here, whence presumably the reprints’ source PDF; and Joseph Becker, Die Werke Liudprands von Cremona, Monumenta Germaniae Historica (Scriptores rerum germanicum in usum scholarum separatim editi 41 (Hannover 1915), online here. The two translations here referred to are F. A. Wright (transl.), The Works of Liudprand of Cremona (New York City 1930) and Paolo Squatriti (transl.), The Complete Works of Liudprand of Cremona (Washington DC 2007). None of these mention any spuria where I can find it.

6. Paolo Chiesa (ed.), Liudprandi Cremonensis Opera Omnia, Corpus Christianorum: Continuatio Medievalis 156 (Turnhout 1998), pp. xli & xxxviii & n. 31, where: “Il riferimento è al Chronicon ad Tractemundum di Eutrando, subdiacono di Toledo, confuso con Liutprando nell’editio princeps di quest’opera.” and a reference to the following mention.

7. None other than Higuera & Ramírez, Luitprandi Opera, in fact.

8. These cites, however, come from Tamaio, Chronicon, s. aa., simply because that was the link I opened first when finishing this post off.

9. Higuera & Ramírez, Luitprandi Opera, pp. xxviii-xxix (where they are more concerned to establish that it’s perfectly to be expected that this text would contain chunks of Pseudo-Turpin) & xlii-xlv (justifying Liudprand’s Spanish sojourn from Julian Perez’s Chronicon, printed as Iuliani Petri Archipresbyteri S. Iustae Chronicon cum eiusdem adversariis et De eremeteriis Hispaniae brevis descriptio atque ab eodem variorum carminum collectio, ex Bibliotheca olivarensi (Paris 1628), online here; there is no editor stated as such, but not only is the dedication by Lorenzo Ramírez de Prado, the copy digitised by Google is even signed by him in the flyleaves. That is, they justified their fabrications of a continuation of a false chronicle they’d already published by reference to another false chronicle that they had already published! It’s amazing. It’s only in Eric Puteano, “De Luidprandi… nova editione… Iudicium….”, in Higuera & Ramírez, Luidprandi Opera, pp. xxii-xxiv, where the claim about the manuscript is made. But cf. n. 14 below!

10. See Georges Cirot, “Documents sur le faussaire Higuera” in Bulletin hispanique Vol. 8 (Bordeaux 1906), pp. 87-95, online here; I owe this reference to Joan Vilaseca.

11. Luitprandi Ticinensis Diaconi Opusculum de vitis Romanorum Pontificium. Item Albonis Florianensis Abbatis Epitome de vitis eorundem ex Anastasii Bibliothecarij Historiae excerpta. Vtrumq: ex pervetustis Mss. Codd. membraneis descriptum, et nunc primum typis procusum (Mainz 1602), online here, pp. 1-118. Again, no editor is specified, although someone has written into the copy digitised by Google an attribution to one Jean Busée. It seems hard a priori to connect this to Higuera. The notice of this printing I got from Chiesa, Liudprandi Opera, p. xli.

12. See Jesús Godoy de Alcántara, Historia crítica de los falsos cronicones (Madrid 1868), online here, pp. 221-251.

13. Francisco Bivar (ed.), Fl. Lucii Dextri Barcinonensis, Viri Clarissimi, Orientalis Imperii Præfecti Prætorio, & D. Hieronymo amicissimi, Chronicon Omnimodæ Historiæ (Lyon 1627); see Godoy, Historia crítica, pp. 129-179.

