Is it? That’s the question. I’ve been bothered by this question for a long time, as you know if you’ve been reading a while. We talk of the Picts as a people but much suggests that they were many peoples. That’s hardly surprising, given the way that kingdoms in England and Ireland were forming at the same time, but I’m never sure that it gets into the historiography enough, or that we make the material culture a big enough part of the differentiation. And since I got into this job I’ve been meaning to use it to make me write something—I have in fact written a first draft, if a piece of writing you do to direct the research rather than one that you in the light of it counts as a draft rather than a policy document—trying to make those concerns into a coherent argument.

Distribution map of brochs, forts and souterrains in Scotland, from Martin Carver's Surviving in Symbols: a visit to the Pictish nation (1995), p. 12

Distribution map of brochs, forts and souterrains in Scotland, from Martin Carver's Surviving in Symbols: a visit to the Pictish nation (1995), p. 12

This keeps getting harder. Firstly, as I delay, people like Nick Evans, James Fraser and Alex Woolf close down the angles, so that my point gets smaller and smaller (and more like the few bits of my first Picts paper I still stand by, which means there’s little point in saying them again). Secondly, people like Alex Woolf—in fact, exactly like Alex Woolf, with whom I had the good fortune to discuss this at Leeds and then again here just a few days ago when he presented here, both of which I will record eventually—keep coming up with things that just make me think I’m wrong, or at least that I have to think some more. It may turn out that I actually don’t have anything useful to say. And then thirdly, there’s the actual evidence, brought freshly before me by teaching as well as research. A lot of the distribution maps that were crucial in the original ‘Pictland should be plural’ post of 2008 just don’t make the case I originally thought they should. Partly this is because a lot of the symptoms of cultural production are clustered where there’s agriculturally-useful lowland, which shouldn’t really surprise anyone. But also it’s because more stuff keeps turning up, and that was originally the point of this post when I began it as a stub in July. The thing is that as with most of my links posts, by the time I finally write it up there’s about twice as much as I’d originally expected, but with Pictish archaeology you’d not expect that so much. Even so:


1. On the Beast, you can find sage musings and collected references in Craig Cessford, “Pictish Art and the Sea” in The Heroic Age Vol. 8 (2005), http://www.heroicage.org/issues/8/cessford.html, last modified 27 July 2005 as of 10 November 2011, §§9-16, though I personally hold out for it being the Loch Ness monster as any right-thinking person would, what with the impeccable contemporary literary evidence for Nessie in the period

2. J. Fraser, From Caledonia to Pictland: Scotland to 795, The New Edinburgh History of Scotland 1 (Edinburgh 2009), pp. 94-111.

3. Mind you, if that there wall is part of a curved structure it must have been HUGE. There’s no more curvature visible in that picture to me than I might expect as a lens artefact. I can see why it’s the broch that’s getting all the attention.

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