I expect that you all thought this thread was finished, but no: I have just been waiting, for some time, for the materials for this post to reach me. There will be one more, too, but it’s in the queue. (In the meantime, I have at long last created an index page for all my In marca hispanica posts, now linked off the sidebar in Medieval Tourism Pictures.) So: we left Catalonia last when I was stooging around Barcelona’s Barri Gòtic looking for dead counts, in April of this year. But that had not in fact been my first destination when I got into Barça that day. No, first I went here:
Your first reaction might justifiably be, what were you doing at a high security prison Jonathan, are the experts in your field that difficult to work with? But in fact, the security is differently aimed here: this building is the bigger, newer part of the Archivo de la Corona de Aragón. (Ordinarily I use Catalan for places and institutions in Catalonia, but there was so little Catalan and so few Catalans herein that I think it’s actually misleading. This place is part of a federal institution now and that seems to get right down into its hiring culture and language of operation.)
I was here because the paper that I mentioned a while back that is technically forthcoming only not really, of which I have now had gloomy confirmation from its editor alas, really needs at least one good-quality image, and there are several other documents held here of which, again, I have long wanted a decent facsimile. So, I was after getting some. And in some ways this proved to be very simple, in as much as the Archivo and its staff were very happy to make this possible, in so far as they could understand what I actually wanted and I their instructions about how to get it. (El meu castellano es molt pitjor que el meu català; em disculpeu…) In other ways, much like their digital resource search engine I mentioned a few posts back, it was really pigging complicated. I had already identified the parchments of which I wanted images. There was a form to fill out. That form was then approved by a senior person. Now, he could take the (very small amount of money) they would charge me for this and they would send me a CD-R with the images on. But not straight away. No, first I had to send one of my copies of the form to Madrid, to be approved by the officials of the Biblioteca Nacional there. Then the form would come back to Barcelona, someone would make the images and tell Madrid to send me a formal agreement to sign. Once that was received by Madrid, they would tell Barcelona to send me the CD-R. Six separate stages. All this correspondence and office time must have cost them far more than I actually paid for the facsimiles. But, I got the first part of the form away very shortly after I got back, Madrid responded a month or so later, and then I probably waited a bit longer to answer again because of the exigencies of teaching. It still took rather a long time for the actual images to turn up, however. In fact I was getting rather annoyed and afraid they’d been mislaid.
But now I don’t mind any more because at the end of last month, a mere six months after I began the process, the images turned up and they are bloody great, as you can see above. So now I can finish this post, and any other gripes I might have had are blown away by the pixel depth and the seamless enlargement I can push these things up to. Look, for example, below at the autograph signature of a certain well-known abbess, which on every facsimile I ever saw of this document before was largely hidden under a huge black patch of discolouration. Now, you can still see the patch: but you can also see the word underneath it. It helps to know it’s got to be “abbatissa“, of course, but you can see where it is. And in order to show you this I have blown it up to something like ten times life size. Trust me on this: you can’t do that with most documentary facsimiles. So I’m pretty pleased with these. I would use the word “fids!” except that I’m not sure any of the readership would recognise it (though we can soon fix that); if there’s any that do, however, that is at least how pleased I am. The wheels of the Archivo de la Corona de Aragón grind exceeding slow and not a little erratic; but look how fine they are…1
1. The two parchments are, respectively, Barcelona, Archivo de la Corona de Aragón, Cancilleria, Pergamins, Seniofredo 39 and Wifredo 8, published (the latter with monochrome facsimile) in Federico Udina Martorell, El Archivo Condal de Barcelona en los Siglos IX-X: estudio crítico de sus fondos, Textos 18 (Madrid 1951), doc. nos 128 & 10 respectively.