14. Jean-Paul Migne (ed.), Ratherii Veronensis episcopi opera omnia, juxta editionem Veronensem, anno 1765, curantibus Petro et Hieronymo fratribus Balleriniis, presbyteribus Veronensis, datam, ad prelum revocata, accedunt Liutprandi Cremonensis necnon Folquini S. Bertino monacho, Gunzonis diaconis Novariensis, Richard abbati Floriacensis, Adalberti Metensis scholastici, Scripta vel Scriptorum fragmenta quae exstant, Patrologiae cursus completus series latina 136 (Paris 1853), cols 937-1180, in which cols 937B-966B reprint Nicolás Antonio Hispalensi, Bibliotheca Hispana Vetus, sive Hispani Scriptores qui ab Octaviani Augusto ævo ad annum Christi MD. floruerunt, ed. José Saenz de Aguirre (Roma 1693-1696), 2 vols, I, VI.16, and cols 965C-1133 reprint the Chronicon from Higuera & Ramírez, Luidprandi Opera, but attributing it by confusion to a non-existent Antwerp 1640 printing of Julius Reuber (ed.), Veterum scriptorum, qui caesarum et imperatorum germanicorum res per aliquot secula gestas, literis mandarunt, collectio (Frankfurt 1584), which actually contains the Antapodosis, and preceding it, cols 965C-968B, with a preface of Higuera’s which appears in neither edition! This also claims (col. 965C) that the text was “ex libro Gothico ex bibliotheca Fuldensi detracto, Wormatiamque allato” (cf. n. 9 above); Godoy, Historia crítica, pp. 200-202, notes that Higuera’s claims of a busy correspondence between Spain and Fulda were somewhat quashed by Fulda’s denying the existence of his purported manuscripts, so I suppose that’s what had happened here. Godoy then goes on in n. 1 to point out that there is actually evidence for early medieval travel between Fulda and Spain that Higuera didn’t know about, a smug feat he repeated many times in this work. Returning to Migne, Ratheri opera omnia, lastly cols 1133A-1180D reprint the Adversaria from Higuera & Ramírez, Luidprandi Opera.

15. Godoy, Historia crítica; Cirot, “Documents”; Antonio Yelo Templado, “El Cronicón del Pseudo-Dextro: proceso de redacción” in Anales de la Universidad de Murcia: Letras Vol. 43 (Murcia 1984-1985), pp. 103-121, online here; Mercedes García-Arenal & Fernando Rodríguez Mediano, The Orient in Spain: converted Muslims, the forged lead books of Granada, and the rise of Orientalism (Leiden 2009), pp. 195-224.

Picturing Abbess Emma’s associations

Really long-time readers of this blog will maybe remember a debate that got going on this blog in June 2008, apropos of a paper in the Journal of Neurocomputing that was using medieval charter information to showcase visualisation of social networks data.1 I was initially sceptical but talking to two of the authors got me much more interested and I subsequently talked one of them into delivering a paper in the final Problems and Possibilities of Early Medieval Diplomatic session at Leeds, a paper that we did want to publish but which sadly in the end could not be included in the final publication.2 That’s still a shame as there was good stuff to think with there, but of course what any historian dealing with dense social data is going to want to know about such software and techniques is, ‘how will it help me with my stuff?’ And since answering that question usually involves a lot of data entry, it has tended to rest there.

"Representation of the medieval social network with force directed algorithm" from Boulet et al., "Batch kernel SOM and related Laplacian methods for social network analysis", fig. 1

There is also the question of how much a “Representation of the medieval social network with force directed algorithm” like this from Boulet et al., “Batch kernel SOM and related Laplacian methods for social network analysis”, fig. 1, can tell you by itself, which is why of course in that article they then spend a lot of time breaking it down

For my area of interest, this was changed in mid-2012 as the indefatigable Joan Vilaseca of the Cathalaunia website began to investigate applying such techniques to the database he maintains there, which includes quite a lot of the documents from which I ply my trade. Magistra et Mater, who was getting interested in the possibilities of these things around then too, wrote some initial thoughts about what Joan and others were doing at hers in December 2012, and I had already made a stub note to talk about it in October of that year but, well, it’s been queued ever since. There is still plenty to say, though!

The thing that particularly caught my interest was that Joan put up a post on his blog in which he produced a list of the best-connected people in his database, the ones who appear with the most other people, and once the kings who appear in dating clauses and their notaries were filtered out, pretty much top of the list was Abbess Emma of Sant Joan de Ripoll. Since there is perhaps no-one in the world who cares more about Abbess Emma than me,3 this seemed like a really good type-case with which to answer the quesion: does this kind of analysis actually tell us very much that we didn’t already know? And, weirdly, I think that my conclusion is that for me it’s perhaps most valuable for emphasising what we don’t.

Relationships of Abbess Emma in the Cathalaunia database coloured according to grade of connectivity

Relationships of Abbess Emma in the Cathalaunia database coloured according to grade of connectivity

To talk about this it’s necessary to get you the reader clear about exactly what Joan has actually done here, of course. As simply as I can put it, what we have above is a graph built in the following way. In Joan’s database Emma appears in 50 documents and in those 50 documents she occurs with an awful lot of people. Looking for only the most meaningful, Joan excluded from the count all persons with whom Emma turned up only once, which is a lot given that she orchestrated the Vall de Sant Joan hearing in which about 500 people swore testimony for her and then there’s still 48 more documents with her in. That still leaves 112 people with whom she is recorded associating more than once, in fact the total of associations still in the count is 1292. Many of these people also relate to each other and what you have above is a computer-aided display of all those links, with Emma at the centre and everyone else pulled out to where you can see the links. But you can already see from the way that some of the links are made with thicker bands of darker colour that some of these people dominate the sample much more than others. So, who are these people? Well, if you load up the SVG version of this graph on Joan’s blog you can just click straight through to his database records, which is marvellous, but in short the top five are two priests called Gentiles and Guisad, and then three laymen, namely Reinoard, Guimarà and Tudiscle.

