[This is a repost of a piece of one of the sticky news posts above, now unstuck and free to assume in its rightful place in the chronological scheme. I repost this bit because I have just got to the point in the backlog where it would originally have occurred and it still seems worth celebrating! There are some light edits to supply larger context.]
In May 2013, there was also a rather large chicken finally come home to roost, to wit Miquel Crusafont i Sabater, Anna M. Balaguer & Philip Grierson, Medieval European Coinage, with a Catalogue of the Coins in the Fitzwilliam Museum, 6: the Iberian Peninsula (Cambridge 2013). There’s no secret here about the labour I’ve poured into this; it was in fact the thing I subsisted on after finishing the Lay Archives work previously referred to, and it was mostly wrapped up and ready to go in 2006 when I got the full-time job at the Fitzwilliam that would, in the end, keep me going for four and a half years. When explaining to people some of the reasons why the volume still then took seven years to appear, I have taken to starting with, “Well, the two surviving authors…” Death, life-threatening illness and then death, divorce, pregnancy, unannounced changes of contact details, unemployment and over-employment (especially this last) have all played their part in delaying the work of the various parties involved, even to the very last minute—a launch party had to be cancelled because of the aforementioned illness, but unbeknownst to authors or editors the book was already on sale anyway—and I think the most amazing thing is that all parties involved have always been reasonable and pleasant to deal with, whatever the new problem was that had arisen. Anyway, it exists, and this is a great comfort to me, as not only do I actually have my name over two small parts of it (well, one small one and the Bibliography, which I think I contributed about a tenth of) but at some point or other in my role as copy-editor and then series editor I’ve probably changed or moved almost every word in it. It’s not my work, but it has been one of my labours, for sure.
Those curious about such matters will probably also want to know how things stand with the rest of the series, and to that I can say from the inside, with suitable caution, that volume 12, which covers Northern Italy and is by Andrea Saccocci, Michael Matzke and William Day Jr, is scheduled to be next and is in its final stages now, and that volume 10, on Scandinavia, by Jørgen Steen Jensen, has been making reliable and steady progress for years and will also soon be finished, we hope, after which it becomes a contest between Britain and the Low Countries to be next. What’s the timescale, you no doubt ask, and fair enough, but you understand that in 2006, there was no way, it was quite frankly impossible to conceive that MEC 6 was seven years away from publication. What could possibly go that far wrong? If I had not lived and worked through those seven years, I would now say: there is no way the next volume can be more than a year away. But I did, so I won’t, because if I do it probably can… [And that paragraph, sadly, I didn’t have to edit at all…]