Archivo de la Corona d'Aragón, Cancilleria, Pergamins Seniofredo 39

Archivo de la Corona d’Aragón, Cancilleria, Pergamins Seniofredo 39 (reduced-quality version), with Gentiles’s signature lower left centre

This all sounds more or less sensible to me: though I think only Gentiles and Reinoard, maybe Tudiscle, would have been in a top five I’d guessed, I can see why they’re all here. Gentiles was something like the chief scribe of Sant Joan: he appears in Emma’s first appearance as an adult, he went on appearing some six to ten years after her death, and in that time an awful lot of the documents of the abbey carried his scribal signature, even though as Federico Udina pointed out when he edited these documents, they’re not all in the same hand. This presumably means that he had subordinates signing stuff off for him and that his name was important enough that it still had to be there.4 Guisad was another frequent scribe for the abbey, apparently older, and he also appeared on the panel of a couple of the hearings in which Emma pursused people for her rights over their land.5 Reinoard was headman of one of the settlements in the Vall de Sant Joan and worked as court enforcer for Emma once as well as appearing in court when she called them, he was a collaborator of hers whom I’ve discussed elsewhere.6 Tudiscle and Guimarà present a more interesting case: these are two of the landowners whom Emma took to court, but in both cases those episodes were part of a longer relationship with the abbey which had here broken down. I’ve written about these two as well precisely because I think that in Tudiscle’s case the hearing was part of mending that relationship, as his importance seems not to have suffered subsequently, whereas Guimarà seems subsequently not to have worked with the abbess and in fact seems to have managed to shift quite a lot of property once donated to the nunnery onto Emma’s little brother, Count-Marquis Sunyer of Barcelona, Girona and Osona, as part of Sunyer’s campaign to clip his sister’s independently-ruled abbey’s wings.7 But before that he had worked for Emma, and these people certainly make good people to study if you want to understand how Emma worked, which is of course why I did.

Relationships of Abbess Emma in the Cathalaunia database, sorted by modularity

The same relationships now displayed according to their modularity, that is, by the size of the groups internal to the data

So, the first answer to the great question about whether this tells me anything looks like ‘no’; I had already found these people by older methods. But I’m arguably not the target here: the thing is that those methods were very like what Joan’s programming all but automates. I went through the documents, made note of the names who recurred most, assembled profiles of their appearances and decided who were the people I could tell the story with. Joan’s database and graphing together mean that I could, if I was starting again, do in about ten minutes the same exercise that took me weeks when I actually did it. I could do (and may do) the same thing now with Count-Marquis Guifré II Borrell, Sunyer’s predecessor and brother, for whom I haven’t done the same kind of background data-crunching, with far less trouble than I was anticipating. So in terms of research facilitation for others, this is a huge step forward even if it doesn’t help me. I can in fact only tell how much use it is precisely because I’d done it already by another means! (Whether Joan had to put fewer hours in to make it happen than I did for my research is another question of course…)

All the same, as I said above, what it now makes me think is how imperfect our data sometimes is for the kind of questions we might like to ask. If, on first principles, we asked ourselves who the principal contacts of an early medieval abbess was, we would probably presume that the main ones were her nuns. So indeed they may have been here, but as I’ve observed in a supposedly-forthcoming paper, while Emma was in charge of Sant Joan we know the names of only two other nuns, and those are only seen as they join the nunnery, we’ve no idea what Emma’s relations with them were like.8 If we then allowed ourselves to remember that this abbess was a count’s daughter, we might then think about her family as an important second string. But Emma hardly shows up with her family, and when she does it needs very careful reading: I think she only occurs alive and in person with brother Sunyer in the Vall de Sant Joan hearing where she was in theory taking him to court, for example.9 (She also turns up as a neighbour of land he was transferring twice, but of course she wasn’t actually there for that, though it gives us another reason to suppose they had other dealings.10) Also on the defending end on that occasion was their probably-elder brother Miró, Count of Cerdanya, who in his will named Emma one of his executors and had her called ‘my most dear sister’; I think she occurs with him once otherwise.11 She got Radulf to consecrate a church with her once, I think that’s it though.12 We can more or less see from this that this set of siblings were close collaborators even if not always very willing ones but the quantity of occurrences doesn’t really reflect what we can guess the importance of those relationships would have been.

The memorial stone for Abbess Emma in the abbey church of Sant Joan de les Abadesses

Abbess Emma’s memorial in the medieval church of Sant Joan de les Abadesses

The information we get from this, therefore, is not wrong but it is partial. Emma probably did see Gentiles and talk with him most days of her adult life. It’s not clear whether Guisad was also a priest of the abbey but if so, he also would have been a regular feature of her days. She placed a lot of reliance on Reinoard, and that relationship was probably important to both of them in raising Reinoard above his fellows and showing those fellows how Emma could reward her collaborators. Tudiscle and Guimarà, at least at first, were more of that sort of person and even if the relationships probably didn’t mean as much to Emma as that with brother Miró did, for example, they’re historically very interesting and anyone working on Emma would be well served by being pointed towards them. But there is also quiet and missing data that must have made up a great deal more of her life, and that we can’t really reconstruct. It’s not by any means the fault of this technology that it can’t bring that to our notice: it obviously can’t give us back information we didn’t put in. But that also means that the technology is no more than one of the tools we have to use to understand that information in its context, some of which context is simply what isn’t there.13


1. Romain Boulet, Bertrand Jouse, Fabrice Rossi & Nathalie Villa, “Batch kernel SOM and related Laplacian methods for social network analysis” in Journal of Neurocomputing Vol. 71 (Amsterdam 2008), pp. 1579-1573.

2. What final publication, you ask? Why, Jonathan Jarrett & Allan Scott McKinley (edd.), Problems and Possibilities of Early Medieval Charters, International Medieval Research 19 (Turnhout 2013). You could buy it here if you wanted!

3. See J. Jarrett, “Power over Past and Future: Abbess Emma and the nunnery of Sant Joan de les Abadesses” in Early Medieval Europe Vol. 12 (Oxford 2003), pp. 229-258; idem, Rulers and Ruled in Frontier Catalonia 880-1010: pathways of power (Woodbridge 2010), pp. 23-72.

4. Ibid. pp. 29-30; see Federico Udina Martorell, El Archivo Condal de Barcelona en los siglos IX-X: estudio crítico de sus fondos, Textos 18/Publicaciones de le Sección de Barcelona 15 (Madrid 1951), p. 205 for the argument.

5. Jarrett, Rulers and Ruled, p. 59 n. 162.

6. Ibid. pp. 39, 41-42.

7. Ibid. pp. 52-53 (Tudiscle), 53-57 (Guimarà) & 64-65 (Sunyer’s pressure on the nunnery).

8. J. Jarrett, “Nuns, Signatures and Literacy in late-Carolingian Catalonia”, to appear in a Festschrift for Rosamond McKitterick first planned in 2010.

9. The hearing is best printed in Ramon Ordeig i Mata (ed.), Catalunya Carolíngia IV: els comtats d’Osona i Manresa, Memòries de la Secció Històrico-arqueològica LIII (Barcelona 1999), 3 vols, doc. nos 119 & 120, though the palæographic notes of Udina, Archivo Condal, doc. no. 38, are still very useful.

10. Ordeig, Catalunya Carolíngia IV, doc. nos 103, 105 & 155. There are a few other cases where she and Sunyer both turn up as neighbours, but not of the same properties, so I don’t think that really counts here.

11. The will is only printed in Prosper de Bofarull y Mascaró, Los condes de Barcelona vindicados, y cronología y genealogía de los reyes de España considerados como soberanos independientes de su marca (Barcelona 1836, repr. 1990), 2 vols. I pp. 88-90. In Ordeig, Catalunya Carolíngia IV, doc. no. 57 Miró presided over a hearing where Emma was the plaintiff, but she was represented by a mandatory and not present herself.

12. Udina, Archivo Condal, doc. no. 73. The two also occur as common neighbours in Ordeig, Catalunya Carolíngia IV, doc. nos 155 & 419, but again that only tells us that they probably met at some other point.

13. Cf. Jarrett, “Poor Tools to Think With: the human space in digital diplomatics” in Georg Vogeler & Antonella Ambrosiani (edd.), Digital Diplomatics 2011, Beihefte der Archiv für Diplomatik (München forthcoming), pp. 291-302.